Jessica Stockholder

Installation Views

b. 1959 Seattle, Washington Lives and works in Chicago

Jessica Stockholder (b. 1959, USA) is an internationally acclaimed visual artist and educator who lives and works in Chicago. Her public artworks have been commissioned by museums, municipalities, and corporations around the world.


As an artist, Stockholder is inspired by the relationships she perceives between colors and objects in her everyday visual environment. Her work employs the visual strategies of painting, sculpture, and installation—though it also resists the limitations such terms imply. Another word sometimes used to describe what Stockholder does is “assemblage,” though that term is also not quite sufficient. Assemblage artists perceive of consumer products, manufactured objects, and industrial materials—the cast-off physical residue of human civilization—as artistic objects in themselves, or as artistic mediums equally valid as paint, stone, or glue.


Stockholder indeed utilizes “readymade” articles along with traditional artistic mediums, but not in an attempt to make an object, per se. Rather, she is endeavoring to create a human experience by formulating three-dimensional pictures in space, which interact in unpredictable ways with the environments they occupy. Whether working on a small scale, such as creating an assemblage that will hang on a wall, or a massive scale, such as creating a sculptural installation that extends from inside a building to the outside, she is exploring a larger concern: people’s perception of their visual surroundings, and how that perception relates to feelings of chaos and control.

Solo and Two Artist Exhibitions

2019 Centraal Museum, Utrecht, The Netherlands (April 19 – September 1)

The Contemporary Austin, Austin, TX, Save on select landscape & outdoor lighting: Song to mind uncouples

Mitchell-Innes & Nash, New York, NY

Smart Museum, Chicago, IL (September 12 – July 2, 2017)
Door Hinges, Kavi Gupta | Elizabeth Street, Chicago, IL (September 12 – January 16)
Palpable Glyphic Rapture, Galerie Nathalie Obadia, Paris, France (January 22 – March 14)

Gary Lichtenstein Editions at Mana Contemporary, Jersey City, NJ (Opening Sept 14)
Erstwhile & Notwithstanding, C.Ar.D: Contemporary Art and Design, Pienello, Italy (September 12 – October 12)
Glimpse, Galleria Raffaela Cortese, Milan, Italy (May 28 – September 10)

Barbara Edwards Contemporary, Calgary
1301PE, California
Wide Eyes Smeared Here Dear, Art 44 Basel, Switzerland, (June 10 -16)

Fundacion Barrie de la Maza, Vigo, Spain (December 14 – March 30)
Hollow Places Court in Ash-Tree Wood, Le voyage à Nantes, Biennale de Nantes, organized by the Frac des Pays de la Loire, (June 14 – September 1)
Wide Eyes Smeared Here Dear, Musée d’art moderne, Saint-Etienne Métropole, France, (June 23 – September 30)
Jessica Stockholder, Max Estrella Gallery, Madrid, Spain, (January 19 – March)

Hollow Places Court in Ash-Tree Wood, Aldrich Contemporary Art Museum, Ridgefield, Connecticut, (June 26 – Dec. 31)
Grab grassy this moment your I’s, Laumeier Sculpture Park, St. Louis, (Feb. 12 – May 29)

Peer Out to See, Palacio de Cristal, Reina Sofia, Madrid, (July 14 – April 25)
Barbara Edwards Contemporary, Toronto (May 21 – July 10)
Prints and Sculpture, Usdan Gallery, Bennington College, Vermont, (Oct. 19 – Nov. 19)
Air Padded Table Haunches and…Carreras Mugica, Bilbao, (Dec. 15 – Feb. 26)

Sailcloth Tears, Mitchell-Innes & Nash, New York, NY (May 7 – June 20)
Swiss Cheese Field, Senior and Shopmaker Gallery, New York, NY (May 14 – July)
Robischon Gallery, Denver, CO (Nov. 7 – Dec. 31)
Coating, Nathalie Obadia, Paris, France (Sept. 5 – Oct. 10)

Jessica Stockholder – Lumps Bumps & Windy Figures Too, Galerie Art & Essai, Rennes, France, (November – December)
Statements: Martin Barre & Jessica Stockholder, Art 39 Basel: Galerie Nathalie Obadia, Paris, France

