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MENASA+: Thresholds of Representation : KAVI GUPTA | WASHINGTON BLVD. FL. 1 | EAST GALLERY

Current and Forthcoming exhibition
14 February - 30 May 2026
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Overview
Alemeh Bagherian, b. 1984, I Will Never Reach You, 2021, Oil on canvas, 47 1/2 x 39 1/2 in, (120.65 x 100.33 cm).
Alemeh Bagherian, b. 1984, I Will Never Reach You, 2021, Oil on canvas, 47 1/2 x 39 1/2 in, (120.65 x 100.33 cm).

Kavi Gupta presents MENASA+: Thresholds of Representation.

 

Bringing together artists Alemeh Bagherian, Gordon Cheung, Michael Joo, Manish Nai, Sara Rahanjam, Shahpari Rahmani, Rewind Collective, Karim Abu Shakra, and Haya Zaidi from across the Middle East, North Africa, and the Asian diaspora—these artist's lived experiences of migration, hybridity, and gender, redefine what global contemporary art can be.

 

This curatorial framework positions MENASA+ and Asian diasporic dialogues not as categories, but as interconnected conditions of making—translation, survival, inheritance, reinvention, and resistance. It reflects a belief that identity in art is not fixed but continuously negotiated across borders, languages, and histories of gendered power. At a time when geopolitics continues to compress complex identities into binaries of “us” and “them,” the art world has mirrored similar patterns of exclusion and invisibility. This presentation resists that logic. It centers practitioners—particularly female and femme-identifying artists from MENASA+ and Asian regions—whose voices have emerged from unforgiving cultural and political contexts, yet continue to embody resilience, autonomy, and creative power. 

 

Reflecting Kavi Gupta’s ongoing commitment to offering a platform for artists whose practices confront erasure, amplify unseen narratives, and celebrate the act of creation as an act of resistance, each work in the exhibition operates as both testimony and proposition, inviting viewers to ask who is seen, who is heard, and on whose terms. Through material, image, and form—In the voices of women and diasporic artists from MENASA+ and Asian communities, this presentation speaks of endurance and transformation—of making beauty and meaning amid constraint, of holding space for memory and for change. It honors the courage to create within systems that deny freedom, asserting that art from these regions is not defined by trauma, but by imagination and hope.

 

This exhibition was made possible with curatorial assistance from Narimon Safavi, an Iranian-American entrepreneur and cultural commentator; and Rosa Matinfar, curator and writer whose work focuses on contemporary art from the MENASA region.

 

