Through Sept. 3. Shrine, 191 Henry Street, Manhattan; 347-693-4979, shrine.nyc.
There’s a smoky texture of hypnagogic disorientation on Henry Street inside the artist-run space Shrine. Loose but elaborate figurative work by a dozen painters and sculptors, all of it small scale and much of it held together by a shared palette of purples and browns, makes for a desperately welcome getaway into the cool fertility of unworldly private fantasy.
In “Study for Monsters of Manhattan,” Inka Essenhigh paints three mysterious women with watery lines and finely observed anatomical details. Alice Mackler’s earthenware figure combines squeezes, pokes and thumbprints with a rooster-colored glaze, creating a startling mannequin of bright-eyed psychological defiance. Kevin McNamee-Tweed’s winning monoprints look like plates from a hobo history of civilization, and in Charlie Roberts’s trippy lavender acrylic of a charismatic dancing house plant, apparently rough edges belie a deeply satisfying sense of balance.