Young-Il Ahn Korean-American, 1934-2020
Self-Reflection C-2, 2003
Oil on canvas
36 x 48 x 2 in
91.4 x 121.9 x 5.1 cm
In artist-made wood frame
91.4 x 121.9 x 5.1 cm
In artist-made wood frame
7809
Further images
This painting belongs to Young-Il Ahn’s Self-Reflection series. One of his most personal bodies of work, it shares many of the organizational hallmarks of his Water paintings, including compositional reliance...
This painting belongs to Young-Il Ahn’s Self-Reflection series. One of his most personal bodies of work, it shares many of the organizational hallmarks of his Water paintings, including compositional reliance on a grid, impasto marks, and similarly worked surfaces. But the autobiographical content of these paintings lends them a unique character within his oeuvre.
Woven into the abstract grids of the Self-Reflection paintings are a series of linguistic symbols, including references to the Korean language's logically ordered alphabet Hangul and logographic symbols borrowed from Chinese called Hanja.
The work hangs on a wire that is attached to its back.
Woven into the abstract grids of the Self-Reflection paintings are a series of linguistic symbols, including references to the Korean language's logically ordered alphabet Hangul and logographic symbols borrowed from Chinese called Hanja.
The work hangs on a wire that is attached to its back.
Provenance
Artist Studio, LAKavi Gupta, Chicago