INTERNATIONAL CENTER OF PHOTOGRAPHY MUSEUM (ICP)
May 23 – September 2
The other muse, the legendary singer Eartha Kitt, is, by contrast, totally inescapable. You hear her even before you descend the stairs to the gallery where the show is installed, belting out the lyrics to “Angelitos Negros” (Black Little Angels), as part of Mickalene Thomas’s winning eight-channel video installation of the same name, composed in 2016. In Thomas’s work, you see original footage of Kitt performing in 1970 spliced with reenactments by three other women, including Thomas and her girlfriend Racquel Chevremont, all of them mimicking Kitt’s stormy presence to the point of blissful confusion.
“Multiply, Identify, Her” comes nearly forty years after ICP staged its first plausibly feminist show, “Recollections: Ten Women of Photography,” in 1979, featuring works by Berenice Abbott, Nell Dorr, and Consuelo Kanaga, among others. Chao deserves credit for honoring that ancestral format while assembling such a wildly diverse group, including riveting collages by Geta Brătescu, Wangechi Mutu, Lorna Simpson, and Barbara Hammer, whose layers of self-portraiture (nudes with found X-rays from the series “What You Are Not Supposed to Look At,” 2014) are intense meditations on illness, fragility, age, and—à la Aguilar and Kitt—defiance.