Jessica Stockholder

Installation Views

b. 1959 Seattle, Washington Lives and works in Chicago

Jessica Stockholder (b. 1959, USA) is an internationally acclaimed visual artist and educator who lives and works in Chicago. Her public artworks have been commissioned by museums, municipalities, and corporations around the world.


As an artist, Stockholder is inspired by the relationships she perceives between colors and objects in her everyday visual environment. Her work employs the visual strategies of painting, sculpture, and installation—though it also resists the limitations such terms imply. Another word sometimes used to describe what Stockholder does is “assemblage,” though that term is also not quite sufficient. Assemblage artists perceive of consumer products, manufactured objects, and industrial materials—the cast-off physical residue of human civilization—as artistic objects in themselves, or as artistic mediums equally valid as paint, stone, or glue.


Stockholder indeed utilizes “readymade” articles along with traditional artistic mediums, but not in an attempt to make an object, per se. Rather, she is endeavoring to create a human experience by formulating three-dimensional pictures in space, which interact in unpredictable ways with the environments they occupy. Whether working on a small scale, such as creating an assemblage that will hang on a wall, or a massive scale, such as creating a sculptural installation that extends from inside a building to the outside, she is exploring a larger concern: people’s perception of their visual surroundings, and how that perception relates to feelings of chaos and control.

Solo and Two Artist Exhibitions


Digital Thoughts, 1301PE, Los Angeles, CA

Jessica Stockholder: As Glue, Material & Surface: Paper Works, Kathmandu Residency, online exhibition, Kavi Gupta, Chicago, IL


Slip Slidin’ Away, Kunstplatz Garben, Kunst im öffentlichen Raum GmbH, Vienna, Austria

Assist: Rider, Croeselaan, Centraal Museum, Utrecht, Netherlands

Stuff Matters, Centraal Museum, Utrecht, The Netherlands

Save on select landscape & outdoor lighting: Song to mind uncouples, The Contemporary Austin, Austin, TX


Relational Aesthetics, The Contemporary Austin, Austin, TX

Play on & Surfaces Surfing, Regenstein Library, University of Chicago, Chicago, IL

Three Squared on the River Bank, Parcours, Art Basel, Switzerland

Mitchell-Innes & Nash, New York, NY


Rose’s Inclination, Smart Museum , Chicago, IL
Door Hinges, Kavi Gupta | Elizabeth Street, Chicago, IL
Palpable Glyphic Rapture, Galerie Nathalie Obadia, Paris, France

Gary Lichtenstein Editions at Mana Contemporary, Jersey City, NJ
Erstwhile & Notwithstanding, C.Ar.D: Contemporary Art and Design, Pienello, Italy
Glimpse, Galleria Raffaela Cortese, Milan, Italy

Barbara Edwards Contemporary, Calgary
1301PE, California
Wide Eyes Smeared Here Dear, Art 44 Basel, Switzerland

Fundacion Barrie de la Maza, Vigo, Spain
Hollow Places Court in Ash-Tree Wood, Le voyage à Nantes, Biennale de Nantes, organized by the Frac des Pays de la Loire
Wide Eyes Smeared Here Dear, Musée d’art moderne, Saint-Etienne Métropole, France
Jessica Stockholder, Max Estrella Gallery, Madrid, Spain

Hollow Places Court in Ash-Tree Wood, Aldrich Contemporary Art Museum, Ridgefield, Connecticut
Grab grassy this moment your I’s, Laumeier Sculpture Park, St. Louis

Peer Out to See, Palacio de Cristal, Reina Sofia, Madrid
Barbara Edwards Contemporary, Toronto

Prints and Sculpture, Usdan Gallery, Bennington College, Vermont
Air Padded Table Haunches and…Carreras Mugica, Bilbao

Sailcloth Tears, Mitchell-Innes & Nash, New York, NY
Swiss Cheese Field, Senior and Shopmaker Gallery, New York, NY
Robischon Gallery, Denver, CO
Coating, Nathalie Obadia, Paris, France

Jessica Stockholder – Lumps Bumps & Windy Figures Too, Galerie Art & Essai, Rennes, France
Statements: Martin Barre & Jessica Stockholder, Art 39 Basel: Galerie Nathalie Obadia, Paris, France