1301 PE, Los Angeles, CA (September – October)
Galerie Nächst St. Stephan, Vienna, Austria (November – January)
Galerie Thomas Schulte, Berlin, Germany (July – September)

Jessica Stockholder, Hafnarborg, Iceland, (August – October)
Jessica Stockholder, Mitchell-Innes & Nash, New York, NY (September – October)
Jessica Stockholder, Galleria Raffaella Cortese, Milan, Italy, (May – July)
Of Standing Float Roots in Thin Air, PS1 Contemporary Art Center, Long Island City, NY, (February – May)
Space Between, Galerie Nathalie Obadia, Paris, France (January – February)

Four Gummed-Up Bits of a Crepe Sole Balled Up Together with the Grimy Dirt on the Sidewalk and Stuck Dangling, but Firm, to the Bottom of the Shoe that Hangs on the Toe of the Foot under the Diving Board, Mario Diacono Gallery, Boston, MA
Kunsthallen Brandts Klaedefabrik, Odense, Denmark, survey exhibition
Blaffer Art Gallery, University of Houston, Houston, TX, career survey exhibition; cur by Terrie Sultan and Nancy Doll (cat.);
Weatherspoon Art Gallery
Air Padded Table Haunches, Art Unlimited, Basel
Galleria Civica D‟Arte Moderna e Contemporanea di Torino, Italy; sculpture and prints
Rawhide Harangue of Aching Indices As Told By Light. School of the Museum of Fine Arts, Boston, MA; September 15-October 21
Palazzo Massari Ferrara; October 8-December 11
Gallerie d‟arte moderna e contemporanea, Torino

Jessica Stockholder, Kissing the Wall: Works, 1988-2003, University of Houston (Sept 18 – Nov 21)
Sam Ran Over Sand or Sand Ran Over Sam, Rice University Art Gallery, Houston, Texas, site specific installation; (September 16 – 21 October)
Sable-Castelli Gallery, Toronto, Canada; new sculpture (June)

Table Top Sculpture, Gorney Bravin + Lee, New York, NY; (10 October – 15 November)
TV Tipped Toe Nail & the Green Salami, CAPC, Musée d‟art contemporain de Bordeaux, France; Jessica Stockholder,(13 June – 21 Sept.)
Jessica Stockholder Prints, Chelsea Art Museum, New York, NY; (5 April – 2 May)
Jessica Stockholder, Galerie Rolf Ricke, Cologne, Germany; (14 March – 17 April)
On The Spending Money Tenderly, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany; (Dec.-Jan. 2003)
Palm Springs Desert Museum, Palm Springs, CA (2 October – 3 April, 2005)
Blaffer Gallery, Houston, TX (17 Jan. – 14 March, 2004)
University of South Florida Contemporary Art Museum, Tampa, FL (29 Aug. – 14 Oct., 2003)
MAK Center for Art and Art History, Los Angeles, CA (Jan. 29 – April 13, 2003) Trespassing: Houses x Artists; Bellevue Art Museum, Bellevue, WA (31 Aug. 2002 – 5 Jan., 2003)
Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany (Dec.-Jan. 2003)

Baltic Art Center, Visby, Sweden, curated by Lynne Cooke
Galleria Raffaela Cortese, Milan, Italy (18 Jan. – Feb.)

Galerie Nächst St. Stephan, Vienna, Austria (15 Sept. – 10 Nov.)
Gorney Bravin + Lee, New York, NY; (10 Feb.- 10 March)
Galerie Nathalie Obadia, Paris, France; (13 Jan.- 3 March)

Vortex in the Play of Theatre with the Real Passion (for Kay Stockholder) and installation: Pictures at an Exhibition, Kunstmuseum St. Gallen, St. Gallen, Switzerland; installation, (17 March – 26 June)
Jessica Stockholder: Photography, Bucknell Art Gallery, Bucknell University, Lewisburg, PA: (17 Jan-18 Feb)

First Cousin Once Removed or Cinema of Brushing Skin, The Power Plant, Toronto, Canada; installation: (25 June – 6 Sept., cat.)
Galerie Rolf Ricke, Köln, Germany; studio works (spring)
With Wanton Heed and Giddy Cunning, Hedging Red and That’s Not Funny, Center for Visual Arts, Cardiff, Wales; installation:(1 Sept.-7 Nov.)

