Paper Fragments (& Fig. 2.7)

2012
Book page, acrylic glazing, bleached Chromogenic Print
9” x 7” paper size; 15” x 13.25” framed

Book pages torn from Pamela M. Lee's “Object to be Destroyed: The Work of Gordon Matta-Clark” (2001)

Paper Fragments (& Fig. 2.7)


Paper Fragments (& Fig. 1.12)

2012
Book page, acrylic glazing, bleached chromogenic print
9” x 7” paper size; 15” x 13.25” framed

Paper Fragments (& Fig. 1.12)


Paper Fragments (Fig.2.16-2.17 )

2012
Book page, acrylic glazing, bleached chromogenic print
9” x 7” paper size; 15” x 13.25” framed

Book pages torn from Pamela M. Lee's “Object to be Destroyed: The Work of Gordon Matta-Clark” (2001)

Paper Fragments (Fig.2.16-2.17 )


Paper Fragments (& Fig. 2.1)

2012
Book page, acrylic glazing, bleached chromogenic print
9” x 7” paper size; 15” x 13.25” framed

Book pages torn from Pamela M. Lee's “Object to be Destroyed: The Work of Gordon Matta-Clark” (2001)

Paper Fragments (& Fig. 2.1)


Paper Fragments (& Fig. 3.3)

2012
Book page, acrylic glazing, bleached chromogenic print
9” x 7” paper size; 15” x 13.25” framed

Book pages torn from Pamela M. Lee's “Object to be Destroyed: The Work of Gordon Matta-Clark” (2001)

Paper Fragments (& Fig. 3.3)


Paper Fragments (& Fig. 2.12)

2012
Book page, acrylic glazing, bleached chromogenic print
9” x 7” paper size; 15” x 13.25” framed

Book pages torn from Pamela M. Lee's “Object to be Destroyed: The Work of Gordon Matta-Clark” (2001)

Paper Fragments (& Fig. 2.12)


Paper Cuts, vertical (removal attempt)

2012
scratched chromogenic print
45" x 35"

Paper Cuts, vertical (removal attempt)


Paper Cuts, (Dimension attempts)

2012
scratched chromogenic prints
triptych 45” x 35” each

Paper Cuts, (Dimension attempts)


After Earnest 5.8

2012
bleached chromogenic prints
45" x 35"

After Earnest 5.8


After CI (Fig. 16)

2012
bleached chromogenic prints
45" x 35"

After CI (Fig. 16)


full tear

2011
torn, bleached chromogenic development print
24" x 20"
framed

full tear


ny/nm

2011
torn, folded, and bleached chromogenic development print
24" x 20"

ny/nm


u

2011
torn, folded, and bleached chromogenic development print
24" x 20"
framed

u


Obsolescence

2011
bleached chromogenic development prints
125x100cm

Obsolescence


After Sound Of Its Own Making

2011
bleached chromogenic development prints
125x100cm

After Sound Of Its Own Making


Happy/Sad

2011
bleached chromogenic development prints
20x24in (50.8x61cm)

Happy/Sad


Partial Tear

2011
bleached chromogenic development prints
50.8x39.4cm

Partial Tear


Section

2011
bleached chromogenic development prints
50.8x59.7cm

Section


Replaced

2011
bleached chromogenic development prints
20x24in (50.8x61cm)

Replaced


Diamond Hole

2011
bleached chromogenic development prints
20x20in (50.8x50.8cm)

Diamond Hole


Split

2011
synthetic polymer on bleached chromogenic print
56" x 80" image; 66" x 90" framed

Split


Last Figure

2011
synthetic polymer on bleached chromogenic print
24" x 20"

Last Figure


Unknown

2011
synthetic polymer on bleached chromogenic print
24" x 20"

Unknown


Sieve

2011
synthetic polymer varnish on bleached chromogenic development prints
92" x 64"

103" x 74" x 2 3/8" framed dimensions

Sieve


Night Sky

2011
Chemically altered chromogenic development print
48" x 70" images

60" x 82" framed

Night Sky


Untitled (pile 1)

2011
Chemically altered chromogenic development print
70" x 48"
unique

20-14" x 11" prints

Untitled (pile 1)


After Days End (fig. 3.9)

2011
Chemically altered chromogenic development print
50" x 40"

framed

After Days End (fig. 3.9)


After Splitting (stairway)

2011
Chemically altered chromogenic development print
50" x 40"

framed

After Splitting (stairway)


After Splitting (u shape)

2011
Chemically altered chromogenic development print
50" x 40"

framed

After Splitting (u shape)