1301 PE, Los Angeles, CA
Galerie Nächst St. Stephan, Vienna, Austria
Galerie Thomas Schulte, Berlin, Germany

Jessica Stockholder, Hafnarborg, Iceland
Jessica Stockholder, Mitchell-Innes & Nash, New York, NY
Jessica Stockholder, Galleria Raffaella Cortese, Milan, Italy
Of Standing Float Roots in Thin Air, PS1 Contemporary Art Center, Long Island City, NY
Space Between, Galerie Nathalie Obadia, Paris, France

Four Gummed-Up Bits of a Crepe Sole Balled Up Together with the Grimy Dirt on the Sidewalk and Stuck Dangling, but Firm, to the Bottom of the Shoe that Hangs on the Toe of the Foot under the Diving Board, Mario Diacono Gallery, Boston, MA
Kunsthallen Brandts Klaedefabrik, Odense, Denmark, survey exhibition
Blaffer Art Gallery, University of Houston, Houston, TX, career survey exhibition; cur by Terrie Sultan and Nancy Doll
Weatherspoon Art Gallery
Air Padded Table Haunches, Art Unlimited, Basel
Galleria Civica D‟Arte Moderna e Contemporanea di Torino, Italy; sculpture and prints
Rawhide Harangue of Aching Indices As Told By Light. School of the Museum of Fine Arts, Boston, MA
Palazzo Massari Ferrara
Gallerie d‟arte moderna e contemporanea, Torino

Jessica Stockholder, Kissing the Wall: Works, 1988-2003, University of Houston
Sam Ran Over Sand or Sand Ran Over Sam, Rice University Art Gallery, Houston, Texas, site specific installation
Sable-Castelli Gallery, Toronto, Canada; new sculpture

Table Top Sculpture, Gorney Bravin + Lee, New York, NY
TV Tipped Toe Nail & the Green Salami, CAPC, Musée d‟art contemporain de Bordeaux, France; Jessica Stockholder
Jessica Stockholder Prints, Chelsea Art Museum, New York, NY
Jessica Stockholder, Galerie Rolf Ricke, Cologne, Germany
On The Spending Money Tenderly, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
Palm Springs Desert Museum, Palm Springs, CA
Blaffer Gallery, Houston, TX
University of South Florida Contemporary Art Museum, Tampa, FL

MAK Center for Art and Art History, Los Angeles, CA

Trespassing: Houses x Artists; Bellevue Art Museum, Bellevue, WA
Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany

Baltic Art Center, Visby, Sweden, curated by Lynne Cooke
Galleria Raffaela Cortese, Milan, Italy

Galerie Nächst St. Stephan, Vienna, Austria
Gorney Bravin + Lee, New York, NY
Galerie Nathalie Obadia, Paris, France

Vortex in the Play of Theatre with the Real Passion (for Kay Stockholder) and installation: Pictures at an Exhibition, Kunstmuseum St. Gallen, St. Gallen, Switzerland; installation
Jessica Stockholder: Photography, Bucknell Art Gallery, Bucknell University, Lewisburg, PA

First Cousin Once Removed or Cinema of Brushing Skin, The Power Plant, Toronto, Canada; installation
Galerie Rolf Ricke, Köln, Germany; studio works
With Wanton Heed and Giddy Cunning, Hedging Red and That’s Not Funny, Center for Visual Arts, Cardiff, Wales; installation

Catriona Jeffries Gallery, Vancouver, Canada; studio works
Turning Paper, Galerie Nathalie Obadia, Paris, France; monotypes from Two Palms Press
Fabian Marcaccio & Jessica Stockholder, Sammlung Goetz, München, Germany
Fabian Marcaccio & Jessica Stockholder, Works on Paper, Inc., Los Angeles, CA
Landscape Linoleum, Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerpen, Belgium; installation
Turning Paper, Betsy Senior Gallery, New York, NY; monotypes from Two Palms Press
Coupling, White Cube, London, England; installation
Torque, Jelly Role, and Goose Bump, Musée Picasso d’Antibes, Antibes, France; Installation
Nit Picking Trumpets of Iced Blue Vagueries, Musée des Beaux-Arts de Nantes / La Salle Blanche, Nantes, France; installation

