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AFRICOBRA NATION TIME : Venice Biennale 2019 | La Biennale di Venezia 2019 in Venice, Italy.

Past exhibition
11 May - 24 November 2019
  • Overview
  • Works
  • Installation Views
  • Videos
  • Press
  • Press release
Overview
Wadsworth Jarrell Boss Couple, 1970 Acrylic on canvas 36 x 27 1/2 in 91.4 x 69.8 cm
Wadsworth Jarrell
Boss Couple, 1970
Acrylic on canvas
36 x 27 1/2 in
91.4 x 69.8 cm

Kavi Gupta is honored to sponsor AFRICOBRA: Nation Time  as an official Collateral Event of La Biennale di Venezia 2019 (May 11th – November 24th 2019), in Venice, Italy.

 

This is a monumental achievement for this vital Black Arts collective, which was founded on the South Side of Chicago in 1968 by a collective of Black artists, whose interest in Transnational Black Aesthetics led them to create one of the most distinctive visual voices in 20th Century American art. The key characteristics to what we now consider the classic AFRICOBRA look—vibrant, “cool-ade” colors, bold text, shine and positive images of Black people —were essential to everyday life in the community from which this movement emerged. It is a movement with roots in the soil, streets, classrooms, studios, and living rooms of the South Side of Chicago—yet its influence has extended around the world. The appearance of AFRICOBRA at the Venice Biennale not only brings international attention to the work of these groundbreaking artists, but shines an important spotlight on their legacies as representatives of the artistic heritage of our city.

 

AFRICOBRA: Nation Time at La Biennale di Venezia 2019 also marks a proud moment in the history of Kavi Gupta Gallery. Our first exhibition of the work of AFRICOBRA co-founder Gerald Williams premiered in 2017. Since the early days of planning that exhibition, we have been working directly with Gerald and the other surviving AFRICOBRA co-founders to assemble a historic library of ephemera documenting the first 50 years of AFRICOBRA’s existence. These archives include rare materials tracking AFRICOBRA members’ participation in FESTAC ’77, the Second World Black and African Festival of Arts and Culture in Lagos, Nigeria, in 1977, as well as Williams’ time spend working in Nairobi, Kenya, from 1977 to 1999, and tracing the aesthetic evolution of Jae and Wadsworth Jarrell as they lived and worked in Washington, D.C., New York City, and beyond.

In 2018, Williams curated AFRICOBRA 50, a landmark exhibition at our Elizabeth Street gallery in Chicago’s West Loop celebrating the 50th anniversary of the birth of the AFRICOBRA collective. AFRICOBRA 50 juxtaposed historic and newer works by all of the AFRICOBRA co-founders alongside works by contemporary artists inspired by their aesthetic vision.

 

The five AFRICOBRA founders—Jeff Donaldson, Wadsworth Jarrell, Jae Jarrell, Barbara Jones-Hogu and Gerald Williams—understood the potential power visual art has to communicate deep meaning on multiple layers. They had the sophistication to mobilize the organic elements of their everyday visual environment into something capable of affecting the hearts, minds, and spirits of contemporary people. Their collective impact, in addition to Napoleon Jones-Henderson and Nelson Stevens both of whom joined the group in 1969 on the visual arts scene helped establish the visual voice of the Black Arts Movement of the 1960s and 70s. Their further impact—as artists, educators, and community leaders—has brought the members of AFRICOBRA to the forefront of contemporary conversations about the history, legacy, and future of Black Art in America and the world.

 

AFRICOBRA: Nation Time is the next chapter of  AFRICOBRA: Messages to the People, which premiered at MOCA North Miami during Art Basel Miami 2018, AFRICOBRA: Nation Time will focus entirely on the historic aspects of this vital, Chicago-born Black Arts collective. More than 40 works will be on view by Jeff Donaldson, Gerald Williams, Jae Jarrell, Wadsworth Jarrell, Barbara Jones-Hogu, Napoleon Jones-Henderson, and Nelson Stevens. Historic documentation, archival photographs and other ephemera will be showcased throughout the exhibition offering a unique and comprehensive narrative of AFRICOBRA’s birth and evolution on the South Side of Chicago in the late 1960s and early 1970s and its reverberating effect on the art scenes of Washington, DC, New York City, and Lagos, Nigeria.

 

This groundbreaking exhibition will be mounted within the historic, picturesque Venetian Gothic palazzo of Ca’ Faccanon, offering more than 9,000 square feet of exhibition space on two floors, adorned with its original Venetian plaster and Murano chandleries. Its perfectly central location is only meters away from the Rialto Bridge and St. Mark’s square.

