Kavi Gupta Gallery
Skip to main content
  • Menu
  • Artists
  • Exhibitions
  • News
  • Viewing Room
  • Editions
  • Events & Art Fairs
  • Public Works
  • Podcast
  • Information
  • Mission
Menu

Angel Otero, Swimming Where Time Was: Hauser & Wirth, New York, NY

Past exhibition
10 November - 23 December 2022
  • Overview
  • Works
  • Installation Views
  • Video
  • Press
Overview
Angel Otero, Concerto, 2022. Oil paint and oil paint skins collaged on canvas, 95 x 95 x 1 1/2 in. All images courtesy of Hauser & Wirth.
Angel Otero, Concerto, 2022. Oil paint and oil paint skins collaged on canvas, 95 x 95 x 1 1/2 in. All images courtesy of Hauser & Wirth.

Beginning 10 November, Angel Otero will present his first major solo exhibition with Hauser & Wirth, Swimming Where Time Was. Filling the 5th floor of the gallery’s 22nd street location, this new body of work marks a turning point in the artist’s career, revealing a new sensibility that has emerged over the last few years. These vibrant large-scale canvases merge the figurative and abstract sides of Otero’s innovative technical practice, advancing the artist’s exploration of oil paint as a medium and a conduit for self-reflection and analysis. Using his personal history to make sense of the current moment, these new works intensify the artist’s uncanny ability to convey memory and history through materiality.

 

Otero’s signature approach to visual storytelling synthesizes magical realism and abstraction, the observed and the imagined, and the past and the present through a labor-intensive process of laying down, peeling and collaging oil paint. Drawing from his memories of growing up in Puerto Rico and the gestural mark-making of artists whose work he first discovered in books as a child––Picasso, de Kooning, Mitchell and Pollock, for example––Otero has invented a visual realm that evokes the enchanting and sometimes strange ways in which everyday objects become personified through the lens of memory.

 

While a few of the new works are predominantly abstract in nature, like One Hundred Dreams From Now (2022), numerous compositions also represent quotidian objects that Otero has imbued with surreal qualities–– blurring the line between gesture and allusion, documentation and recollection to evoke a dreamlike state of consciousness. In the work titled Concerto (2022), an upright piano from Otero’s studio, a former church in upstate New York, sits against an undulating crimson background.

 

The instrument is surrounded by objects that have become staples of Otero’s visual language––paint buckets, an old table lamp, an aluminum cooking pot and dentures soaking in a drinking glass. Meanwhile, a school of goldfish––another recurrent motif––rains down upon the piano’s keys in a hypnagogic melodic performance. Below, the floor is covered by ceramic tiles decorated with a pattern inspired by traditional tiles from sixteenth- century Spain. Found throughout homes in Puerto Rico, the tiles reflect both the artist’s personal recollections and the collective memory of colonialism in Puerto Rico.

 

In the painting Behind Curtains (2022), the viewer is positioned just outside an arched doorway that frames an inviting yet disorienting space: A sheer curtain of crocheted lace obscures the details of a room rich with bright colors and textures, while the diagonal composition of a wooden sculpture made from old furniture levitates above the floor. The curtain’s floral patten reappears on a bedspread in the painting Mi Acuario (2022), in which bright blue and yellow sea kelp have taken over the room like an overgrown garden, transforming it into a fantastical, human-sized fish tank.

 

In a reversal of the typical painting process, Otero begins each new work by painting the foreground scene on plexiglass first and then working backward, in layers, so the background, frequently inspired by historical abstract masterpieces, is painted last. He then builds in a layer of fabric to hold the entire structure together before scraping it off and fixing it onto canvas. Afterward, Otero continues to add to the surface, collaging images of items like pots and pans, window shutters, bingo tickets and folded paper fans from a repository of previously made works to create an entirely new, multilayered composition. In this way, the artist merges process and intent: through the skilled layering and mixing of fragments from different sources, he effectively emulates the ways in which our memories of the past, imprecise and frequently distorted, are pieced together to construct our present.