Slab of Skinned Water, Cubed Chicken & White Sauce, Kunstnernes Hus, Oslo, Norway; installation
Jessica Stockholder: 200 Drawings, Otis Gallery of Otis College of Art & Design, Los Angeles, CA
The Point of Departure: Moira Dryer & Jessica Stockholder, Gallery of Art, Johnson County Community College, Overland Park, KS
Deutscher Akademischer Austauschdienst (D. A. A. D.), Berlin, Germany Contemporary Fine Arts, Berlin, Germany
Jay Gorney Modern Art, New York, NY

Jessica Stockholder: 200 Drawings, Baxter Gallery, Maine College of Art, Portland, ME
Bowtied In the Middle, Tom Solomon’s Garage, LA, CA; studio works & installation

Studio La Città II, Verona, Italy; studio works

Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume, Dia Center for the Arts, New York, NY; installation
Galerie Nathalie Obadia, Paris, France
Jay Gorney Modern Art, New York, NY
S. L. Simpson Gallery, Toronto, Canada
Sweet for Three Oranges, Sala Montcada de la Fundació “la Caixa”, Barcelona, Spain

Pink Lady, Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC; studio works & installation
Joan Snyder and Jessica Stockholder, Jay Gorney Modern Art, New York, NY

Galerie Ludwig, Krefeld, Germany; studio works
Edge of Hothouse Glass, Galerie des Arènes, Carré d’Art, Musée d’Art Contemporain de Nîmes, Nîmes, France; installation

Sea Floor Movement to Rise of Fire Place Stripping, Kunsthalle Zürich, Zürich, Switzerland; installation
SpICE BOXed Project(ion), Galerie Metropol, Wien, Austria; studio works and installation
Flower Dusted Prosies American Fine Arts, Co., New York, NY
Growing Rock Candy Mountain – Grasses in Canned Sand, Westfälischer Kunstverein, Münster, Germany

Skin Toned Garden Mapping, The Renaissance Society at the University of Chicago, Chicago, IL
Near Weather Wall and Making a Clean Edge II, Witte de With, Rotterdam, The Netherlands; studio works and two installations
Daniel Weinberg Gallery, Santa Monica, CA; studio works
Ezra and Cecile Zilkha Gallery, Center for Arts, Wesleyan University, Middletown, CN; installation: UNTITLED Seepage: Sandwashed, Sundried & Shrinkwrapped, part three of three-part series: The Broken Mirror, curated by KlausOttman

Biennial, Whitney Museum of American Art, New York, NY

Mary Heilmann and Jessica Stockholder; For Mary Heilmann Isabella Kacprzak Galerie, Köln, Germany
Where it Happened, American Fine Arts, New York, NY; studio works and installation

Mixing Food with the Bed, The Mattress Factory, Pittsburgh, PA

Indoor lighting for my father, Mercer Union, Toronto, Ontario, Canada
It’s not over til the fat lady sings, Contemporary Art Gallery, Vancouver, BC, Canada

Wall Sandwich, Melinda Wyatt Gallery, New York, NY

In-side out, Art Culture Resource Center, Toronto, Canada

Group Exhibitions


On The Basis of Art: 150 Years of Women at Yale, Yale University Art Gallery, New Haven, CT (forthcoming)


La Musée 2, Studio la Città, Verona, Italy, Curator Azad Asifovich

New York: The 1980s; Part II, Consortium Museum, Dijon, France


25 Years of the Falckenberg Collection, Deichcorhallen Hamburg, Hamburg, Germany

1301PE@GBT, Galerie Barbara Thumm, Berlin, Germany

Color Field, Crystal Bridges Museum of America Art, Betonville, AR

The Foundation of the Museum: MOCA’s Collection, The Geffen Contemporary at MOCA, Los Angeles, CA

Plastic Entanglements: Ecology, Aesthetics, Materials, Palmer Museum of Art, Penn State College, University Park, PA

The Fragrance of Images – Works of colección OLOR VISUAL, Barcelona, Art and Culture Foundation Opelvillen Rüsselsheim, Germany

Senza Terra. Carta / Paper; Studio La Citta, Verona, Italy

The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co., Center for Cultural Studies, Bard College, Annandale-on-Hudson, NY

