In this painting from the late 1970s, we see Brown imagining a kind of dystopian corporate fiction. The factories are pictured with castle turrets, and everything about the living conditions of workers is regulated and homogenized. Even the lake is perfectly square and measured. Darkened, polluted skies meanwhile overhang a landscape where only two kinds of crops grow and every home and conveyance looks exactly the same.

Artist Background
Roger Brown (b.1941—d.1997) is renowned for using a pop aesthetic to investigate a range of socio-political issues. His trademark silhouettes and curvilinear landscapes depict both the topical and uncomfortable.

Brown’s work is of startling contemporary relevance, cleverly approaching many topics from the natural and built environment, disaster, religion, the art world, popular culture, art history, eroticism, and socio-political concerns from modern warfare to mortality during the HIV/AIDS crisis. Rich in content and innovative in methods of depiction, Brown presaged the subjective and surreal figuration seen in many threads of recent painting. During his lifetime, art dealer Phyllis Kind was Brown’s exclusive representative, and she was the first to exhibit his work in 1971.

Brown’s career abounded with solo and group shows internationally, and notable retrospectives of his work were shown by the Montgomery Museum of Fine Arts in 1980, and at the Hirshhorn Museum in 1987. The Roger Brown Study Collection, maintained by the School of the Art Institute of Chicago with curator Lisa Stone, makes Brown’s prolific art collection and archive available to the public.Brown’s political paintings were recently featured at DC Moore Gallery, New York and his Virtual Still Life works were highlighted in a solo exhibition at Maccarone, New York. Brown received his BFA and his MFA at the School of the Art Institute of Chicago.