For press related inquiries please contact: media@kavigupta.com

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Works
  • Shahpari Rahmani And That's How You Stay, 2020 Acrylic on canvas 39 3/8 x 47 1/4 in. (100 x 120 cm)
    Shahpari Rahmani
    And That's How You Stay, 2020
    Acrylic on canvas
    39 3/8 x 47 1/4 in.
    (100 x 120 cm)
  • Shahpari Rahmani And That's How You Stay, 2020 Acrylic on canvas 27 1/2 x 39 3/8 in. (70 x 100 cm)
    Shahpari Rahmani
    And That's How You Stay, 2020
    Acrylic on canvas
    27 1/2 x 39 3/8 in.
    (70 x 100 cm)
  • Rewind Collective Double Exposure - Frida #2, 2022 Accompanied by physical work based on the digital image C type print on photographic gloss paper 11.69 x 8.27 in 29.7 x 21 cm Stamped ‘Rewind Collective’ This work is unique
    Rewind Collective
    Double Exposure - Frida #2, 2022
    Accompanied by physical work based on the digital image
    C type print on photographic gloss paper
    11.69 x 8.27 in
    29.7 x 21 cm
    Stamped ‘Rewind Collective’
    This work is unique
  • Rewind Collective Harriet Tubman, 2021 Unique Digital Work Accompanied by physical work based on the digital image C type print on photographic gloss paper 11.69 x 8.27 in 29.7 x 21 cm Stamped ‘Rewind Collective’ This work is unique
    Rewind Collective
    Harriet Tubman, 2021
    Unique Digital Work
    Accompanied by physical work based on the digital image
    C type print on photographic gloss paper
    11.69 x 8.27 in
    29.7 x 21 cm
    Stamped ‘Rewind Collective’
    This work is unique
  • Michael Joo Various Low Mass Stars (NY Farm Colony 2), 2018 Silver nitrate and epoxy ink on canvas 62 x 47 x 2 in 157.5 x 119.4 x 5.1 cm
    Michael Joo
    Various Low Mass Stars (NY Farm Colony 2), 2018
    Silver nitrate and epoxy ink on canvas
    62 x 47 x 2 in
    157.5 x 119.4 x 5.1 cm
  • Michael Joo Uniformitarian Assumptions (Yes), 2017 Resin and lunar caustic silver on canvas 62 x 46 x 1 1/2 in 157.5 x 116.8 x 3.8 cm
    Michael Joo
    Uniformitarian Assumptions (Yes), 2017
    Resin and lunar caustic silver on canvas
    62 x 46 x 1 1/2 in
    157.5 x 116.8 x 3.8 cm
  • Michael Joo All One Thing, 2020 Plastic 3D print 11 x 15 x 10 in 27.9 x 38.1 x 25.4 cm
    Michael Joo
    All One Thing, 2020
    Plastic 3D print
    11 x 15 x 10 in
    27.9 x 38.1 x 25.4 cm
  • Michael Joo Untitled, 2012–2019 Borosilicate glass, silver nitrate, lacquer 62 x 45 x 55 in 157.5 x 114.3 x 139.7 cm
    Michael Joo
    Untitled, 2012–2019
    Borosilicate glass, silver nitrate, lacquer
    62 x 45 x 55 in
    157.5 x 114.3 x 139.7 cm
  • Karim Abu Shakra Cactus in Blue, 2021 Oil on canvas 19 5/8 x 13 3/4 in. (50 x 35 cm)
    Karim Abu Shakra
    Cactus in Blue, 2021
    Oil on canvas
    19 5/8 x 13 3/4 in.
    (50 x 35 cm)
  • Haya Zaidi The Devotees, 2025 Acrylics, textiles and teawash on canvas 34 x 45 in. (86.4 x 114.3 cm) Frame: 47 3/4 x 36 3/4 x 2 in. (121.29 x 93.35 x 5.08 cm)
    Haya Zaidi
    The Devotees, 2025
    Acrylics, textiles and teawash on canvas
    34 x 45 in.
    (86.4 x 114.3 cm)
    Frame: 47 3/4 x 36 3/4 x 2 in.
    (121.29 x 93.35 x 5.08 cm)
  • Manish Nai Untitled, 2017 Natural and dyed jute cloth, gateway tracing paper and paint on canvas (Installed in 3 vertical panels) 99 1/2 x 124 1/2 in 252.7 x 316.2 cm
    Manish Nai
    Untitled, 2017
    Natural and dyed jute cloth, gateway tracing paper and paint on canvas
    (Installed in 3 vertical panels)
    99 1/2 x 124 1/2 in
    252.7 x 316.2 cm
  • Manish Nai Untitled, 2013 Compressed newspaper and wood 66 x 48 x 15 in 167.6 x 121.9 x 38.1 cm
    Manish Nai
    Untitled, 2013
    Compressed newspaper and wood
    66 x 48 x 15 in
    167.6 x 121.9 x 38.1 cm
  • Manish Nai Untitled, 2017 Used clothes and wood 120 x 3 x 3 in each, installation variable 304.8 x 7.6 x 7.6 cm each, installation variable
    Manish Nai
    Untitled, 2017
    Used clothes and wood
    120 x 3 x 3 in each, installation variable
    304.8 x 7.6 x 7.6 cm each, installation variable
  • Gordon Cheung Admirael Gouda (Tulipbook), 2013 Financial newspaper, archival inkjet and acrylic on canvas 19 1/2 x 16 x 2 in. (50 x 40 x 5 cm)
    Gordon Cheung
    Admirael Gouda (Tulipbook), 2013
    Financial newspaper, archival inkjet and acrylic on canvas
    19 1/2 x 16 x 2 in.
    (50 x 40 x 5 cm)
  • Gordon Cheung Tulipmania, 2012 Financial newspaper, archival inkjet and acrylic on canvas 25 x 20 in. (63.5 x 50.8 cm)
    Gordon Cheung
    Tulipmania, 2012
    Financial newspaper, archival inkjet and acrylic on canvas
    25 x 20 in.
    (63.5 x 50.8 cm)
  • Gordon Cheung De Admirael van der Eyck (Tuilpbook), 2013 Financial newspaper, archival inkjet and acrylic on canvas 19 1/2 x 16 x 2 in. (50 x 40 x 5 cm)
    Gordon Cheung
    De Admirael van der Eyck (Tuilpbook), 2013
    Financial newspaper, archival inkjet and acrylic on canvas
    19 1/2 x 16 x 2 in.
    (50 x 40 x 5 cm)
