Artworks

  • Deborah Kass, "Vote Hillary", 2016
    Deborah Kass
    "Vote Hillary", 2016
    Silkscreen on Stonehenge 320 gram paper
    42 x 42 in
    106.7 x 106.7 cm
    Unframed
    +$500 to frame
  • Manuel Mathieu, The Reception Perpetuum, 2017
    Manuel Mathieu
    The Reception Perpetuum, 2017
    Acrylic, oil stick, chalk, charcoal, spray paint, and tape on canvas
    70 x 63 in
    177.8 x 160 cm
  • Jeffrey Gibson, A Wag A Wit A Witness, 2018
    Jeffrey Gibson
    A Wag A Wit A Witness, 2018
    Polyester organza, repurposed Seminole patchwork, printed cotton, printed chiffon, repurposed Japanese sash, nylon fringe, canvas, acrylic paint, plastic beads, plastic trim and artificial sinew
    120 x 70 x 2 1/2 in
    304.8 x 177.8 x 6.3 cm
  • Manish Nai, Untitled, 2018
    Manish Nai
    Untitled, 2018
    Compressed paperback book
    5 1/4 x 3 x 3 in
    13.3 x 7.6 x 7.6 cm
  • Mickalene Thomas, Quanikah Goes Up, 2005
    Mickalene Thomas
    Quanikah Goes Up, 2005
    C-print
    31” x 48”
    Edition #3 of 5 with 2 APs
  • Beverly Fishman, Untitled, 2010
    Beverly Fishman
    Untitled, 2010
    Unique cast resin with phosphorescent pigment
    10 x 10 x 2 in
    25.4 x 25.4 x 5.1 cm
  • Scott Reeder, Untitled , 2012
    Scott Reeder
    Untitled , 2012
    Steel and enamel paint
    55 x 30 x 22 1/2 in
    139.7 x 76.2 x 57.1 cm
  • Glenn Kaino, Graceful Degradation 2, 2013
    Glenn Kaino
    Graceful Degradation 2, 2013
    Sandpaper,thread, wood, polypropylene
    47 x 59 in
    119.4 x 149.9 cm
  • Angel Otero, Untitled (ST-BJ), 2014
    Angel Otero
    Untitled (ST-BJ), 2014
    Cadmium pigment and silicone on raw canvas
    60 x 42 in
    152.4 x 106.7 cm
  • Jessica Stockholder, Sunbelt, 2017
    Jessica Stockholder
    Sunbelt, 2017
    Plywood covered panels, acrylic and oil paint, rubber coated wire handles, hardware, plastic package
    12 x 49 1/2 x 1 1/2 in
    30.5 x 125.7 x 3.8 cm installed
  • Scott Reeder, Untitled, 2012
    Scott Reeder
    Untitled, 2012
    Steel and enamel paint
    64 x 23 x 15 1/2 in
    162.6 x 58.4 x 39.4 cm
  • Glenn Kaino, Graceful Degradation 3, 2013
    Glenn Kaino
    Graceful Degradation 3, 2013
    Sandpaper,thread, wood, polypropylene
    40 x 53 in
    101.6 x 134.6 cm
  • Mickalene Thomas, Racquel #3, 2013
    Mickalene Thomas
    Racquel #3, 2013
    C-print
    48” x 60”
    Edition #1 of 5 with 2 APs
  • Manuel Mathieu, Untitled, 2018
    Manuel Mathieu
    Untitled, 2018
    Mixed media on paper
    13 x 11 x 2 in
    33 x 27.9 x 5.1 cm
  • Glenn Kaino, Tanks, 2014
    Glenn Kaino
    Tanks, 2014
    Corals, resin, rocks, water tanks, aquariums system management, and lights