 

AFRICOBRA: Nation Time at Biennale Arte 2019 is the first time the work of this vital, definitive, and historic Black Arts collective has been given the opportunity to be celebrated by global audiences on this scale. AFRICOBRA: Nation Time is an exhibition of historic importance for the Black Arts Movement in the United States and all international audiences who are curious to discover more about the ways in which the aesthetic of African American artists relates to politics, culture and identity. Capturing the sentiment of their time with a visual language of vivid colors, rhythm, compositional arrangement and shine, the artists in AFRICOBRA: Nation Time reflect how a marginalized group found a way to empower themselves in a society that consistently denied them their power.

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Works
  • Wadsworth Jarrell Boss Couple, 1970 Acrylic on canvas 36 x 27 1/2 in 91.4 x 69.8 cm
    Wadsworth Jarrell
    Boss Couple, 1970
    Acrylic on canvas
    36 x 27 1/2 in
    91.4 x 69.8 cm
  • Wadsworth Jarrell Homage to a Giant, 1970 Acrylic on board 48 x 90 x 3 in 121.9 x 228.6 x 7.6 cm
    Wadsworth Jarrell
    Homage to a Giant, 1970
    Acrylic on board
    48 x 90 x 3 in
    121.9 x 228.6 x 7.6 cm
  • Wadsworth Jarrell I Am Better Than Those Motherfuckers and They Know It, 1969 Acrylic on canvas 45 x 37 in 114.3 x 94 cm
    Wadsworth Jarrell
    I Am Better Than Those Motherfuckers and They Know It, 1969
    Acrylic on canvas
    45 x 37 in
    114.3 x 94 cm
  • Wadsworth Jarrell Prophecy, 1974 Acrylic on canvas 48 x 85 1/2 in 121.9 x 217.2 cm
    Wadsworth Jarrell
    Prophecy, 1974
    Acrylic on canvas
    48 x 85 1/2 in
    121.9 x 217.2 cm
  • Wadsworth Jarrell Black Family, 1968 Acrylic on canvas 46 x 36 x 2 in 116.8 x 91.4 x 5.1 cm
    Wadsworth Jarrell
    Black Family, 1968
    Acrylic on canvas
    46 x 36 x 2 in
    116.8 x 91.4 x 5.1 cm
  • Wadsworth Jarrell Study for Wall of Respect, 1967 Gouache 44 x 30 in 111.8 x 76.2 cm
    Wadsworth Jarrell
    Study for Wall of Respect, 1967
    Gouache
    44 x 30 in
    111.8 x 76.2 cm
  • Wadsworth Jarrell Navaga, 1974 Acrylic on canvas 50 x 24 in 127 x 61 cm
    Wadsworth Jarrell
    Navaga, 1974
    Acrylic on canvas
    50 x 24 in
    127 x 61 cm
  • Gerald Williams Angela Davis, 1971 Acrylic on panel 50 x 50 x 2 1/2 in 127 x 127 x 6.3 cm
    Gerald Williams
    Angela Davis, 1971
    Acrylic on panel
    50 x 50 x 2 1/2 in
    127 x 127 x 6.3 cm
  • Gerald Williams I Am Somebody, 1969 Acrylic on canvas 48 x 48 in 121.9 x 121.9 cm
    Gerald Williams
    I Am Somebody, 1969
    Acrylic on canvas
    48 x 48 in
    121.9 x 121.9 cm
  • Gerald Williams Take It, 1971 Acrylic on masonite 50 x 50 x 2 1/2 in 127 x 127 x 6.3 cm
    Gerald Williams
    Take It, 1971
    Acrylic on masonite
    50 x 50 x 2 1/2 in
    127 x 127 x 6.3 cm
  • Gerald Williams, Waiting for the woods to..., 1977
    Gerald Williams, Waiting for the woods to..., 1977
  • Gerald Williams Orator, 1969 Acrylic on canvas 33 x 46 x 2 in 83.8 x 116.8 x 5.1 cm
    Gerald Williams
    Orator, 1969
    Acrylic on canvas
    33 x 46 x 2 in
    83.8 x 116.8 x 5.1 cm
  • Gerald Williams Malcolm , 1970 Acrylic on canvas 35 x 27 x 2 in 88.9 x 68.6 x 5.1 cm
    Gerald Williams
    Malcolm , 1970
    Acrylic on canvas
    35 x 27 x 2 in
    88.9 x 68.6 x 5.1 cm
  • Gerald Williams Wake Up , 1971 Screenprint on wove paper 42 x 28 in 106.7 x 71.1 cm
    Gerald Williams
    Wake Up , 1971
    Screenprint on wove paper
    42 x 28 in
    106.7 x 71.1 cm
  • Jae Jarrell Jazz Scramble Jacket, 2015 Silkscreened cowhide splits Dimensions variable
    Jae Jarrell
    Jazz Scramble Jacket, 2015
    Silkscreened cowhide splits
    Dimensions variable
  • Jae Jarrell Bird of Paradise Ensemble, Ode to Tie-Dyed Suede, 1993 - c. 2017 Tie dyed suede and acrylic on wood 80 x 20 x 20 in 203.2 x 50.8 x 50.8 cm
    Jae Jarrell
    Bird of Paradise Ensemble, Ode to Tie-Dyed Suede, 1993 - c. 2017
    Tie dyed suede and acrylic on wood
    80 x 20 x 20 in
    203.2 x 50.8 x 50.8 cm
  • Jae Jarrell Gents Great Coat, 1972 Suede 60 x 21 x 12 in 152.4 x 53.3 x 30.5 cm
    Jae Jarrell
    Gents Great Coat, 1972
    Suede
    60 x 21 x 12 in
    152.4 x 53.3 x 30.5 cm
  • Jae Jarrell Going to NYC, 1994 Mixed media on canvas 53 x 74 in 134.6 x 188 cm
    Jae Jarrell
    Going to NYC, 1994
    Mixed media on canvas
    53 x 74 in
    134.6 x 188 cm
  • Jae Jarrell Frock You, 1994 Wool, wood, mixed media 73 1/4 x 48 3/8 x 6 in 185.9 x 122.9 x 15.2 cm
    Jae Jarrell
    Frock You, 1994
    Wool, wood, mixed media
    73 1/4 x 48 3/8 x 6 in
    185.9 x 122.9 x 15.2 cm
  • Jae Jarrell Victorian Beads and Glasswork Enscreened, 2017 Mixed media 81 x 21 x 21 in 205.7 x 53.3 x 53.3 cm
    Jae Jarrell
    Victorian Beads and Glasswork Enscreened, 2017
    Mixed media
    81 x 21 x 21 in
    205.7 x 53.3 x 53.3 cm
  • Jeff Donaldson, Victory in the Valley of Eshu, 1971
    Jeff Donaldson, Victory in the Valley of Eshu, 1971
  • Barbara Jones-Hogu High Priestess, 1971 Screenprint on wove paper 22 x 15 in 55.9 x 38.1 cm
    Barbara Jones-Hogu
    High Priestess, 1971
    Screenprint on wove paper
    22 x 15 in
    55.9 x 38.1 cm
  • Barbara Jones-Hogu Unite, 1971 Screenprint on wove paper 22 x 30 in 55.9 x 76.2 cm
    Barbara Jones-Hogu
    Unite, 1971
    Screenprint on wove paper
    22 x 30 in
    55.9 x 76.2 cm
Installation Views
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  • Africobranationtimevenicehistoric2019 2
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  • Africobranationtimevenicehistoric2019 15
Videos
  • AFRICOBRA - Nation Time | Collateral Event of the 58th International Art Exhibition

