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Firelei Báez, How to Slip Out of Your Body Quietly: Kavi Gupta | 835 W. Washington St. Chicago, IL, 60607

Past exhibition
15 September - 14 November 2018
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Overview
Firelei Báez I write love poems, too (The right to non-imperative clarities), 2018 Acrylic, ink, and chine-collé on deaccessioned book pages 96 x 224 in 243.8 x 569 cm
Firelei Báez
I write love poems, too (The right to non-imperative clarities), 2018
Acrylic, ink, and chine-collé on deaccessioned book pages
96 x 224 in
243.8 x 569 cm

Kavi Gupta Gallery presents its first solo exhibition of new work by Dominican-American artist Firelei Báez, whose monumental installation at the recent 10th Berlin Biennale and concurrent solo exhibition at the Studio Museum in Harlem continue to receive international acclaim. Báez is interested in how culture and identity are shaped by inherited histories. Her work reveals the incomplete nature of our communal stories, constructing more egalitarian social narratives, so a more equitable future might emerge.

 

Portraiture is a key aspect of Báez’s work. She sees the human body as the most direct link between artist, viewer, and subject. Across the mediums of painting, sculpture, drawing, and installation, she layers strong, confident, imaginative portraits of Afrodiasporic figures over physical and conceptual echoes of the past. In her portraits, aspects of her personal identity are evident, revealing the intense personal connection Báez feels to the stories she is telling.

 

Materially, Báez makes work that looks both old and new. She sometimes achieves this aesthetic using traditional materials like acrylic paint on canvas, but more often paints her images directly onto found materials, such as pages from old scientific manuals, travelogues, or biographies of political figures published during key historical moments. On these surfaces, Báez layers the fabric of the past with visions of a newly imagined present. This is the meeting place of past, present, and future, where she creates what art historian Portia Malatjie called, “a space of possibility, a space where fictional alternative universes are imagined, often with strong female protagonists.”

 

The inescapable concrete conclusion Báez exposes is that history is not fixed. Meanwhile, on an abstract level, her visual language of figures, symbols, and calligraphic patterns conjure a psychological space where viewers might perceive echoes of their own presence in the ever-unfolding narratives of time.

The new works Báez has created for her solo exhibition at Kavi Gupta continue her ongoing examination of historical narratives, focusing particularly on issues surrounding territory, industry, and what it means to be a “true, blue” American. These works are unique but are also part of a continual unfolding, a process of revelation transpiring from Venice and Berlin to New York and Chicago. This exhibition is one new point of access to a much larger field of discovery, what Báez calls a “third space of refuge,” where forgotten history can be recalled and new paths forward can be imagined. By untying and re-tying the knots of history, she hopes to create a generative, productive space, where the bellicose ledger of the past can make way for new accounts of what we hope to become; and where individual viewers can search for themselves.

 

Báez received an M.F.A. from Hunter College and a B.F.A. from The Cooper Union’s School of Art and studied at The Skowhegan School of Painting and Sculpture. Recent solo exhibitions include The Studio Museum Harlem, NY, the 2018 Berlin Biennial, the Andy Warhol Museum, Pittsburgh, PA, the Perez Art Museum, Miami, FL, and the Utah Museum of Contemporary Art, Salt Lake City, UT.

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Works
  • Firelei Báez I write love poems, too (The right to non-imperative clarities), 2018 Acrylic, ink, and chine-collé on deaccessioned book pages 96 x 224 in 243.8 x 569 cm
    Firelei Báez
    I write love poems, too (The right to non-imperative clarities), 2018
    Acrylic, ink, and chine-collé on deaccessioned book pages
    96 x 224 in
    243.8 x 569 cm
  • Firelei Báez roots when they are young and most tender, 2018 2 paintings, 4-6 hand painted papier-mâché sculptures, 40’x30’ hand painted blue tarp, chicken wire and foliage dimensions variable
    Firelei Báez
    roots when they are young and most tender, 2018
    2 paintings, 4-6 hand painted papier-mâché sculptures, 40’x30’ hand painted blue tarp, chicken wire and foliage
    dimensions variable
  • Firelei Báez living monuments in historical chapters, 2018 Acrylic and ink on canvas 93 1/2 x 121 in 237.5 x 307.3 cm
    Firelei Báez
    living monuments in historical chapters, 2018
    Acrylic and ink on canvas
    93 1/2 x 121 in
    237.5 x 307.3 cm
  • Firelei Báez Love that does not choose you (Collapse the rooms and structures that depend on you to hold them) , 2018 Gouache on paper 89 x 104 in 226.1 x 264.2 cm
    Firelei Báez
    Love that does not choose you (Collapse the rooms and structures that depend on you to hold them) , 2018
    Gouache on paper
    89 x 104 in
    226.1 x 264.2 cm
  • Firelei Báez Ooloi Ciguapa (mass pedigrees of masterpieces unsold), 2018 Gouache on paper 96 x 51 in 243.8 x 129.5 cm
    Firelei Báez
    Ooloi Ciguapa (mass pedigrees of masterpieces unsold), 2018
    Gouache on paper
    96 x 51 in
    243.8 x 129.5 cm
  • Firelei Báez Years of holding your tongue, 2018 Gouache on paper 93 1/2 x 51 in 237.5 x 129.5 cm
    Firelei Báez
    Years of holding your tongue, 2018
    Gouache on paper
    93 1/2 x 51 in
    237.5 x 129.5 cm
  • Firelei Báez How to slip out of your body quietly, 2018 Gouache on paper 70 x 118 in 177.8 x 299.7 cm
    Firelei Báez
    How to slip out of your body quietly, 2018
    Gouache on paper
    70 x 118 in
    177.8 x 299.7 cm
Installation Views
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Video
Videos
  • Firelei Báez - How to slip out of your body quietly

    Firelei Báez - How to slip out of your body quietly

    Read more
Press
  • HOW FIRELEI BÁEZ USES YORUBA ICONS AND HER AFRO-CARIBBEAN HERITAGE IN HER PROFOUND ‘JOY OUT OF FIRE’ MURALS

    Jasmin Hernandez, Artnet News, September 14, 2018

Related artist

  • Firelei Báez

    Firelei Báez

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835 W. Washington Blvd. Chicago, IL 60607

Hours | Tue–Fri: 11 am–6 pm, Sat: 12 pm–5 pm

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