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Mickalene Thomas in Resting Our Eyes, Curated by Tahirah Rasheed and Autumn Breon: Institute of Contemporary Art San Francisco, CA

Past exhibition
21 January - 25 June 2023
  • Overview
  • Works
  • Installation Views
  • Press
Overview
Mickalene Thomas, Love’s Been Good to Me #2, 2010. Rhinestones, acrylic, and enamel on wood panel, 96 x 72 in. Photo: Mickalene Thomas/ Collection of Jeffrey N Dauber and Marc A Levin.
Mickalene Thomas, Love’s Been Good to Me #2, 2010. Rhinestones, acrylic, and enamel on wood panel, 96 x 72 in. Photo: Mickalene Thomas/ Collection of Jeffrey N Dauber and Marc A Levin.

The Combahee River Collective believed that society would inevitably benefit from the success of Black women-centered movements. When we consider what technologies have already been used to dismantle systems of oppression on a personal level, leisure and adornment are often overlooked, but extremely present in everyday life. From silk bonnets, hair salons, to memories of our grandmothers in the quiet meditation of “resting their eyes,” these mechanisms were criminalized and developed against and amidst oppression. A 1918 ordinance in Greenville, South Carolina required Black women to be jailed or heavily fined if they could not prove “regular and useful employment.” In 1786, Governor Esteban Rodriguez Miro enacted a law requiring Black women in Louisiana to wear scarves that completely concealed their hair after he found free Black women’s fashion as displaying “too much luxury in their bearing.” Resting Our Eyes highlights these mechanisms for freedom and reminds us of the visual vocabulary of those practices. These reminders help us imagine and affirm beauty, rest, and self-expression as radical and necessary acts.

 

Focusing on the liberation and celebration of Black women through the lens of leisure and physical adornment, Resting Our Eyes features new and existing works from 20 multi-generational Black artists working across sculpture, photography, video, mixed media, painting, and textile. Through embodied experiences of space and temporality, spectrums of abstraction and representation, these artists contend with the limitations and failures of the colonial gaze by casting Black womxn at the center of their visions through leisure and adornment. Collectively, these works invite us to see Black womxn as fully realized and free.

 

Exhibiting artist Derrick Adams, Sadie Barnette, Traci Bartlow, Knowledge Bennett, LaKela Brown, Genevieve Gaignard, Ja'Tovia Gary, Lauren Halsey, Simone Leigh, Helina Metaferia, Ebony G. Patterson, Alison Saar, Lorna Simpson, Hank Willis Thomas, Lava Thomas, Mickalene Thomas, Adana Tillman, Leila Weefur, Carrie Mae Weems, and Deborah Willis.

 

 

 

  • Institute of Contemporary Art San Francisco
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Works
  • Mickalene Thomas, Love’s Been Good to Me #2, 2010. Rhinestones, acrylic, and enamel on wood panel. 96 x 72 inches. Photo: Mickalene Thomas/ Collection of Jeffrey N Dauber and Marc A Levin.
    Mickalene Thomas, Love’s Been Good to Me #2, 2010. Rhinestones, acrylic, and enamel on wood panel. 96 x 72 inches. Photo: Mickalene Thomas/ Collection of Jeffrey N Dauber and Marc A Levin.
     
     
Installation Views
  • Installation view, Mickalene Thomas in Resting Our Eyes, 2022. Courtesy of ICASF & Impart Photography.
    Installation view, Mickalene Thomas in Resting Our Eyes, 2022. Courtesy of ICASF & Impart Photography.
Press
  • Image courtesy of artist.

    Mickalene Thomas in A New Art Exhibit Explores the Radicalism of Rest

    Scarlett Newman , Harpers Bazaar, February 7, 2023
  • Installation view, Mickalene Thomas in Resting Our Eyes, 2022. Courtesy of ICASF & Impart Photography.

    Mickalene Thomas: Leisure, Adornment, and Beauty Are Radical Acts in “Resting Our Eyes”

    ALLISON SCHALLER, Vanity Fair, January 20, 2023
  • Mickalene Thomas, Love’s Been Good to Me #2, 2010. Rhinestones, acrylic, and enamel on wood panel. 96 x 72 inches. Photo: Mickalene Thomas/ Collection of Jeffrey N Dauber and Marc A Levin.

    Mickalene Thomas: Resting Our Eyes Exhibition Considers the Radical Act of Leisure for Black Women

    Maxine Wally, W Magazine, January 19, 2023
  • Mickalene Thomas, Love’s Been Good to Me #2, 2010. Rhinestones, acrylic, and enamel on wood panel. 96 x 72 inches. Photo: Mickalene Thomas/ Collection of Jeffrey N Dauber and Marc A Levin.

    Mickalene Thomas: Ten Black artists imagine the freedom of leisure at ICA San Francisco’s “Resting Our Eyes” exhibition.

    Shaquille Heath, The Cut, January 19, 2023

Related artist

  • Mickalene Thomas

    Mickalene Thomas

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