  • Gordon Cheung Deer Trophy No. 3, 2010 Financial newspaper and acrylic on canvas 39 1/2 x 27 1/2 in. (100 x 70 cm)
    Gordon Cheung
    Deer Trophy No. 3, 2010
    Financial newspaper and acrylic on canvas
    39 1/2 x 27 1/2 in.
    (100 x 70 cm)
  • Gordon Cheung Rising Power, 2023 Financial Times newspaper, wood glue and polystyrene on thermoplastic polymer 47 x 19 x 12 1/2 in. (120 x 48 x 32 cm)
    Gordon Cheung
    Rising Power, 2023
    Financial Times newspaper, wood glue and polystyrene on thermoplastic polymer
    47 x 19 x 12 1/2 in.
    (120 x 48 x 32 cm)
  • Gordon Cheung Sleepwalker, 2023 Financial Times newspaper, wood glue and polystyrene on thermoplastic polymer 23 1/2 x 19 1/2 x 12 in. (60 x 50 x 30 cm)
    Gordon Cheung
    Sleepwalker, 2023
    Financial Times newspaper, wood glue and polystyrene on thermoplastic polymer
    23 1/2 x 19 1/2 x 12 in.
    (60 x 50 x 30 cm)
  • Gordon Cheung Tulip Futures (Savage) 1, 2024 Giclee on Hahnemuhle photo rag Edition 1 of 5 + 2 APs Print: 16 1/2 x 23 1/2 in. (41.9 x 59.4 cm) Framed: 17 5/8 x 24 3/8 x 1 1/2 in. (44.76 x 61.91 x 3.81 cm)
    Gordon Cheung
    Tulip Futures (Savage) 1, 2024
    Giclee on Hahnemuhle photo rag
    Edition 1 of 5 + 2 APs
    Print: 16 1/2 x 23 1/2 in. (41.9 x 59.4 cm)
    Framed: 17 5/8 x 24 3/8 x 1 1/2 in. (44.76 x 61.91 x 3.81 cm)
  • Gordon Cheung Lion Dance No. 3, 2010 Financial newspaper and acrylic on canvas 55 1/2 x 39 1/4 in. (141 x 100 cm)
    Gordon Cheung
    Lion Dance No. 3, 2010
    Financial newspaper and acrylic on canvas
    55 1/2 x 39 1/4 in.
    (141 x 100 cm)
  • Gordon Cheung Legend of Lake (Nanjing), 2025 Financial Times newspaper, archival inkjet, acrylic, PLA filament and sand on linen 53 x 39 1/2 x 1 in. (135 x 100 x 2.5 cm)
    Gordon Cheung
    Legend of Lake (Nanjing), 2025
    Financial Times newspaper, archival inkjet, acrylic, PLA filament and sand on linen
    53 x 39 1/2 x 1 in.
    (135 x 100 x 2.5 cm)
  • Alemeh Bagherian Beyond the Mask, 2025 Oil on canvas 59 x 47 1/4 in. (150 x 120 cm) Frame: 60 1/2 x 48 5/8 x 2 in. (153.67 x 123.51 x 5.08 cm)
    Alemeh Bagherian
    Beyond the Mask, 2025
    Oil on canvas
    59 x 47 1/4 in.
    (150 x 120 cm)
    Frame: 60 1/2 x 48 5/8 x 2 in.
    (153.67 x 123.51 x 5.08 cm)
  • Alemeh Bagherian The Birth of Humanity, 2025 Oil on canvas 39 1/4 x 39 1/4 in. (100 x 100 cm)
    Alemeh Bagherian
    The Birth of Humanity, 2025
    Oil on canvas
    39 1/4 x 39 1/4 in.
    (100 x 100 cm)
  • Alemeh Bagherian Don't Judge Mariam Magdalen (No. 2), 2025 Oil on canvas 35 3/8 x 27 1/2 in. (90 x 70 cm)
    Alemeh Bagherian
    Don't Judge Mariam Magdalen (No. 2), 2025
    Oil on canvas
    35 3/8 x 27 1/2 in.
    (90 x 70 cm)
  • Sara Rahanjam Spring Series, 2025 Fiberglass, Bronze, Oil/Acrylic 15 3/4 x 9 7/8 x 9 7/8 in. (40 x 25 x 25 cm)
    Sara Rahanjam
    Spring Series, 2025
    Fiberglass, Bronze, Oil/Acrylic
    15 3/4 x 9 7/8 x 9 7/8 in.
    (40 x 25 x 25 cm)
  • Sara Rahanjam Spring Series, 2025 Fiberglass, Bronze, Oil/Acrylic 15 3/4 x 9 7/8 x 9 7/8 in. (40 x 25 x 25 cm)
    Sara Rahanjam
    Spring Series, 2025
    Fiberglass, Bronze, Oil/Acrylic
    15 3/4 x 9 7/8 x 9 7/8 in.
    (40 x 25 x 25 cm)
  • Sara Rahanjam Spring Series, 2025 Fiberglass, Bronze, Oil/Acrylic 15 3/4 x 9 7/8 x 9 7/8 in. (40 x 25 x 25 cm)
    Sara Rahanjam
    Spring Series, 2025
    Fiberglass, Bronze, Oil/Acrylic
    15 3/4 x 9 7/8 x 9 7/8 in.
    (40 x 25 x 25 cm)
  • Sara Rahanjam Stranger Series, 2024 Fiberglass and bronze Edition 3/5 15 3/8 x 9 7/8 x 5 7/8 in. 39 x 25 x 15 cm
    Sara Rahanjam
    Stranger Series, 2024
    Fiberglass and bronze
    Edition 3/5
    15 3/8 x 9 7/8 x 5 7/8 in.
    39 x 25 x 15 cm
  • Sara Rahanjam Silent Poultry (black), 2021 Bronze, fiberglass Unique series (Persian miniature hand-painted) 8 1/2 x 8 1/2 x 2 1/2 in. (21.59 x 21.59 x 6.35 cm)
    Sara Rahanjam
    Silent Poultry (black), 2021
    Bronze, fiberglass
    Unique series (Persian miniature hand-painted)
    8 1/2 x 8 1/2 x 2 1/2 in.
    (21.59 x 21.59 x 6.35 cm)
  • Sara Rahanjam Silent Poultry, 2021 Bronze, fiberglass (Persian miniature hand-painted) 7 1/8 x 5 7/8 x 4 3/4 in. 18 x 15 x 12 cm
    Sara Rahanjam
    Silent Poultry, 2021
    Bronze, fiberglass
    (Persian miniature hand-painted)
    7 1/8 x 5 7/8 x 4 3/4 in.
    18 x 15 x 12 cm
  • Sara Rahanjam Boom, 2021 Bronze, fiberglass Unique series (Persian miniature hand-painted) 5 1/2 x 8 1/2 x 5 1/2 in. (13.97 x21.59 x 13.97 cm)
    Sara Rahanjam
    Boom, 2021
    Bronze, fiberglass
    Unique series (Persian miniature hand-painted)
    5 1/2 x 8 1/2 x 5 1/2 in.
    (13.97 x21.59 x 13.97 cm)
Installation Views
  • Dsc 3336 Copy
  • Dsc 3224 Copy
  • Dsc 3288
  • Dsc 3332
  • Dsc 3232 Copy
  • Dsc 3299
  • Dsc 3313 Copy
  • Dsc 3312 Copy
News
  • Michael Joo: 61st International Art Exhibition of La Biennale di Venezia by Koyo Kouoh.

