Deborah Kass
213.4 x 152.4 cm
Further images
This work takes as its inspiration the Jasper Johns: Painting with Two Balls from 1960—a painting that actually has two balls inserted into a slash in the canvas. Johns also made a number of studies, prints and other works on paper based on the painting. Several of them, such as the one in the National Gallery of Art, are presented in a black/white/grey palette. In her painting, Deborah Kass appropriates that specific color palette, while also appropriating Jasper Johns' distinctive brush stroke style, and his use of repeating symbols, such as words, letters and numbers. In her painting, Kass repeats the word COJONES, a Spanish word for balls (as in courage), which also itself contains two Os. Kass is known for inserting herself into the art historical canon through clever use of appropriation. Without directly copying Johns, she references his work brilliantly in this painting, resulting in a killer work that is as much an homage to an artist she respects as a cutting criticism of an art world system that left artists such as herself (queer, Jewish women) out of the conversation during the 1960s and 70s when Johns was making this series.
Provenance
Artist Studio, NYCExhibitions
Deborah Kass: Before and Happily Ever After, Andy Warhol Museum, Pittsburgh, PA, 2014
About Face: Stonewall, Revolt and New Queer Art, Wrightwood 659, Chicago, 2019