Catriona Jeffries Gallery, Vancouver, Canada; studio works (19 Nov.-)
Turning Paper, Galerie Nathalie Obadia, Paris, France; monotypes from Two Palms Press (24 Oct.-1 Dec.)
Fabian Marcaccio & Jessica Stockholder, Sammlung Goetz, München, Germany; (12 Oct.-27 Mar.1999,cat.)
Fabian Marcaccio & Jessica Stockholder, Works on Paper, Inc., Los Angeles, CA; (3 Oct.-14 Nov.)
Landscape Linoleum, Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerpen, Belgium; installation: (6 Sept. – 15 Nov., cat.)
Turning Paper, Betsy Senior Gallery, New York, NY; monotypes from Two Palms Press (30 Apr.-5 June)
Coupling, White Cube, London, England; installation:(23 Apr.- 23 May)
Torque, Jelly Role, and Goose Bump, Musée Picasso d’Antibes, Antibes, France; Installation: (16 Jan-22 Mar., cat.)
Nit Picking Trumpets of Iced Blue Vagueries, Musée des Beaux-Arts de Nantes / La Salle Blanche, Nantes, France; installation: (14 Jan.-13 Apr., cat.)

Slab of Skinned Water, Cubed Chicken & White Sauce, Kunstnernes Hus, Oslo, Norway; installation:(25 Oct.-23 Nov., cat.)
Jessica Stockholder: 200 Drawings, Otis Gallery of Otis College of Art & Design, Los Angeles, CA; (27 Sept.-25 Oct)
The Point of Departure: Moira Dryer & Jessica Stockholder, Gallery of Art, Johnson County Community College, Overland Park, KS; (21 Sept.-29 Oct., brochure)
Deutscher Akademischer Austauschdienst (D. A. A. D.), Berlin, Germany; drawings (25 Apr.-end May) Contemporary Fine Arts, Berlin, Germany; studio works (25 Apr.-24 May)
Jay Gorney Modern Art, New York, NY; studio works (5 Apr.-10 May)

Jessica Stockholder: 200 Drawings, Baxter Gallery, Maine College of Art, Portland, ME; (10 Oct.-3 Nov., cat.)
Bowtied In the Middle, Tom Solomon’s Garage, LA, CA; studio works & installation:(Apr.- May)
Studio La Città II, Verona, Italy; studio works (21 Jan., cat.)

Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume, Dia Center for the Arts, New York, NY; installation:(5 Oct.-21 June 1996, cat.)
Galerie Nathalie Obadia, Paris, France; studio works (9 Dec.-27 Jan.)
Jay Gorney Modern Art, New York, NY; studio works (Mar.- Apr. )
S. L. Simpson Gallery, Toronto, Canada; studio works (Feb.)
Sweet for Three Oranges, Sala Montcada de la Fundació “la Caixa”, Barcelona, Spain; installation: (18 Jan.-26 Feb., cat.)

Pink Lady, Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC; studio works & installation:(3 Apr.-29 May, cat.)
Joan Snyder and Jessica Stockholder, Jay Gorney Modern Art, New York, NY; (Jan.)

Galerie Ludwig, Krefeld, Germany; studio works (Sept.)
Edge of Hothouse Glass, Galerie des Arènes, Carré d’Art, Musée d’Art Contemporain de Nîmes, Nîmes, France; installation:(6 May-26 Sept., cat.)

Sea Floor Movement to Rise of Fire Place Stripping, Kunsthalle Zürich, Zürich, Switzerland; installation:(31 Oct.-3 Jan.1993, cat.)
SpICE BOXed Project(ion), Galerie Metropol, Wien, Austria; studio works and installation: (Sept.)
Flower Dusted Prosies American Fine Arts, Co., New York, NY; (May)
Growing Rock Candy Mountain – Grasses in Canned Sand, Westfälischer Kunstverein, Münster, Germany; (10 Apr.-31 May, cat.)

