Roxy Paine USA, b. 1966
4.2 x 6.1 x 4.1 m
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In Carcass, we see a fast food counter, kitchen, and back room lovingly and carefully rendered in wood. A wood post-in note on the wall carries no text, and a wood fryer basket holds no food. The exact moment when this space would have exist is ambiguous. A CRT television monitor perhaps indicates something before the turn of the millennium, but the overall aesthetics speak to a kind of cultural plateau, an unchanging generality that isn't identifiable even to a brand, just broadly, "a fast food restaurant." The title—Carcass—perhaps most plainly signals how the diorama is not simply inert, but is meant to accurately capture this inertness: this kind of space is dead, it is not growing or changing with the times.
Provenance
The artist's studio, New York, NY, USAKavi Gupta gallery, Chicago, IL, USA
Exhibitions
Roxy Paine, Apparatus, 2013, Kavi Gupta, Chicago, IL, USARoxy Paine, Serotonin Reuptake Inhibitor, 2016, Beeler Gallery, CCAD, Columbus, OH, USA