Gordon Cheung UK, b. 1975
New Territories, 2025
Financial Times newspaper, archival inkjet, acrylic, PLA filament and sand on linen
78 1/2 x 177 x 2 in
(200 x 400 x 5 cm)
(200 x 400 x 5 cm)
9454
This multimedia painting juxtaposes China's historical vulnerability to Western imperialism with its emergence as a global economic power, collapsing centuries of political, cultural, and financial history into a single speculative...
This multimedia painting juxtaposes China's historical vulnerability to Western imperialism with its emergence as a global economic power, collapsing centuries of political, cultural, and financial history into a single speculative landscape.
In the foreground, the British iron gunboat *Nemesis* confronts the archway of the looted Yuanmingyuan, while a 3D-printed panorama of today's Kowloon Peninsula extends behind it. In the distance, fragments of the *Financial Times* coalesce into Mount Sinai and Mount Song, as constellations overhead trace the routes of China's Belt and Road Initiative, connecting ancient cosmologies with contemporary networks of trade and influence.
Through the layered convergence of historical imagery, digital fabrication, and financial data, Gordon Cheung constructs a landscape in which empire, commerce, and memory continuously reshape one another. The work reflects on the cyclical rise and fall of civilizations, revealing how systems of power are built as much through economic speculation and cultural narratives as through military conquest.
In the foreground, the British iron gunboat *Nemesis* confronts the archway of the looted Yuanmingyuan, while a 3D-printed panorama of today's Kowloon Peninsula extends behind it. In the distance, fragments of the *Financial Times* coalesce into Mount Sinai and Mount Song, as constellations overhead trace the routes of China's Belt and Road Initiative, connecting ancient cosmologies with contemporary networks of trade and influence.
Through the layered convergence of historical imagery, digital fabrication, and financial data, Gordon Cheung constructs a landscape in which empire, commerce, and memory continuously reshape one another. The work reflects on the cyclical rise and fall of civilizations, revealing how systems of power are built as much through economic speculation and cultural narratives as through military conquest.