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AFRICOBRA: Messages to the People: Museum of Contemporary Art North Miami | Miami, FL

Past exhibition
27 November 2018 - 24 March 2019
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Overview
Installation view, AFRICOBRA: Messages to the People, 2018/2019. Museum of Contemporary Art North Miami. Courtesy of MOCA.
Installation view, AFRICOBRA: Messages to the People, 2018/2019. Museum of Contemporary Art North Miami. Courtesy of MOCA.

 

 

MOCA presents a groundbreaking exhibition celebrating the founding of AFRICOBRA – the Black artist collective that helped define the visual aesthetic of the Black Arts Movement of the 1960s and 1970s. This year marks the 50th anniversary of the collective, which came out of Chicago.

 

Art is a tool: a visual language, an experiential form and a revelation. When art successfully combines all of three of these characteristics, it speaks to and moves those who encounter it. The artist collective AFRICOBRA exemplifies these traits while defining for themselves how they want their art to function in the world. 

 

Founded in 1968, by Jeff Donaldson, Jae Jarrell, Wadsworth Jarrell, Barbara Jones-Hogu and Gerald Williams, AFRICOBRA, which stands for the African Commune of Bad Relevant Artists, created images that defined the visual aesthetic of the Black Arts Movement. The artistic movement was a complement to the Black Power Movement that centered the liberation of Black people, taking up and extending the arms of the Civil Rights Movement. The founders, like many artists of the 1960s and 1970s, understood that their artistic voices could contribute to the liberation and continue unifying the Black community as a whole.

 

On the occasion of the collective’s 50th anniversary, AFRICOBRA: Messages to the People brings together the founding artists with five early members: Sherman Beck, Napoleon Jones-Henderson, Omar Lama, Carolyn Lawrence and Nelson Stevens to look back at their early contributions to the shaping of AFRICOBRA while presenting the artists’ current works of art. These ten artists provided an artistic foundation from which the group evolved over time through the guiding philosophy of art for the people, art that appeals to the senses, and art that is inspired by African people. The artists presented this as a unit in the exhibition Ten in Search of a Nation organized by the Studio Museum in Harlem. 

 

With Ten in Search of a Nation as the framework, the show at the Museum of Contemporary Art North Miami will introduce the foundational work of one the longest organized artist collective and the ways in which they used a visual aesthetic as a tool to act: communicate with their community, resist mainstream narratives about Black people, and encourage unity through community. Through a selection of mixed-media works, installation, archival documents and photographs and oral histories, AFRICOBRA: Messages to the People will also connect to the Miami as a place, by extending an invitation to the community to participate by sharing their stories from the Black Power period, ways in which community exists for them in the city, and stories of family. 

 

AFRICOBRA: Messages to the People is an invitation to be part of a community and part of family. It is an invitation to reconnect to the core of humanity.

 

Curator Jeffreen M. Hayes earned a Ph.D. in American studies from the College of William and Mary, a Master of Arts in art history from Howard University, and a Bachelor of Arts in humanities from Florida International University. She is currently the executive director of Threewalls in Chicago, and has previously worked at the Birmingham Museum of Art, Hampton University Art Museum, the Library of Congress and the National Gallery of Art. Her curatorial projects include “Intimate Interiors” (2012), “Etched in Collective History” (2013), “SILOS” (2016), “Augusta Savage: Renaissance Woman” (2018), and “Process” (2019). She was a guest curator for Artpace San Antonio’s International Artist in Residence Program from May–August 2018.

