Deborah Kass
152.4 x 137.2 x 5.1 cm
Further images
Provenance
Artist's Studio, NYPrivate Collection, NY
Kavi Gupta, Chicago
Exhibitions
Deborah Kass: Before and Happily Ever After, The Warhol Museum, Major mid-career retrospective of over 75 paintings, photographs, and sculpture from the early 1980's and over 30 years, 2014The Warhol Museum of Art, Regarding Warhol: Sixty Artists, Fifty Years, 2012-13
Organized by the Metropolitan Museum of Art with major loans from the collection of The Andy Warhol Museum, Regarding Warhol will be installed throughout the museums and reveal Warhol’s extraordinary impact on contemporary art production.
By; Marla Prather, Curator in the Department of Modern and Contemporary Art at the Metropolitan Museum of Art.
Ian Alteveer, Assistant Curator in the Department of Modern and Contemporary Art at the Metropolitan Museum of Art,
Rebecca Lowery, Research Assistant in the Department of Modern and Contemporary Art at the Metropolitan Museum of Art
and, Mark Rosenthal, independent curator.Deborah Kass: The Warhol Project, Orleans: Newcomb Art Gallery, New Orleans (1999)
Literature
Deborah Kass at the Andy Warhol Museum: Seeing Through the Mirror of Her Times, Huff Post , G. Roger Denson
Cultural critic and essayist published with Parkett and Art in America.
Has Deborah Kass Saved Warhol Appropriation? Hyperallergic, Emily Colucci, 2013. In her mid-career retrospective Deborah Kass: Before and Happily Ever After, at the Andy Warhol Museum, Deborah Kass accomplishes the seemingly impossible by breathing new life and critical ideas into the appropriation of Andy Warhol’s work.
Publications
Deborah Kass: Before and Happily Ever After, Rizzoli, Eric Shiner, with essays by Robert Storr, Griselda Pollack, Lisa Liebmann, Brooks Adams (2014)Regarding Warhol: Sixty Artists, Fifty Years, The Metropolitan Museum of Art and The Warhol Museum of Art,
Rosenthal, Mark, Marla Prather, Ian Alteveer, and Rebecca Lowery (2012)
Deborah Kass: The Warhol Project, Orleans: Newcomb Art Gallery, by Michael Plante, with essays by Maurice Berger, Michael Plante, Linda Nochlin, Robert Rosenblum, and Mary Anne Staniszewski. Contains 33 color plates (1999)