Generations Female Artists in Dialog Part 1; Sammlung Goetz, Munich, Germany Outliers and American Vanguard Art; National Gallery of Art, Concourse Galleries, Landover, MD

Sculpture Milwaukee, Wisconsin Avenue in Downtown Milwaukee, Curated by Russell Bowman

99 Cents or Less, MOCAD, Detroit, MI

Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016, Hauser Wirth & Schimmel, Los Angeles, CA

20 Years / 20 Shows, SITE, Santa Fe, NM

Donation Florence et Daniel Guerlain, Centre Pompidou, Paris, France
“Erstwhile & Notwithstanding”, C.Ar.D. Contemporary Art & Design in Pianello Val Tidone, Italy

PAINT THINGS : beyond the stretcher, DeCordova Sculpture Park and Museum, MA
Painting in the Expanded Field, Mary S. Byrd Gallery of Art, Georgia Regents University
Impulse and Connoisseurship: Selections from the Forde Collection, Westmont Ridley-Tree Museum of Art
P!, New York, NY
Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA

Hors les murs, Galerie Nathalie Obadia, Brussels
Hollow Places Court in Ash-Tree Wood, Frac des Pays de la Loire
To be a lady , Norte Maar and 1285 Avenue of the Americas Art Gallery, New York, NY
In Between, Galerie Nathalie Obadia, Brussels
Drawings by Sculptors, Inman Gallery, Houston, TX

Not about Paint, Steven Zevitas Gallery, Boston, MA
Robischon Gallery, Denver, CO
Schnitte im Raum: Skulpturale Collagen, Museum Morsbroich, Leverkusen, Germany
21 Americans, Bernard Jacobson Gallery, New York
Towards the Third Dimension, David Floria Gallery, Aspen, CO

The Jewel Thief, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY, co-curated with Ian Berry
Friends in High Places, Christopher Henry Gallery, New York

España/América La Abstracción redefinida, Galleria Max Estrella, Madrid

Embrace!, Denver Art Museum, Denver, CO,
Transitions: Painting at the (Other) End of Art, Collezione Maramotti, Reggio Emilia, Italy
Painting And Its Environs, Palacio de Sastágo, Zaragoza, Spain
Living With…, Galleria Raffaella Cortese, Milan, Italy
Mind The Step, 1301PE, Los Angeles, CA
Klaus Von Nichtssagend, Brooklyn
Winter Light, 1301 PE, Los Angeles, CA

Color in 3D: Found, Applied, and Readymade, Westport Arts Center, Westport, CT
Rita McBride Cornelia Parker Eva Rothschild Jessica Stockholder, Carreras Mugica, Bilbao, Spain

Lust for Life: The Ricke Collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
Pilar Parra & Romero, Madrid, Spain
Concrete Works, Mitchell-Innes & Nash, New York, NY
In Defense of Ardor, Bellwether, New York, NY
Lisa Boyle Gallery, Chicago, IL
Connecticut Contemporary, Wadsworth Atheneum Museum of Art, Hartford, CT,

Transitional Objects: Contemporary Still Life, Neuberger Museum of Art, Purchase College, Harrison, NY
Paint, Vancouver Art Gallery, Vancouver, Canada
SUNY, Purchase, NY
Women’s Work, Greenberg van Doren Gallery, New York, NY

Art 21, Inc, New York Dieu Donne Papermill Residency; accompanying exhibition
Pucker, the Gallery at Dieu Donne Papermill, New York, NY
Material Matters, Cornell University, Johnson Museum of Art, Ithaca, NY;
Mark Muller, Germany
Polly Apfelbaum, Katharina Grosse, Karin Sander, and Jessica Stockholder Galerie Nacht St. Stefan

179th Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York
Kunst Stoff, Galerie Nächt St. Stephan, Vienna, Austria
Whitney Museum of American Art, New York, NY; “Whitney Biennial 2004”
Mark Muller, Germany
The Dunny Show, Kid Robot; Visionaire Gallery, New York
Kunst Stoff, Galerie Nachst St. Stephan, Vienna
Transformer, Kunstverein Ludwigsburg
The National Academy Museum Invitational, New York
Peintures Migrantes, Ecole Superieure des Beaux-Arts du Mans, Le Mans, France

