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Mickalene Thomas: BLACK VENUS Curated by Aindrea Emelife: Fotografiska

Past exhibition
13 May - 28 August 2022
  • Overview
  • Installation Views
  • Press
Overview
Mickalene Thomas, Ain’t I a Woman, 2009. Video (color, sound; 3:33 min.), and rhinestone, acrylic and enamel on panel. Dimensions: Panel: 36 x 28" (91.4 x 71.1 cm) Framed Monitor: 17 3/4 x 24 x 5 3/8 in.
Mickalene Thomas, Ain’t I a Woman, 2009. Video (color, sound; 3:33 min.), and rhinestone, acrylic and enamel on panel. Dimensions: Panel: 36 x 28" (91.4 x 71.1 cm) Framed Monitor: 17 3/4 x 24 x 5 3/8 in.

"Rather than simply putting forth a compelling grouping of contemporary talent, I wanted to establish a legacy." 

 

- Aindrea Emelife

BLACK VENUS is an exhibition that surveys the legacy of Black women in visual culture – from fetishized, colonial-era caricatures, to the present-day reclamation of the rich complexity of Black womanhood by 19 artists (of numerous nationalities and with birth years spanning 1942 to 1997). This exhibition is a celebration of Black beauty, an investigation into the many faces of Black femininity and the shaping of Black women in the public conscious – then and now.

 

Juxtaposed against archival depictions of Black women dating back to 1793, the contemporary works on view collectively create a global, cross-generational investigation into Black women’s reclamation of agency amid the historical fetishization of the Black female body.

 

Curated by Aindrea Emelife, the exhibition’s thematic foundation is the Hottentot Venus, a visual-culture archetype named for the assigned stage name of Saartje Baartman (born 1789 in South Africa). Enslaved by Dutch colonizers and toured around Europe as part of a ‘freak show’ due to her non-Western body type, caricatured depictions of her spread around the globe and indelibly catalyzed the Western exoticization and othering of Black women. In BLACK VENUS, archival depictions of Baartman and other historical Black women pair with the vibrant, narrative portraiture by some of today’s most influential Black image-makers whose work deals with layered narratives of Black femininity.

 

"Rather than simply putting forth a compelling grouping of contemporary talent, I wanted to establish a legacy." - Aindrea Emelife

 

Emelife believes by looking at early images, we identify the beginning of the othering of Black women. In a contemporary age, where Black women are finally being allowed to claim agency over the way their own image is seen, it is important to track how we have reached this moment. In looking through these images, in different stages of history – we are confronted with a mirror of the political and socio-economic understandings of Black women at the time, and what they were allowed to be. The most contemporary examples in the show are unabashed, riotous affronts showcasing all that Black womanhood can be and has always been.

 

By visiting the exhibition and exploring the Black female image from the late-1700s until now, viewers are invited to confront the racial and sexual objectification and embodied resistance that make up a significant part of the Black women’s experience—and to celebrate the current upheaval of this stereotype, at the hands of Black artists. In an age where Black women are taking positions in power, fronting the covers of fashion magazines, and taking up space in all manner of fields and industries, it is a reminder to look back and see how far we have come, so we can look to the future.

 

It is a hypervisibility with agency – the Black woman is resilient, powerful, soft, luxurious, queer, disabled, a fashion icon, ethereal, mother, daughter, friend, and lover. BLACK VENUS is a feeling. It is a valiant call to action to be seen and to celebrate in Black women; their aspirations, convictions, contributions and how perceptions of Black womanhood have shifted over time – how agency has been reclaimed.

 

 


 

 

 

THE ARTISTS

 

Sadie Barnette (b. 1984, Oakland, CA)
Widline Cadet (b. 1992, Pétion-Ville, Haiti)
Shawanda Corbett (b. 1989, New York, NY)
Renee Cox (b. 1960, Colgate, Jamaica)
Ayana V. Jackson (b. 1977, Livingston, NJ)
Deana Lawson (b. 1979, Rochester, NY)
Zanele Muholi (b. 1972, Umlazi, South Africa)
Jenn Nkiru (b. 1987, London, UK)
Amber Pinkerton (b. 1997, Kingston, Jamaica)
Tabita Rezaire (b. 1989, Paris, France)
Coreen Simpson (b. 1942, New York, NY)
Ming Smith (b. 1950, Detroit, MI)
Maud Sulter (b. 1960, Glasgow, Scotland; d. 2008, Dumfries, Scotland)
Kara Walker (b. 1969, Stockton, CA)
Carrie Mae Weems (b. 1953, Portland, OR)
Alberta Whittle (b. 1980, Bridgetown, Barbados)
Carla Williams (b. 1965, Los Angeles, CA)
Mickalene Thomas (b. 1971 Camden, NJ)
Deux Femmes Noires

 

 


 

 

 

 Mickalene Thomas’s work in BLACK VENUS is a revision of her earlier 2009 Ain’t I a Woman series pictured below.

