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James Little USA, b. 1952

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Open a larger version of the following image in a popup: James Little, 7th Avenue, 2018
Open a larger version of the following image in a popup: James Little, 7th Avenue, 2018
Open a larger version of the following image in a popup: James Little, 7th Avenue, 2018
Open a larger version of the following image in a popup: James Little, 7th Avenue, 2018
Open a larger version of the following image in a popup: James Little, 7th Avenue, 2018

James Little USA, b. 1952

7th Avenue, 2018
Raw pigment on canvas
30 x 40 x 2 1/4 in
76.2 x 101.6 x 5.7 cm
8089
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Further images

  • (View a larger image of thumbnail 1 ) James Little, El-Shabazz (A), 1985
  • (View a larger image of thumbnail 2 ) James Little, El-Shabazz (A), 1985
  • (View a larger image of thumbnail 3 ) James Little, El-Shabazz (A), 1985
  • (View a larger image of thumbnail 4 ) James Little, El-Shabazz (A), 1985
  • (View a larger image of thumbnail 5 ) James Little, El-Shabazz (A), 1985
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7th Avenue belongs to James Little’s series of Slant paintings, which mobilize horizontal columns of intersecting diagonal color fields. Here, we see alternating slanted blocks of muted blue, purple and...
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7th Avenue belongs to James Little’s series of Slant paintings, which mobilize horizontal columns of intersecting diagonal color fields. Here, we see alternating slanted blocks of muted blue, purple and green hues. Little’s Slants use the minimal visual tools of color, shape and pattern to create dynamic perceptual shifts that suggest movement and energy. Though his works are abstract, Little often gives them titles that suggest the presence of subject matter. In this case, the title 7th Avenue suggests the dynamism of a city street in New York City, where Little lives and works.

The Slant series is unique among Little’s overall oeuvre, and yet is a definitive representation of the artist’s distinctive abstract aesthetic language, which is rooted in geometric shapes and patterns, flat surfaces, and emotive color relationships.

The Slant series is also part of a larger series of paintings Little makes by layering raw, handmade pigments on canvas. Little creates these works slowly, applying multiple layers of pigment with small rollers until he achieves the desired purity of his handcrafted hues. It is important to Little that the painting is allowed to express small imperfections on the surface, such as scratches, raised ridges between the colorfield, or detritus encased in the paint, which serve to show the human presence of the artist's hand.

The colors in the work shift dramatically according to the lighting, seeming to almost soak up the light in a bright space, and seeming in low light to glow.

While developing his unique position within contemporary abstraction, Little has devoted decades to rigorous academic study of color theory, pictorial design, and painting techniques. His practice embodies the complementary forces of simplicity and complexity.

Little is a 2009 recipient of the Joan Mitchell Foundation Award for Painting. In addition to being featured prominently in the 2022 Whitney Biennial at the Whitney Museum of American Art in New York, NY, his work has been exhibited extensively in solo and group exhibitions around the world, including at MoMA P.S.1, New York, NY; Crystal Bridges Museum of American Art, Bentonville, AR; Studio Museum in Harlem, New York, NY; St. Louis Art Museum, St. Louis, MO; and the Smithsonian Institute, Washington, DC. Upcoming solo exhibitions include Homecoming: Bittersweet, at Dixon Gallery & Gardens: Art Museum, Memphis, TN, with an accompanying catalogue, and at Kavi Gupta, Chicago, IL, in 2022. In 2022, Little will also participate in a historic collaboration for Duke Ellington's conceptual Sacred Concerts series at the Lincoln Center, New York, NY, with the New York Choral Society at the New School for Social Research and the Schomburg Center in New York, NY. His paintings are represented in the collections of numerous public and private collections, including the Virginia Museum of Fine Art, Richmond; Studio Museum in Harlem, New York; DeMenil Collection in Houston; Library of Congress, Washington, DC; Maatschappij Arti Et Amicitiae, Amsterdam, Holland; Saint Louis Art Museum, Saint Louis; Everson Museum of Art, Syracuse; New Jersey State Museum, Trenton; Tennessee State Museum, Nashville; Arkansas Arts Center, Little Rock; and Newark Museum, Newark.
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