Flower Power; FRAC Lille, France; installation in group show
Painting on Sculpture, Tanya Bonakdar Gallery, New York, NY
Under Pressure: Prints from Two Palms Press, The Cooper Union School of Art, New York

Art Downtown: New Photography, Wall St Rising, New York, NY
Print Publisher’s Spotlight Two Palm Press, Barbara Krakow Gallery, Boston, MA
SiteLines: Art on Main, Addison Gallery of American Art, Phillips Academy, Andover, MA;
New Editions & Monoprints, Pace/Prints, New York, NY
Beyond the Pale: Material Possibilities, Neuberger Museum of Art, Purchase, NY
Living Units; Triple Candie, NY
Under Pressure: Prints from Two Palms Press, University Gallery, University of Massachusetts,
Amherst, MA

Beau Monde: Toward a Redeemed Cosmopolitanism, Site Santa Fe, Santa Fe, NM; curated by Dave Hickey; installation: Bird Watching
Camera Works, Marianne Boesky Gallery, New York, NY
American Art from Sammlung Goetz, Rudolfinum, Prague, Czech Republic
Prints & Multiples, Senior & Shopmaker Gallery, New York, NY
Objective Color, Yale University Art Gallery, New Haven, CT; curated by Jennifer Gross
On Collecting: Pictures, Patents, Monkeys and More…, Western Gallery, Western Washington
University, Bellingham, WA and traveling under the auspices of Independent Curators
Incorporated; curated by Ingrid Schaffner

In the Beginning was MERZ, Sprengel Museum, Hannover, Germany, installation: Gelatinous Too Dry (Schwitters homage exhibition traveling to Haus der Kunst, München, Germany)
Apparent Things: Painting with Things, installation: Pictures at an Exhibition, Haus der Kunst, München, Germany
Before They Became Who They Are, Kravets/Wehby Gallery, New York, NY, curated by Norman Dubrow
Galerie Nachst St. Stephan, Vienna, Austria
Gebaude: Donald Judd, Gerhard Merz, Jessica Stockholder (with OpenOffice), Heimer & Döring
Kunstberatung, Berlin, Germany
Skulptur 2000, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany; curated by Ute Riese
Beyond the Press: Innovations in Print, Hand Workshop Art Center, Richmond, VA
Spilled Edge/Soft Corner. Blackwood Gallery, University of Toronto at Mississauga, Erindale
College, Mississauga, Ont., Canada

Geez Louise!: Art After Louise Nevelson, Educational Alliance Gallery, New York, NY
Think Twice: International Sculpture Show, Galeria OMR, Mexico City, Mexico
Drawing in the Present, Aronson & Main Galleries, Parson School of Design, New York, NY
Galerie Nächst St. Stephan / Rosemarie Schwarzwälder, Wien, Austria; …und wandelt mit bedächtiger Schnelle vom Himmel durch die Welt zur Hölle, curated by Gunther Umberg
Recent Prints, Betsy Senior Gallery, New York, NY
Re: Rauschenberg, Marcel Sitkoske Gallery, San Francisco, CA; curated by Stuart Horodner
Special Offer: Eine Ausstellung des Kölner Galeristen Rolf Ricke, Kasseler Kunstverein, Kassel, Germany

Centre Georges Pompidou, Paris France: Dijon / le Consortium.coll; installations: House
Beautiful, 1994 and Recording Forever Pickled, 1990
Young Americans 2; studio works and installation: Bowtied In the Middle, 1995, Saatchi Gallery,London, England
Coming Off the Wall, Susquehanna Art Museum, Harrisburg, PA; curated by Jonathan VanDyke
I Love New York: Crossover der aktuellen Kunst, curated by Dr. Christina Lissmann, Museum
Ludwig Köln, Köln, Germany
Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen, Kunsthalle Zürich, Zürich,Switzerland; organized by Andreas Schweizer
Interpreting, with curatorial perspectives by: Lynn Cooke, Lia Gangitano, Robert Storr and Lydia Yee, The Rotunda Gallery, Brooklyn, NY; curated by Dena Shottenkirk
University of Texas at San Antonio Art Gallery, San Antonio, TX
University Art Gallery, New Mexico State University, Las Cruces, NM
Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
Chromaform: Color in, curated by Frances Colpitt
Painting Language, L A Louver Gallery, Los Angeles, CA
Galerie Georg Kargl, Vienna, Austria; Review
Humble County, D’Amelio Terras Gallery, New York, NY
Exploiting the Abstract, Feigen Contemporary, New York, NY
Now and Later, alumni exhibition curated by Joachim Pissarro & Prof. Thomas Crow, Yale University Art Gallery, New Haven, CT
Pop / Abstraction, Museum of American Art of the Pennsylvania Academy of the Fine Arts, Philadelphia, PA; curated by Sid Sachs
Alternative Measures, Castle Gallery, College of New Rochelle, New Rochelle, NY; curated by Susan Canning
Gallery Artists, Jay Gorney Modern Art, New York, NY

