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Frieze London 2022: Regent's Park, London, UK

Past event
Regent's Park | Kavi Gupta | Booth G9 12 - 16 October 2022 
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Open a larger version of the following image in a popup: Jeffrey Gibson, POWERFUL BECAUSE THEY’RE DIFFERENT , 2021
Open a larger version of the following image in a popup: Jeffrey Gibson, POWERFUL BECAUSE THEY’RE DIFFERENT , 2021
Open a larger version of the following image in a popup: Jeffrey Gibson, POWERFUL BECAUSE THEY’RE DIFFERENT , 2021
Open a larger version of the following image in a popup: Jeffrey Gibson, POWERFUL BECAUSE THEY’RE DIFFERENT , 2021
Open a larger version of the following image in a popup: Jeffrey Gibson, POWERFUL BECAUSE THEY’RE DIFFERENT , 2021
Open a larger version of the following image in a popup: Jeffrey Gibson, POWERFUL BECAUSE THEY’RE DIFFERENT , 2021
Open a larger version of the following image in a popup: Jeffrey Gibson, POWERFUL BECAUSE THEY’RE DIFFERENT , 2021
Open a larger version of the following image in a popup: Jeffrey Gibson, POWERFUL BECAUSE THEY’RE DIFFERENT , 2021
Open a larger version of the following image in a popup: Jeffrey Gibson, POWERFUL BECAUSE THEY’RE DIFFERENT , 2021
Open a larger version of the following image in a popup: Jeffrey Gibson, POWERFUL BECAUSE THEY’RE DIFFERENT , 2021
Open a larger version of the following image in a popup: Jeffrey Gibson, POWERFUL BECAUSE THEY’RE DIFFERENT , 2021

Jeffrey Gibson USA, b. 1972

POWERFUL BECAUSE THEY’RE DIFFERENT , 2021
Porcelain, Pottery Glaze, Steel Rod, Acrylic Chiffon, Glass Beads, Porcelain Base
14 x 12 x 6 in
35.6 x 30.5 x 15.2 cm
Edition of 30
8000
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Further images

  • (View a larger image of thumbnail 1 ) Rewind Collective, Harriet Tubman #1, 2021
  • (View a larger image of thumbnail 2 ) Rewind Collective, Harriet Tubman #1, 2021
  • (View a larger image of thumbnail 3 ) Rewind Collective, Harriet Tubman #1, 2021
  • (View a larger image of thumbnail 4 ) Rewind Collective, Harriet Tubman #1, 2021
  • (View a larger image of thumbnail 5 ) Rewind Collective, Harriet Tubman #1, 2021
  • (View a larger image of thumbnail 6 ) Rewind Collective, Harriet Tubman #1, 2021
  • (View a larger image of thumbnail 7 ) Rewind Collective, Harriet Tubman #1, 2021
  • (View a larger image of thumbnail 8 ) Rewind Collective, Harriet Tubman #1, 2021
  • (View a larger image of thumbnail 9 ) Rewind Collective, Harriet Tubman #1, 2021
  • (View a larger image of thumbnail 10 ) Rewind Collective, Harriet Tubman #1, 2021
  • (View a larger image of thumbnail 11 ) Rewind Collective, Harriet Tubman #1, 2021
This sculpture by Jeffrey Gibson may be instantly recognizable to many viewers, based as it is on one of the most frequently reproduced images of an Indigenous American—a work titled...
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This sculpture by Jeffrey Gibson may be instantly recognizable to many viewers, based as it is on one of the most frequently reproduced images of an Indigenous American—a work titled The End of the Trail, by James Earle Fraser. The original Fraser sculpture shows a slumped over rider on the back of a horse, in a position suggestive of exhaustion or defeat. In his adaptation of the work, Gibson deftly re-imagines the essence of the figure, altering the original spear into a flag bearing a message of empowerment, and covering the entire form in a luminous, melting, multicolored glaze. In this new manifestation, the figure and horse may be taking a bow or dancing, captured in a moment of introspective delight. Gibson is a member of the Chocktaw and Cherokee nations. His aesthetic position is rooted in the spaces where narratives collide. The work re-contextualizes relationships between popular culture, identity politics, personal experience, memory, and canonized versions of history, inviting viewers to question the myths and assumptions that empower contemporary social structures.
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