Kour Pour UK, b. 1987
Little Brother, 2021
Block printing ink on paper
100 x 59 x 2 in
254 x 149.9 x 5.1 cm
254 x 149.9 x 5.1 cm
7902
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This work was created for Kour Pour: Familiar Spirits, the artist’s debut solo exhibition with Kavi Gupta. For the show, Pour created a stunning new body of work conceived around...
This work was created for Kour Pour: Familiar Spirits, the artist’s debut solo exhibition with Kavi Gupta. For the show, Pour created a stunning new body of work conceived around the idea of family—not only that into which we are born but the families we construct as our personal histories unfold.
Little Brother and Big Brother—the two largest works in the show—hang side by side, like twin images. Printed on Japanese kozo paper, each features a dramatic image of a tiger, similar in pose and positioning. The juxtaposition of these two very similar images invites viewers to examine notions of originality—an idea crucial to Pour’s practice.
Similar to his renowned Carpet paintings, which integrate visual elements from pre-Victorian Persian carpets, these paintings contain elements that reference both global art history and various interconnected cultural iconographies. The central motif in this new body of work is a tiger, an image immediately suggestive of a range of art historic and craft traditions, but which is also a personal reference for Pour.
“These tiger paintings originate from one of my best friends Phil, who is Korean and grew up in Chile,” Pour says. “He became a tattoo artist. He has a big Korean tiger tattoo on his belly.”
To make the works in Familiar Spirits, Pour innovated a new block printing process in his studio. “I was looking for a material that would allow me to make something like a wood block print, but much larger. My uncle is in the construction industry. After talking with him, I decided to use repurposed sheets of vinyl flooring.” Pour carved his foundational images into the vinyl and transferred them to paper or canvas. Additional elements were then collaged or painted on.
Little Brother and Big Brother—the two largest works in the show—hang side by side, like twin images. Printed on Japanese kozo paper, each features a dramatic image of a tiger, similar in pose and positioning. The juxtaposition of these two very similar images invites viewers to examine notions of originality—an idea crucial to Pour’s practice.
Similar to his renowned Carpet paintings, which integrate visual elements from pre-Victorian Persian carpets, these paintings contain elements that reference both global art history and various interconnected cultural iconographies. The central motif in this new body of work is a tiger, an image immediately suggestive of a range of art historic and craft traditions, but which is also a personal reference for Pour.
“These tiger paintings originate from one of my best friends Phil, who is Korean and grew up in Chile,” Pour says. “He became a tattoo artist. He has a big Korean tiger tattoo on his belly.”
To make the works in Familiar Spirits, Pour innovated a new block printing process in his studio. “I was looking for a material that would allow me to make something like a wood block print, but much larger. My uncle is in the construction industry. After talking with him, I decided to use repurposed sheets of vinyl flooring.” Pour carved his foundational images into the vinyl and transferred them to paper or canvas. Additional elements were then collaged or painted on.