  • Official MOCANOMI Site
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Works
  • Jae Jarrell Gents Great Coat, 1972 Suede 60 x 21 x 12 in 152.4 x 53.3 x 30.5 cm
    Jae Jarrell
    Gents Great Coat, 1972
    Suede
    60 x 21 x 12 in
    152.4 x 53.3 x 30.5 cm
  • Jae Jarrell Victorian Beads and Glasswork Enscreened, 2017 Mixed media 81 x 21 x 21 in 205.7 x 53.3 x 53.3 cm
    Jae Jarrell
    Victorian Beads and Glasswork Enscreened, 2017
    Mixed media
    81 x 21 x 21 in
    205.7 x 53.3 x 53.3 cm
  • Jae Jarrell Jazz Scramble Jacket, 2015 Silkscreened cowhide splits Dimensions variable
    Jae Jarrell
    Jazz Scramble Jacket, 2015
    Silkscreened cowhide splits
    Dimensions variable
  • Jae Jarrell Frock You, 1994 Wool, wood, mixed media 73 1/4 x 48 3/8 x 6 in 185.9 x 122.9 x 15.2 cm
    Jae Jarrell
    Frock You, 1994
    Wool, wood, mixed media
    73 1/4 x 48 3/8 x 6 in
    185.9 x 122.9 x 15.2 cm
  • Jae Jarrell Bird of Paradise Ensemble, Ode to Tie-Dyed Suede, 1993 - c. 2017 Tie dyed suede and acrylic on wood 80 x 20 x 20 in 203.2 x 50.8 x 50.8 cm
    Jae Jarrell
    Bird of Paradise Ensemble, Ode to Tie-Dyed Suede, 1993 - c. 2017
    Tie dyed suede and acrylic on wood
    80 x 20 x 20 in
    203.2 x 50.8 x 50.8 cm
  • Wadsworth Jarrell I Am Better Than Those Motherfuckers and They Know It, 1969 Acrylic on canvas 45 x 37 in 114.3 x 94 cm
    Wadsworth Jarrell
    I Am Better Than Those Motherfuckers and They Know It, 1969
    Acrylic on canvas
    45 x 37 in
    114.3 x 94 cm
  • Wadsworth Jarrell Homage to a Giant, 1970 Acrylic on board 48 x 90 x 3 in 121.9 x 228.6 x 7.6 cm
    Wadsworth Jarrell
    Homage to a Giant, 1970
    Acrylic on board
    48 x 90 x 3 in
    121.9 x 228.6 x 7.6 cm
  • Wadsworth Jarrell Prophecy, 1974 Acrylic on canvas 48 x 85 1/2 in 121.9 x 217.2 cm
    Wadsworth Jarrell
    Prophecy, 1974
    Acrylic on canvas
    48 x 85 1/2 in
    121.9 x 217.2 cm
  • Wadsworth Jarrell Come Sunday, 2014 Acrylic on canvas, wood, and glass Approx. 78 x 60 x 6 in 198.1 x 152.4 x 15.2 cm
    Wadsworth Jarrell
    Come Sunday, 2014
    Acrylic on canvas, wood, and glass
    Approx. 78 x 60 x 6 in
    198.1 x 152.4 x 15.2 cm
  • Wadsworth Jarrell Boss Couple, 1970 Acrylic on canvas 36 x 27 1/2 in 91.4 x 69.8 cm
    Wadsworth Jarrell
    Boss Couple, 1970
    Acrylic on canvas
    36 x 27 1/2 in
    91.4 x 69.8 cm
  • Wadsworth Jarrell Navaga, 1974 Acrylic on canvas 50 x 24 in 127 x 61 cm
    Wadsworth Jarrell
    Navaga, 1974
    Acrylic on canvas
    50 x 24 in
    127 x 61 cm
  • Wadsworth Jarrell Black Family, 1968 Acrylic on canvas 46 x 36 x 2 in 116.8 x 91.4 x 5.1 cm
    Wadsworth Jarrell
    Black Family, 1968
    Acrylic on canvas
    46 x 36 x 2 in
    116.8 x 91.4 x 5.1 cm
  • Wadsworth Jarrell Yeah But, Can You Fight?, 1995 Acrylic on canvas, wood 59 x 28 in 149.9 x 71.1 cm
    Wadsworth Jarrell
    Yeah But, Can You Fight?, 1995
    Acrylic on canvas, wood
    59 x 28 in
    149.9 x 71.1 cm
  • Wadsworth Jarrell Yeah But, Can You Fight?, 1995 Acrylic on canvas, wood 59 x 28 in 149.9 x 71.1 cm
    Wadsworth Jarrell
    Yeah But, Can You Fight?, 1995
    Acrylic on canvas, wood
    59 x 28 in
    149.9 x 71.1 cm
  • Wadsworth Jarrell Yeah But, Can You Fight?, 1995 Acrylic on canvas, wood 59 x 28 Unique series of 3
    Wadsworth Jarrell
    Yeah But, Can You Fight?, 1995
    Acrylic on canvas, wood