    61 5/8 x 61 5/8 x 33 1/2 in
    156.5 x 156.5 x 85.1 cm
    Each
  • Jessica Stockholder, Zero, 2014
    Jessica Stockholder
    Zero, 2014
    Plastic tube, wooden handled wire brush, nylon rope, copper wire, acrylic paint
    22 x 36 x 6 1/2 in
    55.9 x 91.4 x 16.5 cm
  • Manuel Mathieu, Living in the Spiral, 2019
    Manuel Mathieu
    Living in the Spiral, 2019
    Watercolor, pen, color pencil and charcoal on paper
    20 1/8 x 26 in
    51 x 66 cm
  • Roger Brown, Third World City Council Alderman Remove Pictures At An Exhibition Which They Find Offensive, 1988
    Roger Brown
    Third World City Council Alderman Remove Pictures At An Exhibition Which They Find Offensive, 1988
    Oil on canvas
    48 x 72 x 2 in
    121.9 x 182.9 x 5.1 cm
  • Glenn Kaino, The Burning Boards, 2007
    Glenn Kaino
    The Burning Boards, 2007
    Chess game performance for 32 players with wood chessboards and wax pieces
    Dimensions variable
  • Mickalene Thomas, Sandra: She’s a Beauty 2, 2012
    Mickalene Thomas
    Sandra: She’s a Beauty 2, 2012
    C-print
    48 x 48 in
    121.9 x 121.9 cm
    Edition #2 of 5 with 2 APs
  • Jeffrey Gibson, Please Don’t Go, 2015
    Jeffrey Gibson
    Please Don’t Go, 2015
    High fire ceramic, wool, deer hide, glass beads, drift wood, artificial sinew, copper and tin jingles,
    arrowheads, smoky quartz, steel base
    42 x 13 x 18 in
    106.7 x 33 x 45.7 cm
  • Devan Shimoyama, Mighty Mighty Style Guide (Ladies), 2019
    Devan Shimoyama
    Mighty Mighty Style Guide (Ladies), 2019
    Silkscreen collage with veneer finish, glitter and rhinestones on paper
    40 x 30 in
    101.6 x 76.2 cm
  • Roger Brown, Twin Towers, 1974
    Roger Brown
    Twin Towers, 1974
    Paint on wood
    108 x 48 x 24 in
    274.3 x 121.9 x 61 cm
  • Glenn Kaino, The Siege Perilous, 2003
    Glenn Kaino
    The Siege Perilous, 2003
    Plexiglas and steel vitrine, painted wood, Aeron chair and electric motor
    65 x 53 1/2 x 53 1/2 in
    165.1 x 135.9 x 135.9 cm
  • Jeffrey Gibson, THE LOVE YOU KEEP, 2017
    Jeffrey Gibson
    THE LOVE YOU KEEP, 2017
    Glass beads, assorted beads, assorted metal tacks (bronze, zinc, nickel, and brass), artificial sinew, acrylic felt over skinning board
    66 x 15 3/4 in
    167.6 x 40 cm
  • Mickalene Thomas, Racquel Come To Me, 2019
    Mickalene Thomas
    Racquel Come To Me, 2019
    Wool, Lyocell, Linen & Silk. Hand knotted, Tibetan weave.
    90.5 x 118 in
    230 x 300 cm
    Unframed.

    Edition of 10 + 1 AP
  • Angel Otero, Untitled (ST-CK), 2015
    Angel Otero
    Untitled (ST-CK), 2015
    Ivory black pigment and silicone on canvas
    48 x 72 x 2 in
    121.9 x 182.9 x 5.1 cm
  • Beverly Fishman, Untitled, 2009
    Beverly Fishman
    Untitled, 2009
    Unique cast resin with phosphorescent pigment
    5 x 11 x 2 in
    12.7 x 27.9 x 5.1 cm
  • Jeffrey Gibson, TROUBLE DON'T LAST ALWAYS, 2019
    Jeffrey Gibson
    TROUBLE DON'T LAST ALWAYS, 2019
    Acrylic on canvas, glass beads, artificial sinew, custom wood frames
    80 x 57 x 3 in
    203.2 x 144.8 x 7.6 cm
  • Roger Brown, Virtual Still Lives:Bedroom Right: Blue Hutch, c.1980
    Roger Brown
    Virtual Still Lives:Bedroom Right: Blue Hutch, c.1980
    mixed media
    variable
  • Roger Brown, Virtual Still Lives : Studio Right: Blue Hutch, c. 1980
    Roger Brown
    Virtual Still Lives : Studio Right: Blue Hutch, c. 1980
  • Roger Brown, Untitled (Arrangement with Cross), 1993-1997
    Roger Brown
    Untitled (Arrangement with Cross), 1993-1997
    Arranged found objects
  • Angel Otero, Untitled , 2012
    Angel Otero
    Untitled , 2012
    Iron, porcelain, and paint
    68 x 38 x 24 in
    172.7 x 96.5 x 61 cm
  • Angel Otero, Untitled (SP-HN), 2012
    Angel Otero
    Untitled (SP-HN), 2012
    Iron, porcelain, and paint
    61 x 48 x 23 in
    154.9 x 121.9 x 58.4 cm
  • Roger Brown, Studio Left: Unpainted Shelf, with Big Yellow Hands, c. 1995
    Roger Brown
    Studio Left: Unpainted Shelf, with Big Yellow Hands, c. 1995
  • Tony Tasset, Display Sculpture (50%), 1991
    Tony Tasset
    Display Sculpture (50%), 1991
    Painted wood, plexiglass
    72.5 x 36 x 36 in
    184.2 x 91.4 x 91.4 cm
  • Angel Otero, Untitled (SP-IG), 2012
    Angel Otero
    Untitled (SP-IG), 2012
    Fired porcelain, iron and steel
    117 x 12 x 17 in
    297.2 x 30.5 x 43.2 cm
  • Jeffrey Gibson, YOU BETTER LET SOME BODY LOVE YOU, 2019
    Jeffrey Gibson
    YOU BETTER LET SOME BODY LOVE YOU, 2019
    Acrylic on canvas, glass beads, artificial sinew, custom wood frames
    80 x 57 in
    203.2 x 144.8 cm
  • Roger Brown, Sketchbook, 1982
    Roger Brown
    Sketchbook, 1982
    Bound sketchbook with slipcase
    23 folios, printed and drawn elements
    11 1/4 x 9 3/8 in
    28.6 x 23.8 cm
    Edition of 50 plus 2 artist's proofs
  • Angel Otero, Untitled , 2012
    Angel Otero
    Untitled , 2012
    Iron, porcelain, and paint
    40 x 24 x 13 in
    101.6 x 61 x 33 cm
Page
 17 
of 17