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Manuel Mathieu, World Discovered Under Other Skies: The Power Plant | Toronto, Ontario, Canada

Past exhibition
26 September 2020 - 3 January 2021
  • Overview
  • Works
  • Installation Views
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Overview
Manuel Mathieu Anonymous, 2018 Mixed media on canvas (Acrylic, oil stick, chalk, charcoal, spray paint, and tape) 30 x 35 in 76.2 x 88.9 cm
Manuel Mathieu
Anonymous, 2018
Mixed media on canvas (Acrylic, oil stick, chalk, charcoal, spray paint, and tape)
30 x 35 in
76.2 x 88.9 cm

Manuel Mathieu is known for vibrant, colourful paintings that seamlessly merge abstraction with figuration. His work reflects on our intertwined lives, in which the boundaries between the past and present or the personal and political are often blurred. Sharing recollections that depict everyday scenes, Mathieu also blends into his canvases an interrogation of the complex history of his familial homeland, Haiti. By unearthing the traumas of state violence, he addresses issues that remain as urgent today as they have been throughout Haitian history.

Mathieu’s first solo exhibition in Toronto features a collection of new and past works—including paintings, drawings, and ceramics—shedding light on Haiti’s relationship to the world. Positioned at the fault lines of modern political and environmental crises, Haiti epitomizes a global longing for liberation, and grassroots resistance to imperialist and capitalist exploits. At the centre of this exhibition is an examination of the long-lasting repercussions of Haiti’s pioneering revolt (launched in 1791, challenging slavery and colonialism) and its quest for self-determination, which have led in more recent decades to embroiling the nation in the intrigues of the Cold War. In Zapruder/313 (2016), Mathieu borrows from footage capturing the 1963 assassination of John F. Kennedy to raise questions about American support of Haiti’s ruthless dictatorships in pursuit of neo-colonial interests.

Other paintings delve into memories of the Duvalier dictatorships (1957–86), to bring harrowing incidents back into contemporary consciousness. Fort Dimanche 2 (2017) hints at the atrocities committed at the infamous prison where countless political opponents vanished. Mathieu’s work is a reminder that commemorating the tragedies of the past does not fall solely on the shoulders of a nation’s local or diasporic communities. Instead, it is part of our collective responsibility. His works suggest a distinct understanding of Haiti’s history—a history defined by global currents, which occasionally collide to erupt in frenzied episodes of mass violence. Mathieu, therefore, proposes that the dynamics of the world might manifest themselves in one place, like Haiti. Underlining common links and struggles that unite us despite national borders, he invites us to enter a world discovered under other skies.

Manuel Mathieu (b. 1986, Port-au-Prince) lives and works in Montreal. He received his BFA from Université du Québec à Montréal and his MFA from Goldsmiths, University of London. Mathieu was an artist in residence at Akademie Schloss Solitude, Stuttgart (2019–20), and the Pamela Joyner and Alfred J. Giuffrida residency program, Sonoma, CA (2019). Recent solo exhibitions have been held at the Montreal Museum of Fine Arts (2020); HDM Gallery, Beijing (2019); Armory Show, New York (2018); Tiwani Contemporary, London (2017); and Institute of Contemporary Art, London (2015). He has participated in numerous group exhibitions held in Canada, the United States, and Europe, including Fondation Phi, Montreal (2020); Pérez Art Museum Miami (2019); Frieze London (2018); Art Basel (2017); and Grand Palais, Paris (2014). Mathieu was one of the artists recognized by the 2020 Sobey Art Award.

 