    59 x 28
    Unique series of 3
  • Wadsworth Jarrell Study for Wall of Respect, 1967 Gouache 44 x 30 in 111.8 x 76.2 cm
    Wadsworth Jarrell
    Study for Wall of Respect, 1967
    Gouache
    44 x 30 in
    111.8 x 76.2 cm
  • Wadsworth Jarrell John Coltrane, 1992 Acrylic on paper 38 x 26 in 96.5 x 66 cm
    Wadsworth Jarrell
    John Coltrane, 1992
    Acrylic on paper
    38 x 26 in
    96.5 x 66 cm
  • Gerald Williams Angela Davis, 1971 Acrylic on panel 50 x 50 x 2 1/2 in 127 x 127 x 6.3 cm
    Gerald Williams
    Angela Davis, 1971
    Acrylic on panel
    50 x 50 x 2 1/2 in
    127 x 127 x 6.3 cm
  • Gerald Williams Take It, 1971 Acrylic on masonite 50 x 50 x 2 1/2 in 127 x 127 x 6.3 cm
    Gerald Williams
    Take It, 1971
    Acrylic on masonite
    50 x 50 x 2 1/2 in
    127 x 127 x 6.3 cm
  • Gerald Williams Say It Loud, 1969 Acrylic on canvas 34 x 26 x 2 in 86.4 x 66 x 5.1 cm
    Gerald Williams
    Say It Loud, 1969
    Acrylic on canvas
    34 x 26 x 2 in
    86.4 x 66 x 5.1 cm
  • Gerald Williams I Am Somebody, 1969 Acrylic on canvas 48 x 48 in 121.9 x 121.9 cm
    Gerald Williams
    I Am Somebody, 1969
    Acrylic on canvas
    48 x 48 in
    121.9 x 121.9 cm
  • Gerald Williams Orator, 1969 Acrylic on canvas 33 x 46 x 2 in 83.8 x 116.8 x 5.1 cm
    Gerald Williams
    Orator, 1969
    Acrylic on canvas
    33 x 46 x 2 in
    83.8 x 116.8 x 5.1 cm
  • Gerald Williams Abner & Alleane, 1975 Acrylic on canvas 34 x 31 x 1 in 86.4 x 78.7 x 2.5 cm
    Gerald Williams
    Abner & Alleane, 1975
    Acrylic on canvas
    34 x 31 x 1 in
    86.4 x 78.7 x 2.5 cm
  • Gerald Williams, Waiting for the woods to..., 1977
    Gerald Williams, Waiting for the woods to..., 1977
  • Gerald Williams Portrait Y, 1970 Acrylic on linen 24 x 18 in 61 x 45.7 cm
    Gerald Williams
    Portrait Y, 1970
    Acrylic on linen
    24 x 18 in
    61 x 45.7 cm
  • Gerald Williams Phantasm #1 , 2009 Acrylic on cut wood 17 x 22 x 2 in 43.2 x 55.9 x 5.1 cm
    Gerald Williams
    Phantasm #1 , 2009
    Acrylic on cut wood
    17 x 22 x 2 in
    43.2 x 55.9 x 5.1 cm
  • Gerald Williams Untitled (Black Day Coming Uhuru), 1972 Mixed media drawing on paper 20 x 26 in 50.8 x 66 cm
    Gerald Williams
    Untitled (Black Day Coming Uhuru), 1972
    Mixed media drawing on paper
    20 x 26 in
    50.8 x 66 cm
  • Gerald Williams Untitled, 1978 Ink on paper 19 x 16 x 1 in 48.3 x 40.6 x 2.5 cm
    Gerald Williams
    Untitled, 1978
    Ink on paper
    19 x 16 x 1 in
    48.3 x 40.6 x 2.5 cm
  • Gerald Williams Wake Up , 1971 Screenprint on wove paper 42 x 28 in 106.7 x 71.1 cm
    Gerald Williams
    Wake Up , 1971
    Screenprint on wove paper
    42 x 28 in
    106.7 x 71.1 cm
  • Sherman Beck Ancestors, 2005 Acrylic on canvas 30 x 40 in 76.2 x 101.6 cm
    Sherman Beck
    Ancestors, 2005
    Acrylic on canvas
    30 x 40 in
    76.2 x 101.6 cm
  • Sherman Beck Then & Now, 1972/2015 Oil on canvas 36 x 24 in 91.4 x 61 cm
    Sherman Beck
    Then & Now, 1972/2015
    Oil on canvas
    36 x 24 in
    91.4 x 61 cm
  • Sherman Beck Star People, c. 1980/2016 Oil and paper on canvas 40 x 30 in 101.6 x 76.2 cm
    Sherman Beck
    Star People, c. 1980/2016
    Oil and paper on canvas
    40 x 30 in
    101.6 x 76.2 cm
Installation Views
  • Installation views, AFRICOBRA: Messages to the People, 2018/2019. Museum of Contemporary Art North Miami. Courtesy of MOCA.

