Firelei Báez
Magnitude and Bond, 2018
Acrylic/Oil on canvas, Custom Made, Foldable Aluminum Stretchers
108 x 192 in
274.3 x 487.7 cm
274.3 x 487.7 cm
Michi Meko USA, b. 1973
The Long View, 2021
Acrylic, Gold Leaf, Oil Pastel, White Prismacolor Pencil (pc938), Areosol, Areosol Holigram Glitter, Gouache, India Ink, Krink on Canvas
60 x 84 x 1.25 in
152.4 x 213.4 x 3.2 cm
152.4 x 213.4 x 3.2 cm
7959
Further images
Michi Meko has always been interested in the languages of wilderness spaces—those within himself and the natural world alike. In preparation to make his works for Realms of Refuge, Meko...
Michi Meko has always been interested in the languages of wilderness spaces—those within himself and the natural world alike. In preparation to make his works for Realms of Refuge, Meko ventured out on hikes and camping and fishing trips, taking field notes and exploring whether he could personify nature as much as the typically white male voices that dominate the genre of nature writing, such as Whitman, Theoreau, and Muir. “I was curious enough to ask myself what it means when we turn ourselves from gazing outward at a mountaintop or a valley, inward towards whatever mountaintop or valley is in ourselves,” says Meko. “I wondered, is the transcendent moment the scenery, or the view? Or is it the inward reflection that appears to be an outward gaze?”