Manuel Mathieu Haiti, b. 1986
335.3 x 548.6 cm
Further images
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
-
(View a larger image of thumbnail 9
)
-
(View a larger image of thumbnail 10
)
-
(View a larger image of thumbnail 11
)
-
(View a larger image of thumbnail 12
)
-
(View a larger image of thumbnail 13
)
-
(View a larger image of thumbnail 14
)
-
(View a larger image of thumbnail 15
)
-
(View a larger image of thumbnail 16
)
-
(View a larger image of thumbnail 17
)
-
(View a larger image of thumbnail 18
)
-
(View a larger image of thumbnail 19
)
-
(View a larger image of thumbnail 20
)
-
(View a larger image of thumbnail 21
)
-
(View a larger image of thumbnail 22
)
“In the slave ship when our destiny was shattered by disruptors and we were deprived of everything we owned and turned into objects, holding onto a rock during the crossing and turning that rock, just like the Igbo did before us, through our prayers into a symbol of our hopes and desires was pivotal to preserve what was most precious in us, our humanity,” says Mathieu. “This exercise mimics our capacities as a Black people against all odds to transcend our experiences and turn dust into mountains.”
The installation All Spells, to which this piece belongs, came from that idea of transforming simple elements and embedding them with a form of sensibility—a spiritual value that transcends our cognitive understanding of reality.
Provenance
Artist StudioKavi Gupta, Chicago