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Wadsworth Jarrell and Gerald Williams, Works on Paper: Kavi Gupta | 219 N. Elizabeth St.

Past exhibition
10 July - 11 September 2021
  • Overview
  • Virtual Exhibition
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Overview
Left: Gerald Williams, Power and the Will to Prevail, 1974, Screenprint on paper, 22 x 30 in. Right: Wadsworth Jarrell, Study for Wall of Respect, 1967, Gouache, 44 x 30 in.
Left: Gerald Williams, Power and the Will to Prevail, 1974, Screenprint on paper, 22 x 30 in. Right: Wadsworth Jarrell, Study for Wall of Respect, 1967, Gouache, 44 x 30 in.

Kavi Gupta presents Wadsworth Jarrell and Gerald Williams: Works on Paper, the first exhibition to center the quieter, more speculative works on paper that helped define the distinctive visual languages of these two crucial founders of AFRICOBRA.

Since their recent inclusion in such internationally acclaimed exhibitions as Soul of a Nation, AFRICOBRA 50, and AFRICOBRA: Nation Time, an official collateral exhibition of the 2019 Venice Biennale, Jarrell and Williams are known mostly for their painterly works on canvas and panel. Featuring a broad selection of drawings, prints, and paintings on paper, some never before exhibited, Works on Paper spotlights a cross-section of formal and technical innovations that the artists worked through over the decades and which came to define their individual positions. This rarely seen side of the two artists offers insights into the roots of their historic paintings, and expands upon the story of their transformation from artistic revolutionaries into contemporary legends.

 

This presentation’s story begins before the founding of AFRICOBRA, when a young Wadsworth Jarrell was seeking to capture a snapshot of Black American life. Jarrell’s paintings and drawings from this period depict jazz clubs, street markets, and neighborhood hangouts in simple but expressive honesty. Sketch for Mackin’ the Game shows a busy street scene, the fashion and architecture immediately speaking to a specific time and place. Study for the Wall of Respect, meanwhile, offers a glimpse of a crucial turning point for Jarrell’s development and for the history of art in Chicago. The Organization of Black American Culture (OBAC), established in 1967, worked collaboratively on the Wall of Respect mural, one of the most iconic projects of the Black Arts Movement era.

 

Wadsworth Jarrell, Sketch for Mackin' the Game, 1959 Water color and ink on paper, 35 x 28 in.

 

While the Wall of Respect proved enormously influential in its own right, the subsequent conversations started by some of the people involved would have even larger ramifications—one of the most substantial being the formation of AFRICOBRA (African Commune of Bad, Relevant Artists) in 1968. Initially an informal gathering of like-minded creatives living and working on the South Side of Chicago, the group coalesced into an artists collective with ambitions towards defining an urgent contemporary Black aesthetic for the moment in which they lived. Along with Jarrell and Williams, the other founding members of AFRICOBRA—Jeff Donaldson, Jae Jarrell, and Barbara Jones-Hogu—established a conceptual and formal framework that continues to influence contemporary art to this day.

 

Works on Paper also features a selection of Jarrell’s large-scale drawings on craft paper. These raw, energetic studies would be used to generate some of his greatest masterpieces of the AFRICOBRA era, including the massive Homage to a Giant. The humble origins of these craft paper works are rooted in the time when Jarrell and his family briefly moved from Chicago to Connecticut in the early 1970s before settling in Washington, DC where he would teach at Howard University. Deprived temporarily of many of his painting supplies, Jarrell lined the walls of their apartment with brown craft paper, on which he drew without restraint. Few of these drawings survived; four are featured in this exhibition.

 

The move to Washington, DC gave Jarrell access to print facilities, and with that opportunity, he produced the iconic Revolutionary print featured in Works on Paper. In service to AFRICOBRA’s key goals—a desire to make art for the people—Jarrell and the other members of AFRICOBRA produced original prints of their audiences’ favorite paintings, which they made available as inexpensive entry points to collecting.

 

Gerald Williams made the move to Washington DC in 1974, attending Howard University as a graduate student. Experimenting further while maintaining continuity with AFRICOBRA ideals, Williams produced Emerge and Big Payback Get Ready, the two freeform, hand-block silkscreens included in Works on Paper.

