The Mennello Museum of American Art is pleased to present IMMERSION INTO COMPOUNDED TIME AND THE PAINTINGS OF FIRELEI BÁEZ. The exhibition will be on view at the Mennello Museum from June 7 through September 1, 2019, with an Opening Reception on June 7.
This exhibition will explore Firelei Báez’s investigations on the visibility and the construction of complex cultural identities within the Afro-Caribbean Diaspora and how these notions are perceived in today’s global world. Her large-scale and intricate portraits of influential individuals and mythical goddesses of Afro-Caribbean history create a contemporary narrative of a woman’s life, embracing the past, and staking her place in a universal future.
Báez is best known through her extraordinary paintings of lush landscaped-figures, intricately patterned tignons, and otherworldly bodies with striking eyes. Here, she considers the reality of ones current social and the historic construction of cultural self in America. These complex, intersectional bodies and symbols alongside large-scale portraits are painted in vibrant, swirling colors, which intermingle time and character. For Báez, “identity is malleable, negotiated,” and given strength by the female body and mythology of her being.
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Firelei Báez, Study in Blue (We have come to stir the other world, to cleanse ourselves, to connect our living to the dead here)
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Firelei Báez, Ooloi Ciguapa (mass pedigrees of masterpieces unsold), 2018
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Firelei Báez, Years of holding your tongue, 2018
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Firelei Báez, I write love poems, too (The right to non-imperative clarities)
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Firelei Báez, How to slip out of your body quietly
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Firelei Báez, Displacing all reduction
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Firelei Báez, What is here is, as much as this there
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Firelei Báez, Untitled
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Firelei Báez, Untitled
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Firelei Báez, Untitled
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Firelei Báez, Untitled
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Firelei Báez, Untitled
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Firelei Báez, for Marie-Louise Coidavid, exiled, keeper of order, Anacaona