Gerald Williams (Africobra) USA, b. 1941


Gerald Williams is an American painter whose work explores culture, place and identity from a global perspective. Williams is one of the original five founders of AFRICOBRA, an internationally influential Black arts collective formed on the South Side of Chicago in 1967.


Williams’ paintings depict a polyrhythmic visual representation of life at the intersection of figuration and abstraction. Defined by what he calls “mimesis at midpoint,” his images unfold in a liminal space between what we can see and describe objectively, and what must be thought or felt intuitively.


In addition to the influence AFRICOBRA has had on his development as an artist, the distinctive aesthetic style Williams employs has been informed by a lifetime of international travel and a diverse range of professional, intellectual and aesthetic experiences. After serving in the U.S. Air Force for four years, Williams earned his BA from Chicago Teachers College in 1969, and his MFA from Howard University in 1976. He served two years in the Peace Corps as Prevocational Director in the Jacaranda School for the Mentally Handicapped in Nairobi, Kenya, then taught for four years in the Washington, D.C. public schools. From 1984 through 2005, Williams served as the Director of Arts and Crafts Centers on United States Air Force bases in South Korea, Japan, Italy, the Azores and the United States.


Williams distills the visual languages of the various places, cultures and identities he has encountered in order to express the essence of reality in an aesthetically contemplative way. The quiet nights in Nairobi; the rich colors of African clothing and architecture; the dynamic rhythms of life in the country and the city: all of these things affect his approach, and inform his polyrhythmic visual voice.


Williams’ work is included in several major collections, including that of the Smart Museum of Art, the Brooklyn Museum, the DeYoung Museum, and the DuSable Museum of African American History. Recent exhibitions of Williams' work include Everything Is Connected: Art and Conspiracy, The Met Breuer, NY, USA; AFRICOBRA: Nation Time, 2019 Venice Biennale Official Collateral Event, Venice, IT; AFRICOBRA: Messages to the People, MOCA North Miami, FL, USA; AFRICOBRA 50, Kavi Gupta, Chicago, USA; Soul of a Nation: Art in the Age of Black Power, Tate Modern, London, England; Crystal Bridges Museum of American Art, Fayetteville, AR; USA, Brooklyn Museum, NY, USA; The Broad Museum, Los Angeles, CA, USA; San Francisco MOMA, CA, USA, Museum of Fine Arts, Houston, TX, USA; Gerald Williams, Kavi Gupta, Chicago, USA; The Time is Now! Art Worlds of Chicago’s South Side, 1960-1980, Smart Museum of Art, Chicago, USA. A major profile of Williams appeared in Hyperallergic in 2018, based on an oral history included in the Smithsonian Archives of American Art.

Art Fairs