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Jessica StockholderScreen Detail, 2016Unistrut, metal parts, foam backed floor boards, metal mesh, red plastic coated metal cable, plastic parts, plastic ice tray, paper mache, hardware, painted metal rod, rope, fiberglass element, wire, oil and acrylic paint97 x 53 x 56 1/2 in
246.4 x 134.6 x 143.5 cm -
Manish NaiUntitled, 2018Compressed paperback book6 x 3 x 3 in
15.2 x 7.6 x 7.6 cm -
Mickalene ThomasPolaroid Series #9, 2012Digital Polaroid Prints26 1/2” x 25 1/2”Edition 1 of 3 with 2 AP
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Scott ReederUntitled (Mobile), 2012Steel, aluminum, and enamel paint107 x 84 x 44 in
271.8 x 213.4 x 111.8 cm -
Angel OteroVegas, 2015Silicone and cadmium pigment on canvas72 x 96 x 2 in
182.9 x 243.8 x 5.1 cmST-CB -
Deborah Kass"Vote Hillary", 2016Silkscreen on Stonehenge 320 gram paper
42 x 42 in
106.7 x 106.7 cm
Unframed
+$500 to frame -
Manuel MathieuThe Reception Perpetuum, 2017Acrylic, oil stick, chalk, charcoal, spray paint, and tape on canvas70 x 63 in
177.8 x 160 cm -
Jeffrey GibsonA Wag A Wit A Witness, 2018Polyester organza, repurposed Seminole patchwork, printed cotton, printed chiffon, repurposed Japanese sash, nylon fringe, canvas, acrylic paint, plastic beads, plastic trim and artificial sinew120 x 70 x 2 1/2 in
304.8 x 177.8 x 6.3 cm -
Manish NaiUntitled, 2018Compressed paperback book5 1/4 x 3 x 3 in
13.3 x 7.6 x 7.6 cm -
Mickalene ThomasQuanikah Goes Up, 2005C-print31” x 48”Edition #3 of 5 with 2 APs
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Beverly FishmanUntitled, 2010Unique cast resin with phosphorescent pigment10 x 10 x 2 in
25.4 x 25.4 x 5.1 cm -
Scott ReederUntitled , 2012Steel and enamel paint55 x 30 x 22 1/2 in
139.7 x 76.2 x 57.1 cm -
Glenn KainoGraceful Degradation 2, 2013Sandpaper,thread, wood, polypropylene47 x 59 in
119.4 x 149.9 cm -
Angel OteroUntitled (ST-BJ), 2014Cadmium pigment and silicone on raw canvas60 x 42 in
152.4 x 106.7 cm -
Jessica StockholderSunbelt, 2017Plywood covered panels, acrylic and oil paint, rubber coated wire handles, hardware, plastic package12 x 49 1/2 x 1 1/2 in
30.5 x 125.7 x 3.8 cm installed -
Scott ReederUntitled, 2012Steel and enamel paint64 x 23 x 15 1/2 in
162.6 x 58.4 x 39.4 cm -
Glenn KainoGraceful Degradation 3, 2013Sandpaper,thread, wood, polypropylene40 x 53 in
101.6 x 134.6 cm -
Mickalene ThomasRacquel #3, 2013C-print48” x 60”Edition #1 of 5 with 2 APs
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Manuel MathieuUntitled, 2018Mixed media on paper13 x 11 x 2 in
33 x 27.9 x 5.1 cm -
Glenn KainoTanks, 2014Corals, resin, rocks, water tanks, aquariums system management, and lights
61 5/8 x 61 5/8 x 33 1/2 in
156.5 x 156.5 x 85.1 cm
Each -
Jessica StockholderZero, 2014Plastic tube, wooden handled wire brush, nylon rope, copper wire, acrylic paint22 x 36 x 6 1/2 in
55.9 x 91.4 x 16.5 cm -
Manuel MathieuLiving in the Spiral, 2019Watercolor, pen, color pencil and charcoal on paper20 1/8 x 26 in
51 x 66 cm -
Roger BrownThird World City Council Alderman Remove Pictures At An Exhibition Which They Find Offensive, 1988Oil on canvas48 x 72 x 2 in