The Prophecy of Pop, Contemporary Arts Center, New Orleans, LA; curated by John Good
Heart, Mind, Body, Soul: American Art in the 1990s, Selections from the Permanent Collection, The Whitney Museum of American Art, New York, NY
New York – Divergent Models, Nassauischen Kunstverein, Wiesbaden, Germany; curated by Saul Ostrow
Onomatopoeia, Studio La Città, Verona, Italy
Colorflex, Apex Art, New York, NY; curated by Raphael Rubinstein

June, Across Lines: J.Beuys, M.Chin, M.DiSuvero, J.Duff, M.Kendrick, J.Monti, J.Silverthorne, R.Smithson,J. Stockholder, D.Weiner, F.West, Rosenberg Gallery, Hofstra University, Hempstead, NY; curated by Dan Devine
Wandstücke IV: S. Fleury, T. Grünfeld, I. Knoebel, L. Mantello, O.Metzel, J. Stockholder, R. Tiravanija Bob van Orsouw Galerie, Zürich, Switzerland
4e Biennale de Lyon, Halle Tony Garnier, Lyon, France; curated by Harald Szeemann; installation: Bowtied In the Middle, 1995 (cat.) Corderie Building, Venice, Italy;
La Biennale di Venezia: XLVII International Art Exhibition, curated by Germano Celant; installation: Recording Forever Pickled, 1991

L’Ossessione Del Segno, Studio La Città, Verona, Italy
Millennium Eve Dress, The Fabric Workshop and Museum, Philadelphia, PA; curated by Janet Kardon
Unconditionally Abstraction, Schmidt Contemporary Art, St. Louis, MO
Patterns of Excess, Beaver College Art Gallery, Beaver College, Glenside, PA; curated by Paula Marincola
Luminous Bodies, Rotunda Gallery, Brooklyn, NY; curated by Dara Meyers-Kingsley
What I Did On My Summer Vacation, White Columns, New York, NY; (benefit photography project)
Form als Ziel mündet immer in Formalismus (Mies van der Rohe) Galerie Rolf Ricke, Köln, Germany
Painting In An Expanding Field, Usdan Gallery, Bennington College, Bennington, VT, organized by Saul Ostrow
Square Bubbles, Nott Memorial Art Museum, Union College, Schenectady, NY; curated by Arthur Gibbons
Painting Outside Painting: 44th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, DC; curated by Terrie Sultan
Una Nuova Tradizione Americana, Galerie Oddi Baglioni, Rome, Italy
Contemporary Art Museum, University of South Florida, Tampa, FL
Wolfson Galleries, Miami-Dade Community College, Miami, FL; Robert Hull
Re:Fab: Painting Abstracted, Fabricated, Fleming Museum, University of Vermont, Burlington, VT; curated by Rochelle Feinstein, Shirley Kaneda and Margaret A. Miller
Elena Sisto, Lisa Hoke, Jessica Stockholder Dru Arstark Gallery, New York, NY
Rooseum, Malmö, Sweden
Painting The Extended Field; Magasin 3, Stockholm, Sweden;studio works and installation: Bowtied In the Middle

1995 Collectie Presentatie Moderne Kunst, Centraal Museum Utrecht, Utrecht, The Netherlands
Color in Space: Pictorialism In Contemporary Sculpture, David Winton Bell Gallery, List Art Center, Brown University, Providence, RI; curated by George Hofmann
New York – Positionen Aktueller Malerei, Studiogalerie der Kunstverein Museum Schloá Morsbroich, Leverkusen, Germany
On Target, Horodner Romley Gallery, New York, NY; (project: artists alterations on “Target”, 1970 print by Jasper Johns)
Targets, Horodner Romley Gallery, Soho NY
Neue Galerie am Landesmuseum Joanneum, Graz, Austria; Pittura – Immedia: Malerei in den 90er Jahren, curated by Peter Weibel; installation: Recording Forever Pickled