 

Gerald Williams Big Payback, Get Ready, 1975, Color screenprint on red wove paper, 23 x 16 in.
 

Williams’ desire to experiment would continue to expand in subsequent years, as we can see in the numerous later works on paper exhibited here. Spanning Williams’ time participating as a United States delegate to FESTAC 77, in Lagos, Nigeria, along with other members of AFRICOBRA; to his years in the Peace Corps working as Pre-vocational Director in the Jacaranda School for the Mentally Handicapped in Nairobi, Kenya; to his decades directing arts and crafts centers on American Air Force bases in Japan, Italy, South Korea, the Azores, and South Carolina; to his recent return to the South Side of Chicago; works such as Sun Ship Mode, He Granted You the Power and the Will to Prevail, and In the Realm of Dreams show Williams as an illuminating and highly conceptual force, bringing clarity to both color and form while contemplating the degree to which the whole universe is comprised of ever smaller points.

 

Wadsworth Jarrell and Gerald Williams: Works on Paper is on view July 10 through September 11th at Kavi Gupta, 219 N. Elizabeth St., Floor 2, in Chicago.

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Virtual Exhibition
Works
  • Wadsworth Jarrell Sketch for Mackin' the Game, 1959 Water color and ink on paper 35 x 28 in 88.9 x 71.1 cm
    Wadsworth Jarrell
    Sketch for Mackin' the Game, 1959
    Water color and ink on paper
    35 x 28 in
    88.9 x 71.1 cm
  • Wadsworth Jarrell Study for Wall of Respect, 1967 Gouache 44 x 30 in 111.8 x 76.2 cm
    Wadsworth Jarrell
    Study for Wall of Respect, 1967
    Gouache
    44 x 30 in
    111.8 x 76.2 cm
  • Wadsworth Jarrell Baddest Two Dudes Alive: Huey and Bobby, 1971 Pencil on paper 40 x 50 in 101.6 x 127 cm
    Wadsworth Jarrell
    Baddest Two Dudes Alive: Huey and Bobby, 1971
    Pencil on paper
    40 x 50 in
    101.6 x 127 cm
  • Wadsworth Jarrell The Chairman of the Board Speaks , 1971 Graphite on paper 40 x 28 in 101.6 x 71.1 cm
    Wadsworth Jarrell
    The Chairman of the Board Speaks , 1971
    Graphite on paper
    40 x 28 in
    101.6 x 71.1 cm
  • Wadsworth Jarrell The Revolutionary: Huey Newton , 1971 Pencil on craft paper 40 x 28 in 101.6 x 71.1 cm
    Wadsworth Jarrell
    The Revolutionary: Huey Newton , 1971
    Pencil on craft paper
    40 x 28 in
    101.6 x 71.1 cm
  • Wadsworth Jarrell Revolutionary, 1972 Screenprint printed in color on white wove paper 33 x 26 in 83 x 66 cm Edition of 300 + 18 APs + 17 Color Trial Proofs
    Wadsworth Jarrell
    Revolutionary, 1972
    Screenprint printed in color on white wove paper
    33 x 26 in
    83 x 66 cm
    Edition of 300 + 18 APs + 17 Color Trial Proofs
  • Gerald Williams Big Payback, Get Ready., 1975 Color screenprint on red wove paper 23 x 16 in 58.4 x 40.6 cm
    Gerald Williams
    Big Payback, Get Ready., 1975
    Color screenprint on red wove paper
    23 x 16 in
    58.4 x 40.6 cm
  • Gerald Williams Emerge, 1974 Hand-blocked screenprint on paper Approx. 16 x 12 in 40.6 x 30.5 cm Edition of 10
    Gerald Williams
    Emerge, 1974
    Hand-blocked screenprint on paper