121.9 x 182.9 x 5.1 cm -
Glenn KainoThe Burning Boards, 2007Chess game performance for 32 players with wood chessboards and wax piecesDimensions variable
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Mickalene ThomasSandra: She’s a Beauty 2, 2012C-print48 x 48 in
121.9 x 121.9 cmEdition #2 of 5 with 2 APs -
Jeffrey GibsonPlease Don’t Go, 2015High fire ceramic, wool, deer hide, glass beads, drift wood, artificial sinew, copper and tin jingles,
arrowheads, smoky quartz, steel base42 x 13 x 18 in
106.7 x 33 x 45.7 cm -
Devan ShimoyamaMighty Mighty Style Guide (Ladies), 2019Silkscreen collage with veneer finish, glitter and rhinestones on paper40 x 30 in
101.6 x 76.2 cm -
Roger BrownTwin Towers, 1974Paint on wood108 x 48 x 24 in
274.3 x 121.9 x 61 cm -
Glenn KainoThe Siege Perilous, 2003Plexiglas and steel vitrine, painted wood, Aeron chair and electric motor65 x 53 1/2 x 53 1/2 in
165.1 x 135.9 x 135.9 cm -
Jeffrey GibsonTHE LOVE YOU KEEP, 2017Glass beads, assorted beads, assorted metal tacks (bronze, zinc, nickel, and brass), artificial sinew, acrylic felt over skinning board66 x 15 3/4 in
167.6 x 40 cm -
Mickalene ThomasRacquel Come To Me, 2019Wool, Lyocell, Linen & Silk. Hand knotted, Tibetan weave.90.5 x 118 in
230 x 300 cm
Unframed.
Edition of 10 + 1 AP -
Angel OteroUntitled (ST-CK), 2015Ivory black pigment and silicone on canvas48 x 72 x 2 in
121.9 x 182.9 x 5.1 cm -
Beverly FishmanUntitled, 2009Unique cast resin with phosphorescent pigment5 x 11 x 2 in
12.7 x 27.9 x 5.1 cm -
Jeffrey GibsonTROUBLE DON'T LAST ALWAYS, 2019Acrylic on canvas, glass beads, artificial sinew, custom wood frames80 x 57 x 3 in
203.2 x 144.8 x 7.6 cm -
Roger BrownVirtual Still Lives:Bedroom Right: Blue Hutch, c.1980mixed mediavariable
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Roger BrownVirtual Still Lives : Studio Right: Blue Hutch, c. 1980
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Roger BrownUntitled (Arrangement with Cross), 1993-1997Arranged found objects
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Angel OteroUntitled , 2012Iron, porcelain, and paint68 x 38 x 24 in
172.7 x 96.5 x 61 cm -
Angel OteroUntitled (SP-HN), 2012Iron, porcelain, and paint61 x 48 x 23 in
154.9 x 121.9 x 58.4 cm -
Roger BrownStudio Left: Unpainted Shelf, with Big Yellow Hands, c. 1995
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Tony TassetDisplay Sculpture (50%), 1991Painted wood, plexiglass72.5 x 36 x 36 in
184.2 x 91.4 x 91.4 cm -
Angel OteroUntitled (SP-IG), 2012Fired porcelain, iron and steel117 x 12 x 17 in
297.2 x 30.5 x 43.2 cm -
Jeffrey GibsonYOU BETTER LET SOME BODY LOVE YOU, 2019Acrylic on canvas, glass beads, artificial sinew, custom wood frames80 x 57 in
203.2 x 144.8 cm -
Roger BrownSketchbook, 1982Bound sketchbook with slipcase
23 folios, printed and drawn elements11 1/4 x 9 3/8 in
28.6 x 23.8 cmEdition of 50 plus 2 artist's proofs -
Angel OteroUntitled , 2012Iron, porcelain, and paint40 x 24 x 13 in
101.6 x 61 x 33 cm
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