Standing more than three feet tall, this ceramic head by Sydnie Jimenez projects a sense of fierceness and acuity. The figure’s clown make-up suggests a critical awareness of the divide between outward superficialities and inner knowledge. “That’s how I have to hold myself in public spaces,” Jimenez says. “You have to have a stink face so people don’t approach you. It’s being protective. It’s a defense mechanism.” At the same time, Jimenez wants her figures to be relatable. She frequently places the sculptures in pairs or in groups in order to convey a sense of community, like these figures, no matter their struggles, are not alone. Jimenez also adds little touches that convey that these works are about being honest, such as giving them a little belly, or adjusting their posture to suggest a sense of confidence despite a look of suspicion in the eyes. “I want my work to be aesthetically pleasing,” Jimenez says. “I want to bring joy to an American society that’s founded on white supremacy, and so everywhere you go there’s nothing for you. I want these sculptures to be a place where we can find joy.”