 

 Mickalene Thomas, Ain’t I a Woman, 2009. Video (color, sound; 3:33 min.), and rhinestone, acrylic and enamel on panel. Dimensions: Panel: 36 x 28" (91.4 x 71.1 cm) Framed Monitor: 17 3/4 x 24 x 5 3/8 in.

 

 

  • Fotografiska
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Installation Views
  • Installation view, BLACK VENUS, 2022. Fotografiska New York. Images by Dario Lasagni.

    Installation view, BLACK VENUS, 2022. Fotografiska New York. Images by Dario Lasagni.

  • Fotografiska Ny Black Venus 05 22 0213
  • 07 Carrie Mae Weems Renee Cox Coreen Simpson Fotografiska Ny Black Venus 05 22 0261
  • 02 Kara Walker And Tabita Rezaire Fotografiska Ny Black Venus 05 22 0288
  • 09 Ming Smith Fotografiska Ny Black Venus 05 22 0224
  • 12 Coreen Simpson And Widline Cadet Fotografiska Ny Black Venus 05 22 0257
  • 05 Mickalene Thomas And Deux Femmes Noires Fotografiska Ny Black Venus 05 22 0297
  • 08 Archival Material Alberta Whittle Renee Cox Fotografiska Ny Black Venus 05 22 0201
  • 16 Sadie Barnette And Carrie Mae Weems Fotografiska Ny Black Venus 05 22 0269
  • 15 Amber Pinkerton Kara Walker Deana Lawson Fotografiska Ny Black Venus 05 22 0291
  • 14 Archival Josephine Baker Fotografiska Ny Black Venus 05 22 0277
  • 03 Deana Lawson And Zanele Muholi Fotografiska Ny Black Venus 05 22 0284
  • 17 Widline Cadet Sadie Barnette Archival Josephine Baker Fotografiska Ny Black Venus 05 22 0276
  • Fotografiska Ny Black Venus 05 22 0237
  • Fotografiska Ny Black Venus 05 22 0245
  • Fotografiska Ny Black Venus 05 22 0233
  • Fotografiska Ny Black Venus 05 22 0222
  • Fotografiska Ny Black Venus 05 22 0240
  • Fotografiska Ny Black Venus 05 22 0265
  • Fotografiska Ny Black Venus 05 22 0266
  • Fotografiska Ny Black Venus 05 22 0253
  • Fotografiska Ny Black Venus 05 22 0278
  • Fotografiska Ny Black Venus 05 22 0271
  • Fotografiska Ny Black Venus 05 22 0303
  • Fotografiska Ny Black Venus 05 22 0295
  • Fotografiska Ny Black Venus 05 22 0302
  • Fotografiska Ny Black Venus 05 22 0326
Press
  • Mickalene Thomas in Black Venus curated by Aindrea Emelife. Images courtesy of Fotografiska New York

    Mickalene Thomas: Black Venus at Fotografiska New York

    Anastasia Jessica, Arts Tribune, June 12, 2022
  • Installation view, Black Venus, 2022, Fotografiska, New York.

    Mickalene Thomas: How the Art Show Black Venus Reclaims Ownership of Black Womanhood

    Sagal Mohammed, Harper's Bazaar, June 8, 2022
  • Mickalene Thomas, Ain’t I a Woman, 2009. Video (color, sound; 3:33 min.), and rhinestone, acrylic and enamel on panel. Dimensions: Panel: 36 x 28" (91.4 x 71.1 cm) Framed Monitor: 17 3/4 x 24 x 5 3/8 in.

    Mickalene Thomas: Tracing the Legacy of Black Womanhood Through the Work of Five Artists

    An Other Mag, May 26, 2022

Related artist

  • Mickalene Thomas

    Mickalene Thomas

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