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    Open a larger version of the following image in a popup: Mary Sibande, A Terrible Beauty is Born, 2013
    Open a larger version of the following image in a popup: Mary Sibande, A Terrible Beauty is Born, 2013
    Open a larger version of the following image in a popup: Mary Sibande, A Terrible Beauty is Born, 2013
    Open a larger version of the following image in a popup: Mary Sibande, A Terrible Beauty is Born, 2013
    Open a larger version of the following image in a popup: Mary Sibande, A Terrible Beauty is Born, 2013
    Open a larger version of the following image in a popup: Mary Sibande, A Terrible Beauty is Born, 2013
    Open a larger version of the following image in a popup: Mary Sibande, A Terrible Beauty is Born, 2013

    Mary Sibande South Africa, b. 1982

    A Terrible Beauty is Born, 2013
    Archival Digital Print
    43 1/4 x 126 in
    110 x 320 cm
    Edition of 10
    7366
    Enquire
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    • (View a larger image of thumbnail 1 ) Mary Sibande, A Terrible Beauty is Born, 2013
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    • (View a larger image of thumbnail 6 ) Mary Sibande, A Terrible Beauty is Born, 2013
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    A Terrible Beauty Is Born is part of Sibande's Purple phase, which recasts Sophie as a revolutionary figure. In 1989, the South African government began spraying down protestors with water...
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    A Terrible Beauty Is Born is part of Sibande's Purple phase, which recasts Sophie as a revolutionary figure. In 1989, the South African government began spraying down protestors with water that had been dyed purple, such that their clothes would be stained and they would more easily be identified and punished thereafter. The color purple became synonymous with revolutionary intent, whether successful or unsuccessful.

    The title of this particular piece references a Yeats poem titled Easter, 1916, describing the poet's torn emotions regarding the events of the Easter Rising staged in Ireland against British rule on Easter Monday, April 24, 1916. The uprising was unsuccessful, and most of the Irish leaders involved were executed for treason. Yeats was working through his feelings about the revolutionary movement in this poem, and the insistent refrain that "a terrible beauty is born" turned out to be prescient, as the execution of the leaders of the Easter Rising by the British had the opposite effect to that intended. The killings led to a reinvigoration of the Irish Republican movement rather than its dissipation. The figures killed became martyrs, rather than warnings. Not dissimilar from purple in South Africa, for the Irish Republicans, their color became green, and the executions cemented its political power, to be further leveraged by future generations. To quote the final refrain of the poem,

    Now and in time to be,
    Wherever green is worn,
    Are changed, changed utterly:
    A terrible beauty is born.

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    Exhibitions

    Mary Sibande - Unhand me, Demon!, 2021. Kavi Gupta | Elizabeth St, Chicago, IL;
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