    AFRICOBRA - Nation Time | Collateral Event of the 58th International Art Exhibition

    La Biennale di Venezia Read more
  • Gerald Williams of AfriCOBRA

    Gerald Williams of AfriCOBRA

    Read more
  • Celebrating AFRICOBRA

    Celebrating AFRICOBRA

    Kavi Gupta celebrates the one-year anniversary of AFRICOBRA: Nation Time at the Venice Biennalle Read more
  • EXPO CHICAGO 2018 /Dialogues: AfriCOBRA: Chicago in the Age of Black Power

    EXPO CHICAGO 2018 /Dialogues: AfriCOBRA: Chicago in the Age of Black Power

    Read more
Press
  • Still from a short film directed by Wes Miller from a series that the AAA produced about its collections

    ‘YOUR BODY ITSELF IS ALREADY A PLACE OF POLITICS’: CONTEMPORARY ARTISTS RESPOND TO EIGHT QUESTIONS FROM AFRICOBRA COFOUN

    ARTNEWS, ARTNEWS, April 1, 2019
  • Gerald Williams, Wake Up, silkscreen (1970)

    GERALD WILLIAMS INTERVIEW

    Rebecca Zorach, Never The Same, November 1, 2011
Press release

Kavi Gupta is honored to sponsor AFRICOBRA: Nation Time  as an official Collateral Event of La Biennale di Venezia 2019 (May 11th – November 24th 2019), in Venice, Italy.