Unbound: Possibilities in Painting, installation: Fat Form and Hairy: Sardine Can Peeling, Hayward Gallery, The South Bank Centre, London, England; curated by Adrian Searle & Greg Hilty
Country Sculpture: House Beautiful, Le Consortium, Dijon, France
Joe’s Garage, TZ’Art & Co., New York, NY;curated by Stephanie Theodore
Ethereal Materialism, Apex Art, New York, NY; curated by Susan Harris
Symphonie en Sous-Sol, Galerie Renos Xippas, Paris, France; organized by Nathalie Obadia
The Little House on the Prarie, Marc Jancou Gallery, London, England
Balkenhol, Dunham, Gilliam, Hirst, McCaslin, Stockholder, Weinstein, Baumgartner Galleries, Washington, DC
Herr Schleiermachers Sista Dröm: Föreställningar om Måleriet, Galerie Nordenhake, Stockholm, Sweden
John Dunn, Adelheid Mers, Carla Preiss, Jessica Stockholder, curated by Arturo Herrera, N.A.M.E. Gallery, Chicago
Information Service, Goethe House, New York, NY
Untitled…, Postmasters Gallery, New York, NY
The Beauty Show, Four Walls, Brooklyn, NY; organized by James Siena (Jan.- with panel discussion)
Possible Things: A Drawing Show, curated by Vik Muniz, Bardamu Gallery / Publishing House, New York, NY
Don’t Look Now, organized by Joshua Decter, Thread Waxing Space, New York, NY
Reveillon ‘94, Stux Gallery, New York, NY

Testwall: Small 3 Dimensional Multiples, TZ’Art & Co., New York, NY
Galerie Nathalie Obadia, Paris, France
Jours Tranquilles à Clichy, Tennisport Arts, New York, NY; curated by Alain Kirili
Jours Tranquilles à Clichy, curated by Alain Kirili, 40, Rue de Rochechouart, Paris, France
Lothringer Straße 13, München, Germany; Ordnung und Zerstörung, curated by Noemi Smolik
The Good, the Bad, and the Ugly…a modest proposal, curated by Peter Hopkins, Galerie Jousse Seguin, Paris, France

John Good Gallery, New York, NY
Anniversary Exhibition, Daniel Weinberg Gallery, Santa Monica, CA
Mettlesome & Meddlesome: Selections from the Collection of Robert J. Schiffler, The Contemporary
Arts Center, Cincinnati, OH
American Fine Arts, New York, NY
Simply made in America, The Aldrich Museum of Contemporary Art, Ridgefield, CN; curated by Barry A. Rosenberg

As Long as It Lasts; installation: Catcher’s Hollow, Witte de With, Rotterdam, Netherlands
Transgressions in the White Cube: Territorial Mappings, Suzanne Lemberg Usdan Gallery, Bennington College, Bennington, VT; organized by Joshua Decter (Nov., cat.)
Mary Heilmann, Jack Pierson, Jessica Stockholder, Pat Hearn Gallery, New York, NY
Cultural Fabrication, John Good Gallery, New York, NY
Women artists not included in Documenta 9, Kunstlerhaus Stuttgart, Stuttgart, Germany

Le Consortium collectionne; installation: Recording Forever Pickled, Chateau d’Oiron, Oiron, France
Jürgen Meyer, Jessica Stockholder, Franz West, Christine Burgin Gallery, New York, NY
American Artists of the Eighties, Palazzo delle Albere, Museo Provinciale d’Arte, Trento, Italy
Plastic Fantastic Lover (object a), Blum Helman Warehouse, New York, NY; curated by Catherine Liu
Southeastern Center for Contemporary Art, Winston-Salem, NC;
Hirshhorn Museum and Sculpture Garden, Washington, DC;
Albuquerque Museum, Albuquerque, NM;
Awards in the Visual Arts 10, Toledo Museum of Art, Toledo, OH;
Sculptors’ Drawings, Paula Cooper Gallery, New York, NY;
The Museum of Natural History, Barbara Farber Gallery, Amsterdam, The Netherlands; curated by Robert Nickas
Physicality: An Exhibition on Color Dimensionality in Painting, The Gallery, New York, NY; curated by George Hoffman
Peter Nadin and Jessica Stockholder, Warren Adelson Gallery, New York, NY; organized by Thea Westreich
Outside America: Going into the 90’s, Fay Gold Gallery, Atlanta, GA; curated by Tricia Collins and Richard Milazzo
Stuttering, Stux Gallery, New York, NY
Biennial; installation: Recording Forever Pickled Too, Whitney Museum of American Art, New York, NY

