… “A beautiful suite of paintings by McArthur Binion, their surfaces pasted with shredded official documents – the artist’s birth certificate and car registration, for example – painted over with a crosshatch of black and grey or bright colours, willfully turn identity into an abstraction, much the way governments do by force of law…”
FIRST IMPRESSIONS OF CHRISTINE MACEL’S ‘VIVA ARTE VIVA’ IN THE CENTRAL PAVILION
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