After Splitting 1.14

2011
Chemically altered chromogenic development print
50" x 40"
unique

framed

After Splitting 1.14


After Splitting 1.13

2011
Chemically altered chromogenic development print
50" x 40"
unique

framed

After Splitting 1.13


After Splitting 1.15

2011
Chemically altered chromogenic development print
50" x 40"
unique

framed

After Splitting 1.15


After Splitting 1.16

2011
Chemically altered chromogenic development print
50" x 40"
unique

framed

After Splitting 1.16


Foldings 2

2011
Chemically altered chromogenic development print
14x11in (35.5x28cm)

Foldings 2


Foldings 3

2011
Chemically altered chromogenic development print
14x11in (35.5x28cm)

Foldings 3


Foldings 6

2011
Chemically altered chromogenic development print
14x11in (35.5x28cm)

Foldings 6


Folding No. 8 - Bottom Corner Diamond Fold

2011
bleached chromogenic development prints
14x11in (35.5x28cm)

Folding No. 8 - Bottom Corner Diamond Fold


Sieve

2011

Works by Angel Otero, Tony Tasset, and Curtis Mann at the Armory Show 2011

Sieve


New Monument

2011
Chemically altered chromogenic development print
30" x 40"

framed

New Monument


Picture Stop

2011
Chemically altered chromogenic development print
30" x 40"

framed

Picture Stop


Vestiges

2011
Chemically altered chromogenic development print
48" x 70" images

60" x 82" framed

Vestiges


last trip

2010
Chemically altered chromogenic development print
56" x 90"

70" x 105" framed

last trip


Installation View 'everything after'

2010

Kavi Gupta CHICAGO

Installation View 'everything after'

Installation View 'everything after'

Installation View 'everything after'

Installation View 'everything after'

Installation View 'everything after'

Installation View 'everything after'

Installation View 'everything after'


red field

2010
Chemically altered chromogenic development print
72" x 110" image

87.5" x 126" framed

red field


removal, two sides

2010
synthetic polymer varnish on bleached chromogenic development print
diptych 40" x 50" each or 40" x 100" overall

removal, two sides


second sky

2010
Chemically altered chromogenic development print
49" x 72" image

60" x 82" framed

second sky


pillar

2010
synthetic polymer varnish on bleached chromogenic development print
40" x 60"

framed

pillar


new hole (sky)

2010
Chemically altered chromogenic development print
26" x 40"

framed

new hole (sky)


untitled

2010
Chemically altered chromogenic development print
24" x 20"

framed

untitled


photographer, scratch

2009
synthetic polymer varnish on bleached chromogenic development print
23 1/2" x 19 1/2"
framed

photographer, scratch

photographer, scratch

photographer, scratch

photographer, scratch


Installation views of 'something after'

September 2010

Galerie Almine Rech, Belgium

Installation views of 'something after'

Installation views of 'something after'


Olive Harvest

2010
synthetic polymer varnish on bleached chromogenic development print
54 1/4" x 90"

Olive Harvest


Road Block Removal

2010
synthetic polymer varnish on bleached chromogenic development print
56" x 90"

Road Block Removal


Soldier

2010
synthetic polymer varnish on bleached chromogenic development print
45" x 40"

Soldier


Videographer, Abstract (Incursion)

2010
synthetic polymer varnish on bleached chromogenic development print
30" x 40"

Videographer, Abstract (Incursion)


tall man (road block removal, Northern Gaza)

2010
synthetic polymer varnish on bleached chromogenic development print
30" x 24"

tall man (road block removal, Northern Gaza)


man pointing (olive harvest, Palestine)

2010
synthetic polymer varnish on bleached chromogenic development print
30" x 24"

man pointing (olive harvest, Palestine)


Installation View of "After the Dust"

2010
Whitney Biennial

Installation View of


After the Dust

2009
synthetic polymer varnish on bleached chromogenic development print
64" x 150"

120-8" x 10" individual photographs 79 1/2" x 167 1/4" framed WHITNEY BIENNIAL 2010

After the Dust


Installation view - Museum of Contemporary Art, Chicago

2009
synthetic polymer varnish on bleached chromogenic development print
48" x 140"

84 prints at 8" x 10" each

Installation view - Museum of Contemporary Art, Chicago


Installation View-Museum of Contemporary Art, Chicago

2009

Installation View-Museum of Contemporary Art, Chicago


yellow field (Protest Gaza)

2009
synthetic polymer varnish on bleached chromogenic development print
64" x 140"

yellow field (Protest Gaza)


the wanderers, second view (Refugee Camp, Kenya)

2009
synthetic polymer varnish on bleached chromogenic development print
56" x 90"

63-8" x 10" individual photographs

the wanderers, second view (Refugee Camp, Kenya)


untitled, foldings (guided tour, Golan Heights)

2010
synthetic polymer varnish on bleached chromogenic development print
12 prints each 16" x 20"

untitled, foldings (guided tour, Golan Heights)


out scouting (Palestine, Kenya, Lebanon, Israel)

2009
synthetic polymer varnish on bleached chromogenic development print
6 Panels each 20" x 27"

out scouting (Palestine, Kenya, Lebanon, Israel)


connection #1 (somewhere, Israel)

2007
synthetic polymer varnish on bleached chromogenic development print
16" x 12"

framed

connection #1 (somewhere, Israel)


landlocked (unknown and Palestine)

2008
synthetic polymer varnish on bleached chromogenic development print
Diptych 20" x 27" each

landlocked (unknown and Palestine)