The Technological Muse, Katonah Museum of Art, Katonah, NY, curated by Susan Fillin-Yeh
Le Choix Des Femmes; Consortium, Espace Frac and L’Usine, Dijon, France; installation (at Le Consortium): Recording Forever Pickled
Contingent Realms, The Whitney Museum of American Art at Equitable Center, New York, NY; curated by Adam Weinberg
Detritus, Jack Tilton Gallery, New York, NY; curated by Janine Cirincione
Stendhal Syndrome: The Cure, Andrea Rosen Gallery, New York, NY; curated by Rhonda Lieberman, Catherine Liu & Lawrence Rickels
Daniel Weinberg Gallery, Santa Monica, CA
Jack Tilton Gallery, New York, NY

Information, Terrain, San Francisco, CA; fax-art exhibition curated by Robert Nickas, Armando Rascon, and Peter Wright
Pop 90,Postmasters Gallery, New York, NY

Making a Clean Edge, P. S. 1, Long Island City, NY
Berkshire Art Association 1989 Exhibition of Painting and Sculpture, Berkshire Museum, Pittsfield, MA; juried by Lisa Phillips
American Fine Arts, Co., New York, NY
A Climate of Site, Barbara Farber Gallery, Amsterdam, Netherlands; curated by Robert Nickas
Galerie Xavier Hufkens, Brussels, Belgium

Artists and Curators, John Gibson Gallery, New York, NY

Wall Sandwich, Melinda Wyatt Gallery, New York, NY
Selections from the Artists File; installation: The Lion the Witch and the Wardrobe, Artists Space, New York, NY

Graduation Exhibit, McPherson Library Gallery, University of Victoria, Victoria, Canada
Vilio Celli, Laurie Metters, Jessica Stockholder, Open Space Gallery, Victoria, BC, Canada







Kavi Gupta is pleased to announce Jessica Stockholder’s inclusion in New York Studio Conversations II. 

“For New York Studio Conversations II, art historian Stephanie Buhmann conducted interviews with twenty female artists. While their genres, aesthetics and media differ greatly, they still have one thing in common: they all live and work in New York. In search of the contents, which are outside the medial fixation on the art market, Buhmann visited the artists in their studios and gained insights in the intimate space of their artistic practices. New York Studio Conversations II presents their unique work processes and approaches, while telling of various philosophies, sources of inspiration and personal histories.

Artists presented in this book: Rebecca Smith, Kim Uchiyama, Virva Hinnemo, Mary Abbott, Keiko Narahashi, Julie Heffernan, Judy Glantzman, Jessica Stockholder, Lorrie Goulet, Pat Steir, Sharon Horvath, Julie Mehretu, Leslie Roberts, Ghada Amer, Louise Fishman, Shirin Neshat, Alicia Henry, Petah Coyne, Carolee Schneemann, Shahzia Sikander.” -The Green Box

Jessica Stockholder — Jessica Stockholder SMART Museum Talk

Jessica Stockholder talks about her work and the process of creating Rose’s Inclination, a site-specific installation at the University of Chicago’s Smart Museum of Art.

Jessica Stockholder — Jessica Stockholder - “Door Hinges” Walkthrough

A conversation with artist Jessica Stockholder, walking through “Door Hinges” (2015), her solo exhibition at Kavi Gupta | Elizabeth St. which opened September 12, 2015. Video by Steven Rosofsky Moving Pictures

Jessica Stockholder — Jessica Stockholder. Peer Out to See (Atisbar para ver)

Jessica Stockholder discusses her installation at the Museo Reina Sofía

Courtesy of Museo Reina Sofía