This is a monumental achievement for this vital Black Arts collective, which was founded on the South Side of Chicago in 1968 by a collective of Black artists, whose interest in Transnational Black Aesthetics led them to create one of the most distinctive visual voices in 20th Century American art. The key characteristics to what we now consider the classic AFRICOBRA look—vibrant, “cool-ade” colors, bold text, shine and positive images of Black people —were essential to everyday life in the community from which this movement emerged. It is a movement with roots in the soil, streets, classrooms, studios, and living rooms of the South Side of Chicago—yet its influence has extended around the world. The appearance of AFRICOBRA at the Venice Biennale not only brings international attention to the work of these groundbreaking artists, but shines an important spotlight on their legacies as representatives of the artistic heritage of our city.

AFRICOBRA: Nation Time at La Biennale di Venezia 2019 also marks a proud moment in the history of Kavi Gupta Gallery. Our first exhibition of the work of AFRICOBRA co-founder Gerald Williams premiered in 2017. Since the early days of planning that exhibition, we have been working directly with Gerald and the other surviving AFRICOBRA co-founders to assemble a historic library of ephemera documenting the first 50 years of AFRICOBRA’s existence. These archives include rare materials tracking AFRICOBRA members’ participation in FESTAC ’77, the Second World Black and African Festival of Arts and Culture in Lagos, Nigeria, in 1977, as well as Williams’ time spend working in Nairobi, Kenya, from 1977 to 1999, and tracing the aesthetic evolution of Jae and Wadsworth Jarrell as they lived and worked in Washington, D.C., New York City, and beyond.

In 2018, Williams curated AFRICOBRA 50, a landmark exhibition at our Elizabeth Street gallery in Chicago’s West Loop celebrating the 50th anniversary of the birth of the AFRICOBRA collective. AFRICOBRA 50 juxtaposed historic and newer works by all of the AFRICOBRA co-founders alongside works by contemporary artists inspired by their aesthetic vision.

The five AFRICOBRA founders—Jeff Donaldson, Wadsworth Jarrell, Jae Jarrell, Barbara Jones-Hogu and Gerald Williams—understood the potential power visual art has to communicate deep meaning on multiple layers. They had the sophistication to mobilize the organic elements of their everyday visual environment into something capable of affecting the hearts, minds, and spirits of contemporary people. Their collective impact, in addition to Napoleon Jones-Henderson and Nelson Stevens both of whom joined the group in 1969 on the visual arts scene helped establish the visual voice of the Black Arts Movement of the 1960s and 70s. Their further impact—as artists, educators, and community leaders—has brought the members of AFRICOBRA to the forefront of contemporary conversations about the history, legacy, and future of Black Art in America and the world.

AFRICOBRA: Nation Time is the next chapter of  AFRICOBRA: Messages to the People, which premiered at MOCA North Miami during Art Basel Miami 2018, AFRICOBRA: Nation Time will focus entirely on the historic aspects of this vital, Chicago-born Black Arts collective. More than 40 works will be on view by Jeff Donaldson, Gerald Williams, Jae Jarrell, Wadsworth Jarrell, Barbara Jones-Hogu, Napoleon Jones-Henderson, and Nelson Stevens. Historic documentation, archival photographs and other ephemera will be showcased throughout the exhibition offering a unique and comprehensive narrative of AFRICOBRA’s birth and evolution on the South Side of Chicago in the late 1960s and early 1970s and its reverberating effect on the art scenes of Washington, DC, New York City, and Lagos, Nigeria.

This groundbreaking exhibition will be mounted within the historic, picturesque Venetian Gothic palazzo of Ca’ Faccanon, offering more than 9,000 square feet of exhibition space on two floors, adorned with its original Venetian plaster and Murano chandleries. Its perfectly central location is only meters away from the Rialto Bridge and St. Mark’s square.

AFRICOBRA: Nation Time at Biennale Arte 2019 is the first time the work of this vital, definitive, and historic Black Arts collective has been given the opportunity to be celebrated by global audiences on this scale. AFRICOBRA: Nation Time is an exhibition of historic importance for the Black Arts Movement in the United States and all international audiences who are curious to discover more about the ways in which the aesthetic of African American artists relates to politics, culture and identity. Capturing the sentiment of their time with a visual language of vivid colors, rhythm, compositional arrangement and shine, the artists in AFRICOBRA: Nation Time reflect how a marginalized group found a way to empower themselves in a society that consistently denied them their power.

Related artists

  • Jeff Donaldson

    Jeff Donaldson

  • Jae Jarrell

    Jae Jarrell

  • Wadsworth Jarrell

    Wadsworth Jarrell

  • Barbara Jones-Hogu

    Barbara Jones-Hogu

  • Gerald Williams

    Gerald Williams

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