    Approx. 16 x 12 in
    40.6 x 30.5 cm
    Edition of 10
  • Gerald Williams Power and the Will to Prevail, 1974 Screenprint on paper 22 x 30 in 55.9 x 76.2 cm Edition of 74, AP 5 of 5
    Gerald Williams
    Power and the Will to Prevail, 1974
    Screenprint on paper
    22 x 30 in
    55.9 x 76.2 cm
    Edition of 74, AP 5 of 5
  • Gerald Williams Untitled, c. 1978 Ink on paper 19 1/2 x 15 x 1/2 in 49.5 x 38.1 x 1.3 cm
    Gerald Williams
    Untitled, c. 1978
    Ink on paper
    19 1/2 x 15 x 1/2 in
    49.5 x 38.1 x 1.3 cm
  • Gerald Williams Untitled, 1978 Ink on paper 16 x 20 in 40.6 x 50.8 cm
    Gerald Williams
    Untitled, 1978
    Ink on paper
    16 x 20 in
    40.6 x 50.8 cm
  • Gerald Williams Illumination, 1978 Ink on paper 20 x 19 x 1 in 50.8 x 48.3 x 2.5 cm
    Gerald Williams
    Illumination, 1978
    Ink on paper
    20 x 19 x 1 in
    50.8 x 48.3 x 2.5 cm
  • Gerald Williams Untitled, 1978 Ink on paper 16 x 20 in 40.6 x 50.8 cm
    Gerald Williams
    Untitled, 1978
    Ink on paper
    16 x 20 in
    40.6 x 50.8 cm
  • Gerald Williams Untitled, 1978 Ink on paper 19 x 16 x 1 in 48.3 x 40.6 x 2.5 cm
    Gerald Williams
    Untitled, 1978
    Ink on paper
    19 x 16 x 1 in
    48.3 x 40.6 x 2.5 cm
  • Gerald Williams Untitled, 1978 Acrylic on paper 28 x 22 x 1 in 71.1 x 55.9 x 2.5 cm
    Gerald Williams
    Untitled, 1978
    Acrylic on paper
    28 x 22 x 1 in
    71.1 x 55.9 x 2.5 cm
  • Gerald Williams Sun Ship Mode , 1978 Acrylic on board 28 x 22 in 71.1 x 55.9 cm
    Gerald Williams
    Sun Ship Mode , 1978
    Acrylic on board
    28 x 22 in
    71.1 x 55.9 cm
  • Gerald Williams Untitled, c. 1978 Acrylic on paper 28 x 22 x 2 in 71.1 x 55.9 x 5.1 cm
    Gerald Williams
    Untitled, c. 1978
    Acrylic on paper
    28 x 22 x 2 in
    71.1 x 55.9 x 5.1 cm
  • Gerald Williams Untitled, c. 1978 Acrylic and collage on paper 20 x 16 x 3/4 in 50.8 x 40.6 x 1.9 cm
    Gerald Williams
    Untitled, c. 1978
    Acrylic and collage on paper
    20 x 16 x 3/4 in
    50.8 x 40.6 x 1.9 cm
  • Gerald Williams Untitled, c. 1978 Acrylic and collage on paper 21 x 16 x 3/4 in 53.3 x 40.6 x 1.9 cm
    Gerald Williams
    Untitled, c. 1978
    Acrylic and collage on paper
    21 x 16 x 3/4 in
    53.3 x 40.6 x 1.9 cm
  • Gerald Williams In the Realm of Dreams, 2002 Acrylic on paper 17 x 21 1/2 x 1/2 in 43.2 x 54.6 x 1.3 cm Framed
    Gerald Williams
    In the Realm of Dreams, 2002
    Acrylic on paper
    17 x 21 1/2 x 1/2 in
    43.2 x 54.6 x 1.3 cm
    Framed
Installation Views
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  • Wadsworthandgerald219 1
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  • Wadsworthandgerald219 16
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  • Wadsworthandgerald219 19
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Videos
  • Gerald Williams of AfriCOBRA

    Gerald Williams of AfriCOBRA

    Read more
  • Celebrating AFRICOBRA

    Celebrating AFRICOBRA

    Kavi Gupta celebrates the one-year anniversary of AFRICOBRA: Nation Time at the Venice Biennalle Read more
  • EXPO CHICAGO 2018 /Dialogues: AfriCOBRA: Chicago in the Age of Black Power

