2019 MacArthur Genius Grant award winner Jeffrey Gibson (b. 1972, USA) blends the aesthetic heritages of Native America, rave culture, and punk rock, breathing new life into the traditions of Modernist Abstraction. In his paintings, sculptures, garments, performances and films, indigenous craftwork and ancient abstract references coalesce to form metaphysical bridges between 20th century art movements like Geometric Abstraction, Neo-Dada and Pop Art, and contemporary fields of inquiry such as Relational Aesthetics, Institutional Critique and Identity Politics.

Gibson's artistic practice is frequently informed by music. This wall sculpture takes its name from the 2009 compilation album We Play Endlessly, by the Icelandic band Sigur Rós.

Artist Background:

2019 MacArthur Genius Grant award winner Jeffrey Gibson (b. 1972, USA) has developed a jubilant and ever-evolving studio practice that blends the aesthetic heritages of Native America, rave culture, and punk rock, breathing new life into the traditions of Modernist Abstraction. In his paintings, sculptures, garments, performances and films, indigenous craftwork and ancient abstract references coalesce to form metaphysical bridges between 20th century art movements like Geometric Abstraction, Neo-Dada and Pop Art, and contemporary fields of inquiry such as Relational Aesthetics, Institutional Critique and Identity Politics.

Recent exhibitions include the 2019 Whitney Biennial, Jeffrey Gibson: Like a Hammer, at the Seattle Art Museum, and Aftereffect, at the Museum of Contemporary Art, Denver, CO. Works by Gibson are in the permanent collections of the Smithsonian Museum, Crystal Bridges Museum of American Art, the Museum of Fine Arts, Boston, the National Gallery of Canada, the Nasher Museum, the Denver Art Museum, and many others. Gibson is a TED Foundation Fellow and a past recipient of the Joan Mitchell Grant.