    Michael Joo: 61st International Art Exhibition of La Biennale di Venezia by Koyo Kouoh.

    February 25, 2026
    Artist News: Kavi Gupta congratulates Michael Joo on his invitation to participate in the 61st International Art Exhibition of La Biennale di Venezia by Koyo...
    Read more
Events
  • EXPO Chicago: Art After Hours 2026

    EXPO Chicago: Art After Hours 2026

    KAVI GUPTA | WASHINGTON BLVD. 10 Apr 2026
  • An Evening with the Curators: Reception at Kavi Gupta with Narimon Safavi

    An Evening with the Curators: Reception at Kavi Gupta with Narimon Safavi

    KAVI GUPTA WASHINGTON BLVD. FL.1-3 11 Apr 2026
  • In Celebration of Spring: Brunch with Kavi Gupta with Narimon Safavi

    In Celebration of Spring: Brunch with Kavi Gupta with Narimon Safavi

    KAVI GUPTA | WASHINGTON BLVD. FL.1-3 11 Apr 2026

Related artists

  • Alemeh Bagherian

    Alemeh Bagherian

  • Gordon Cheung

    Gordon Cheung

  • Michael Joo

    Michael Joo

  • Manish Nai

    Manish Nai

  • Sara Rahanjam

    Sara Rahanjam

  • Shahpari Rahmani

    Shahpari Rahmani

  • Rewind Collective

    Rewind Collective

  • Karim Abu Shakra

    Karim Abu Shakra

  • Haya Zaidi

    Haya Zaidi

Back to exhibitions

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Kavi Gupta | Washington Blvd

835 W. Washington Blvd. Fl 1-3 Chicago, IL 60607

Hours | Tue–Fri: 11 am–6 pm, Sat: 12 pm–5 pm

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835 W. Washington Blvd. Fl 2 Chicago, IL 60607

Hours | Tue–Fri: 11 am–6 pm, Sat: 12 pm–5 pm

 

 

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