The light we know and the dark we keep is a woven sculptural wall hanging by Indo-Caribbean artist Suchitra Mattai. Assembled from a mixture of found tassels, fabrics, and vintage saris, the materiality of the work relates to post-colonial concerns surrounding gender, labor, and family. “This work is meant to depict three girls in water,” says Mattai. “They look back with longing to a home they have forgotten.” Mattai’s work tells visual stories that touch on her family lineage. Blending painting, sculpture and installation with methods suggestive of domestic labor which she learned from her grandmother, such as sewing, embroidery and crocheting, the work addresses such topics as the legacy of colonialism, and relationships between culture and gender roles. She frequently uses materials in her works that have their own embedded meanings, such as the vintage saris in this piece. This creates a call and response between the materials, the topics addressed in the work, and processes involved in the work’s creation. “I say I’m a storyteller,” says Mattai, “but the story does not only come from history. When you’re thinking about what constitutes memory, it’s part truth and it’s part myth. These sari pieces become a way of connecting women of the South Asian diaspora over time, because they’re of different vintages. Being part of a diaspora community, you want to connect back to this past you no longer occupy, or have tangible evidence of.”