 

–Text courtesy of Hauser & Wirth

 

 

  • Hauser & Wirth
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Works
  • Angel Otero Concerto, 2022. Oil paint and oil paint skins collaged on canvas 95 x 95 x 1 1/2 in.

    Angel Otero

    Concerto, 2022.
    Oil paint and oil paint skins collaged on canvas 
    95 x 95 x 1 1/2 in.
  • Angel Otero When Sunny Gets Blue, 2022. Oil paint and fabric collaged on canvas 94 x 94 x 1 1/2 in.

    Angel Otero

    When Sunny Gets Blue, 2022.
    Oil paint and fabric collaged on canvas
    94 x 94 x 1 1/2 in.
  • Angel Otero Behind Curtains, 2022. Oil paint and fabric collaged on canvas 95 x 95 x 1 1/2 in.

    Angel Otero

    Behind Curtains, 2022.
    Oil paint and fabric collaged on canvas
    95 x 95 x 1 1/2 in.
  • Angel Otero Mi Acuario, 2022. Oil paint and fabric collaged on canvas 95 x 142 x 1 1/2 in.

    Angel Otero

    Mi Acuario, 2022.
    Oil paint and fabric collaged on canvas
    95 x 142 x 1 1/2 in.
  • Angel Otero One Hundred Dreams From Now, 2022. Oil paint and oil paint skins collaged on canvas 95 x 95 x 1 1/2 in.

    Angel Otero

    One Hundred Dreams From Now, 2022.
    Oil paint and oil paint skins collaged on canvas 
    95 x 95 x 1 1/2 in.
  • Angel Otero Breathing Underwater, 2022. Oil paint and fabric collaged on canvas 72 x 96 x 1 1/2 in

    Angel Otero

    Breathing Underwater, 2022.
    Oil paint and fabric collaged on canvas
    72 x 96 x 1 1/2 in
  • Angel Otero Detour, 2022. Oil paint and fabric collaged on canvas 96 x 72 x 1 1/2 in.

    Angel Otero

    Detour, 2022.
    Oil paint and fabric collaged on canvas
    96 x 72 x 1 1/2 in.
Installation Views
  • Installation view, Angel Otero, Swimming Where Time Was, 2022. Courtesy of Hauser & Wirth.

    Installation view, Angel Otero, Swimming Where Time Was, 2022. 

    Courtesy of Hauser & Wirth. 

  • Screen Shot 2022 11 10 At 1 56 38 Pm
  • Screen Shot 2022 11 10 At 1 57 38 Pm
Video
Press
  • All images courtesy of Lexie Moreland/WWD.

    Studio Visit With Angel Otero

    Kristen Tauer, WWD, November 20, 2022

Related artist

  • Angel Otero

    Angel Otero

Back to exhibitions

Contact: +1  708-480-2882

General Inquiries: info@kavigupta.com

Media Inquiries: media@kavigupta.com

Client & Sales Inquiries: client@kavigupta.com

Publications: Kavi Gupta Editions

Facebook Twitter Instagram Newsletter

Kavi Gupta Washington Blvd

835 W. Washington Blvd. Chicago, IL 60607

Hours | Tue–Fri: 11 am–6 pm, Sat: 12 pm–5 pm

Kavi Gupta Elizabeth St

219 N. Elizabeth St. Chicago, IL 60607 
Hours | By appointment only

 

 

Kavi Gupta Warehouse

2108 S. California Ave. Chicago, IL 60608

Kavi Gupta New Buffalo

215 E. Buffalo St. #219 New Buffalo, MI 49117

Instagram, opens in a new tab.
Artsy, opens in a new tab.
Join the mailing list
View on Google Maps
Ocula, opens in a new tab.
Manage cookies
2025 Kavi Gupta
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences