Devan Shimoyama, Cry Baby: Warhol Museum | Pittsburgh, PA
Devan Shimoyama: Cry, Baby will mark the first museum solo exhibition of Devan Shimoyama, Philadelphia-born painter and professor at Carnegie Mellon University. Spanning his burgeoning career, this exhibition includes painting, photography, and sculpture, and a series of new works that will be on view for the first time. His work challenges cliché with daring and personal representations of the complexities of race and sexuality. In his recent barbershop paintings, Shimoyama transforms the hyper-masculine social space into queer fantasy where feminine glamour and fashion take over, and tender depictions of boys don floral capes and glitter-encrusted hair.
Shimoyama creates two distinct worlds—one an enchanted paradise, the other a queer imagining of the African American barbershop. Celebrated for fraternity and community, Shimoyama presents the barbershop as a space where young men and boys can feel shamed and vulnerable. In sculpture, he creates objects of mourning for Trayvon Martin and Tamir Rice, both examples of the aggressive targeting of African American youth as fearful or threatening. While canvases feel joyful and celebratory, they also present commentary on pain and sorrow. Teardrops lurk in the background of his landscapes or stream down the faces of his figures as a reminder of the racial injustices at work in contemporary society. Shimoyama presents a world where race, sexuality, and identity can operate from a point of freedom generated by inner strength.
This exhibition makes a unique connection to The Andy Warhol Museum’s permanent collection and brings to light contemporary insight into one of Warhol’s largest and yet most overlooked painting commissions, the Ladies and Gentlemen series of 1974-75. Visitors will find Shimoyama’s work in dialog with Warhol’s portraits of drag queens on the fourth floor of the museum’s permanent collection. Shimoyama’s confident and daring depictions of sexuality, race and queer performance help reclaim the agency and visibility that Warhol’s models have been denied and bring these paintings out from the shadows.
Devan Shimoyama: Cry, Baby is curated by Jessica Beck, The Milton Fine Curator of Art at The Andy Warhol Museum. The exhibition will be accompanied by an illustrated catalogue with essays by Jessica Beck, Alex Fialho, and Rickey Laurentiis and interview by Emily Colucci with the artist.
Generous support of Devan Shimoyama: Cry, Baby is provided by the Quentin and Evelyn T. Cunningham Fund of The Pittsburgh Foundation, The Fine Foundation, Arts, Equity, & Education Fund, Karen and Jim Johnson, De Buck Gallery, Jim Spencer and Michael Lin, with additional support from Stacy and Samuel Freeman, V. Joy Simmons M.D., Mrs. Ellen and Mr. Jack Kessler, The Plastino Family Charitable Fund, and Mr. Howard C. Eglit.
— Curatorial text courtesy The Warhol Museum
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Devan ShimoyamaFebruary, 2018Silk flowers, beads, and rhinestones on fabric with steel mount and frameDimensions variable
wing span 75", and it's 50" tall with a depth of 10" -
Devan ShimoyamaWeed Picker, 2018Oil, color pencil, Flashe, rhinestones, acrylic, collage and glitter on canvas stretched over panel84 x 72 x 3 in
213.4 x 182.9 x 7.6 cm -
Devan ShimoyamaTamir III, 2018Chains, silk flowers, rhinestones, beads, and fabric on swing seatDimensions variable
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UNRAVELING THE TANGLED HISTORY OF THE HOODIE READ
Brigit Katz, Smart News: Smithsonia.com, December 14, 2019 -
THIS IS NO TIME TO CRY WITH DEVAN SHIMOYAMA
Maria Brito Co-Produced and Co-Edited by Peter Koloff and Maria Brito, Cultured, February 1, 2019 -
ARTIST DEVAN SHIMOYAMA TAKES ON RACE AND SEXUALITY WITH GLITTER AND RHINESTONES
Noah Johnson, GQ Magazine, January 15, 2019 -
PITTSBURGH REPORT: FIVE PLACES FOR HEALING THROUGH ART
Martha Schwendner, The New York TImes, January 2, 2019 -
THE EMERGENCE OF A BRASH YOUNG PAINTER
David Carrier and Graham Shearing, HYPERALLERGIC, December 8, 2018 -
THE ANDY WARHOL MUSEUM WOWS WITH THE GLITTER AND GRIT OF DEVAN SHIMOYAMA: CRY, BABY
Amanda Waltz, Pittsburgh City Paper, October 24, 2018 -
DEVAN SHIMOYAMA WITH HIS 2018 WORK 11 ‘CRY, BABY’: DEVAN SHIMOYAMA’S YOUNG CAREER TAKES OFF WITH SOLO SHOW AT THE WARHOL
M. THOMAS, Pittsburgh Post-Gazette, October 19, 2018 -
THE PAINTER REIMAGINING RARELY SEEN WARHOL WORK WITH BLACK DRAG QUEENS
Lexi Manatakis, DAZED, October 12, 2018 -
ARTIST EMBRACES ALTERNATIVE PERSPECTIVES ON RACE
Andrew Ptaschinski, Carnegie Mellon University, October 9, 2018 -
WARHOL MUSEUM DRAWS PARALLELS WITH DEVAN SHIMOYAMA’S “CRY, BABY”
Amanda Reed, Pittsburgh Current, October 9, 2018 -
A GOOD YEAR FOR YOUNGER ARTISTS, IMMIGRANT CITIZENS AND OUTRAGE IMAGE
Holland Cotter, New York Times, September 9, 2018 -
FROM MARK BRADFORD IN BALTIMORE TO VICTOR HUGO IN LA: 33 MUSEUM SHOWS AROUND THE US WORTH TRAVELING FOR (EXCERPT)
Caroline Goldsten and Sarah Cascone, Artnet News, September 5, 2018 -
ANDY WARHOL’S TRANS SUBJECTS FINALLY GET NAMED (EXCERPT)
Elizabeth Hoover, Paper, August 24, 2018 -
Devan Shimoyama: Cry, Baby
Melissa Hunter Davis, Sugarcane Magazine, July 23, 2018