    Installation views, AFRICOBRA: Messages to the People, 2018/2019. Museum of Contemporary Art North Miami. Courtesy of MOCA.

  • Africobramocanomi 3
  • Africobramocanomi 1
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  • Africobramocanomi 2
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  • Africobramocanomi 7
  • Africobramocanomi 10
  • Africobramocanomi 4
  • Africobramocanomi 13
  • Africobramocanomi 14
  • Africobramocanomi 12
  • Africobramocanomi 15
  • Africobramocanomi 11
  • Africobramocanomi 17
  • Africobramocanomi 16
  • Africobramocanomi 18
  • Africobramocanomi 19
  • Africobramocanomi 23
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  • Africobramocanomi 22
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  • Africobramocanomi 21
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  • Africobramocanomi 31
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  • Africobramocanomi 29
  • Africobramocanomi 30
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  • Africobramocanomi 33
  • Africobramocanomi 34
Video
Videos
  • Gerald Williams of AfriCOBRA

    Gerald Williams of AfriCOBRA

    Read more
  • Celebrating AFRICOBRA

    Celebrating AFRICOBRA

    Kavi Gupta celebrates the one-year anniversary of AFRICOBRA: Nation Time at the Venice Biennalle Read more
  • "AFRICOBRA: Messages to the People" Artist Panel

    "AFRICOBRA: Messages to the People" Artist Panel

    The Museum of Contemporary Art North Miami Read more
  • EXPO CHICAGO 2018 /Dialogues: AfriCOBRA: Chicago in the Age of Black Power

    EXPO CHICAGO 2018 /Dialogues: AfriCOBRA: Chicago in the Age of Black Power

    Read more
Press
  • Still from a short film directed by Wes Miller from a series that the AAA produced about its collections

    ‘YOUR BODY ITSELF IS ALREADY A PLACE OF POLITICS’: CONTEMPORARY ARTISTS RESPOND TO EIGHT QUESTIONS FROM AFRICOBRA COFOUN

    ARTNEWS, ARTNEWS, April 1, 2019
  • Installation view, AFRICOBRA: Messages to the People, 2018/2019. Museum of Contemporary Art North Miami. Courtesy of MOCA.

    Africobra & Jeffrey Gibson: Best of 2018 | Our Top 20 Exhibitions Across the United States (excerpt)

    Hyperallergic, December 19, 2018
  • AFRICOBRA: Messages to the People, Installation View, MOCA NOMI, 2018, courtesy Kavi Gupta

    AFRICOBRA: MESSAGES TO THE PEOPLE

    December 6, 2018
  • Gerald Williams, Take It, 1971.

    AFRICOBRA: Still the Main Attraction, Art Basel Returns to Miami Beach

    Paul Laster, Galerie, December 1, 2018
  • AFRICOBRA Messages to the People: Museum of Contemporary Art North Miami | 27 November 2018 - 24 March 2019

    FROM A JUDY CHICAGO RETROSPECTIVE TO A CELEBRATION OF AFRICOBRA, HERE ARE 11 SHOWS TO SEE IN MIAMI DURING ART BASEL

    Caroline Goldstein, Artnet News, November 27, 2018
  • Wadsworth Jarrell, Black Family, 1968. Acrylic, graphite, and wax on canvas, 46 x 36 in.

    Museum of Contemporary Art North Miami Shines New Light on AFRICOBRA

    Chadd Scott, Forbes, November 25, 2018
  • Barbara Jones Hogu, Rise and Take Control, 1970. Screenprint. All images courtesy of MOCA North Miami.

    MOCA North Miami Celebrates the AFRICOBRA Movement, Just In Time For Art Basel

    Elena Martinique, Widewalls, November 12, 2018
  • Barbara Jones-Hogu, When Styling 1973. Screenprint. Courtesy of the artist.

    Miami's MOCA Presents Chicago-based AFRICOBRA Collective During Art Basel Miami Beach 2018

    Art Fix Daily, Art Fix Daily, October 4, 2018
  • Gerald Williams, Wake Up, silkscreen (1970)

    GERALD WILLIAMS INTERVIEW

    Rebecca Zorach, Never The Same, November 1, 2011

Related artists

  • Sherman Beck

    Sherman Beck

  • Jeff Donaldson

    Jeff Donaldson

  • Jae Jarrell

    Jae Jarrell

  • Wadsworth Jarrell

    Wadsworth Jarrell

  • Barbara Jones-Hogu

    Barbara Jones-Hogu

  • Gerald Williams

    Gerald Williams

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