    EXPO CHICAGO 2018 /Dialogues: AfriCOBRA: Chicago in the Age of Black Power

    Read more
Press
  • AfriCOBRA artists Jae Jarrell and Wadsworth Jarrell

    AFRICOBRA ARTISTS HONORED AT SCHOOL OF THE ART INSTITUTE OF CHICAGO 2020 VIRTUAL COMMENCEMENT, OFFER ADVICE TO GRADUATES

    Victoria L. Valentine, CultureType, May 29, 2020
  • Installation view of “Wadsworth Jarrell: Come Saturday Punch,” Kavi Gupta Gallery in Chicago, July 13-Aug. 3, 2019. Shown at left, “Eternity,” 2000 (acrylic, canvas, and wood, 48 x 38 x 3 inches / 121.9 x 96.5 x 7.6 cm). | Photo by John Lusis, Courtesy the Artist and Kavi Gupta

    ON VIEW: ‘WADSWORTH JARRELL: COME SATURDAY PUNCH’ AT KAVI GUPTA IN CHICAGO

    Victoria L. Valentine, Culture Type, August 3, 2019
  • “Wadsworth Jarrell: Come Saturday Punch,” 2019, Kavi Gupta | Elizabeth Street, Chicago. Courtesy of the artist and Kavi Gupta/Photo: John Lusis

    POTENT PIGMENTS: A REVIEW OF WADSWORTH JARRELL AT KAVI GUPTA

    Caira Moreira-Brown, NEWCITY Art, July 30, 2019
  • Installation view of “AFRICOBRA: Nation Time,” 2019, at Ca’ Faccanon, Venice.

    ‘AFRICOBRA: Nation Time’ at Ca’ Faccanon, Venice

    ARTnews, July 3, 2019
  • Wadsworth Jarrell, Black Family, 1968. Acrylic, graphite, and wax on canvas, 46 x 36 in.

    Museum of Contemporary Art North Miami Shines New Light on AFRICOBRA

    Chadd Scott, Forbes, November 25, 2018
  • Exhibition material, AFRICOBRA: Ten in Search of a Nation, 1970. Museum of the NAtional Center of Afro-American Artists.

    CHICAGO AND THE AGE OF BLACK POWER: AN INTERVIEW WITH AFRICOBRA FOUNDING MEMBER GERALD WILLIAMS

    Vasia Rigou, New City Art, September 6, 2018
  • Gerald Williams at Kavi Gupta | Elizabeth St.

    GERALD WILLIAMS

    Kyle Macmillan, Art in America, January 1, 2018
  • GERALD WILLIAMS, “My Parents,” 1975 (acrylic on canvas). | © the artist, Courtesy Kavi Gupta

    ART BASEL MIAMI BEACH: CHICAGO ARTIST AND AFRICOBRA CO-FOUNDER GERALD WILLIAMS DEBUTS AT KAVI GUPTA GALLERY

    Victoria L. Valentine, Culture Type, December 8, 2017
  • Gerald Williams at his home/studio on Chicago’s South Side Photo Phillip Barcio

    FOR GERALD WILLIAMS, A CO-FOUNDER OF AFRICOBRA, TRANSNATIONAL BLACK AESTHETICS ARE AS RELEVANT AS EVER

    Phillip Barcio, HYPERALLERGIC, November 12, 2017
  • Gerald Williams, Wake Up, silkscreen (1970)

    GERALD WILLIAMS INTERVIEW

    Rebecca Zorach, Never The Same, November 1, 2011

Related artists

  • Wadsworth Jarrell

    Wadsworth Jarrell

  • Gerald Williams

    Gerald Williams

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Kavi Gupta Washington Blvd

835 W. Washington Blvd. Chicago, IL 60607

Hours | Tue–Fri: 11 am–6 pm, Sat: 12 pm–5 pm

Kavi Gupta Elizabeth St

219 N. Elizabeth St. Chicago, IL 60607 
Hours | By appointment only

 

 

Kavi Gupta Warehouse

2108 S. California Ave. Chicago, IL 60608

Kavi Gupta New Buffalo

215 E. Buffalo St. #219 New Buffalo, MI 49117

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