– Curatorial text courtesy of the Power Plant

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Works
  • Manuel Mathieu The Prophetess 2, 2020 Acrylic, chalk, charcoal, and tape on canvas 110 x 90 x 1 1/2 in 279.4 x 228.6 x 5.1 cm
    Manuel Mathieu
    The Prophetess 2, 2020
    Acrylic, chalk, charcoal, and tape on canvas
    110 x 90 x 1 1/2 in
    279.4 x 228.6 x 5.1 cm
  • Manuel Mathieu Siimone, 2020 Acrylic, chalk, and charcoal on canvas 66 7/8 x 70 7/8 in 170 x 180 cm
    Manuel Mathieu
    Siimone, 2020
    Acrylic, chalk, and charcoal on canvas
    66 7/8 x 70 7/8 in
    170 x 180 cm
  • Manuel Mathieu, Study on a disappearance, 2020
    Manuel Mathieu, Study on a disappearance, 2020
  • Manuel Mathieu Invisible Wall, 2019 Mixed media on canvas 90 x 80 x 2 in 228.6 x 203.2 x 5.1 cm
    Manuel Mathieu
    Invisible Wall, 2019
    Mixed media on canvas
    90 x 80 x 2 in
    228.6 x 203.2 x 5.1 cm
  • Manuel Mathieu One Future, 2019 Mixed media on canvas 90 x 80 x 2 in 228.6 x 203.2 x 5.1 cm
    Manuel Mathieu
    One Future, 2019
    Mixed media on canvas
    90 x 80 x 2 in
    228.6 x 203.2 x 5.1 cm
  • Manuel Mathieu Resilience - A Landscape of Desire, 2020 Fabric, ink, and soil 80 x 110 x 3 in 203.2 x 279.4 x 7.6 cm
    Manuel Mathieu
    Resilience - A Landscape of Desire, 2020
    Fabric, ink, and soil
    80 x 110 x 3 in
    203.2 x 279.4 x 7.6 cm
  • Manuel Mathieu Anonymous, 2018 Mixed media on canvas (Acrylic, oil stick, chalk, charcoal, spray paint, and tape) 30 x 35 in 76.2 x 88.9 cm
    Manuel Mathieu
    Anonymous, 2018
    Mixed media on canvas (Acrylic, oil stick, chalk, charcoal, spray paint, and tape)
    30 x 35 in
    76.2 x 88.9 cm
  • Manuel Mathieu Rivière Froide 1, 2017 Acrylic, oil stick, chalk, charcoal, spray paint, and tape on canvas 68 x 72 in 172.7 x 182.9 cm
    Manuel Mathieu
    Rivière Froide 1, 2017
    Acrylic, oil stick, chalk, charcoal, spray paint, and tape on canvas
    68 x 72 in
    172.7 x 182.9 cm
  • Manuel Mathieu Rivière froide 3, 2018 Mixed media on canvas (Acrylic, oil stick, chalk, charcoal, spray paint, and tape) 68 x 72 in 172.7 x 182.9 cm
    Manuel Mathieu
    Rivière froide 3, 2018
    Mixed media on canvas (Acrylic, oil stick, chalk, charcoal, spray paint, and tape)
    68 x 72 in
    172.7 x 182.9 cm
  • Manuel Mathieu Sacred Burden, 2020 Acrylic, chalk, charcoal, fabric, and tape on canvas 78 3/4 x 98 3/8 in 200 x 250 cm
    Manuel Mathieu
    Sacred Burden, 2020
    Acrylic, chalk, charcoal, fabric,
    and tape on canvas
    78 3/4 x 98 3/8 in
    200 x 250 cm
  • Manuel Mathieu The Collision, 2020 Acrylic, oil stick, chalk, charcoal, and tape on canvas 78 3/4 x 74 3/4 in 200 x 190 cm
    Manuel Mathieu
    The Collision, 2020
    Acrylic, oil stick, chalk, charcoal, and tape on canvas
    78 3/4 x 74 3/4 in
    200 x 190 cm
Installation Views
  • Manuelmathieupowerplant2020 11
  • Manuelmathieupowerplant2020 12
  • Manuelmathieupowerplant2020 8
  • Manuelmathieupowerplant2020
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  • Manuelmathieupowerplant2020 2
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  • Manuelmathieupowerplant2020 10
  • Manuelmathieupowerplant2020 4
Videos
  • The Power Plant: Interview with Manuel Mathieu

    The Power Plant: Interview with Manuel Mathieu

    Read more
  • ART TORONTO: Manuel Mathieu in conversation with Gaëtane Verna, presented by The Power Plant

    ART TORONTO: Manuel Mathieu in conversation with Gaëtane Verna, presented by The Power Plant

    Read more

Related artist

  • Manuel Mathieu

    Manuel Mathieu

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