Skin Toned Garden Mapping, The Renaissance Society at the University of Chicago, Chicago, IL;(1 Oct.10 Nov., cat.)
Near Weather Wall and Making a Clean Edge II, Witte de With, Rotterdam, The Netherlands; studio works and two installations:(15 June-28 July, cat.)
Daniel Weinberg Gallery, Santa Monica, CA; studio works (May)
Ezra and Cecile Zilkha Gallery, Center for Arts, Wesleyan University, Middletown, CN; installation: UNTITLED Seepage: Sandwashed, Sundried & Shrinkwrapped, part three of three-part series: The Broken Mirror, curated by KlausOttman (Jan.)

Biennial, Whitney Museum of American Art, New York, NY

Mary Heilmann and Jessica Stockholder; For Mary Heilmann Isabella Kacprzak Galerie, Köln, Germany; (Oct.)
Where it Happened, American Fine Arts, New York, NY; studio works and installation: (Feb.)

Mixing Food with the Bed, The Mattress Factory, Pittsburgh, PA; (Oct., cat.)

Indoor lighting for my father, Mercer Union, Toronto, Ontario, Canada
It’s not over til the fat lady sings, Contemporary Art Gallery, Vancouver, BC, Canada; (1-26 Sept., cat.)

Wall Sandwich, Melinda Wyatt Gallery, New York, NY; (Aug.)

In-side out, Art Culture Resource Center, Toronto, Ont., Canada; (July)

Group Exhibitions

The Fragrance of Images – Works of coleccion OLOR VISUAL, Barcelona, Art and Culture Foundation Opelvillen Russelsheim, Germany

Senza Terra. Carta / Paper; Studio La Citta, Verona, Italy

The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co., Center for Cultural Studies, Bard College, Annandale-on-Hudson, NY

Generations Female Artists in Dialog Part 1; Sammlung Goetz, Munich, Germany Outliers and American Vanguard Art; National Gallery of Art, Concourse Galleries, Landover, MD

Sculpture Milwaukee, Wisconsin Avenue in Downtown Milwaukee, Curated by Russell Bowman, June 1-October 22

99 Cents or Less, MOCAD, Detroit, May 19-August 6

Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016, Hauser Wirth & Schimmel, Los Angeles, CA

20 Years / 20 Shows, SITE, Santa Fe, NM

Donation Florence et Daniel Guerlain, Centre Pompidou, Paris
“Erstwhile & Notwithstanding”, C.Ar.D. Contemporary Art & Design in Pianello Val Tidone, Italy

PAINT THINGS : beyond the stretcher, DeCordova Sculpture Park and Museum, MA
Painting in the Expanded Field, Mary S. Byrd Gallery of Art, Georgia Regents University
Impulse and Connoisseurship: Selections from the Forde Collection, Westmont Ridley-Tree Museum of Art
P!, New York, NY
Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA (January 27 – April 21)

Hors les murs, Galerie Nathalie Obadia, Brussels
Hollow Places Court in Ash-Tree Wood, Frac des Pays de la Loire
To be a lady , Norte Maar and 1285 Avenue of the Americas Art Gallery, New York
In Between, Galerie Nathalie Obadia, Brussels
Drawings by Sculptors, Inman Gallery, Houston, Texas, September 7 – October 27, 2012

Not about Paint, Steven Zevitas Gallery, Boston (June 18 – August 20)
Robischon Gallery, Denver, CO (June 9, 2011 – July 16)
Schnitte im Raum: Skulpturale Collagen, Museum Morsbroich, Leverkusen, Germany (June 19 – August 21)
21 Americans, Bernard Jacobson Gallery, New York (May 6 – June 21)
Towards the Third Dimension, David Floria Gallery, Aspen, CO (August 2 – September 5)

The Jewel Thief, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY, co-curated with Ian Berry (September 18, 2010 – February 27, 2011)
Friends in High Places, Christopher Henry Gallery, New York (March 12 – April 18)
España/América La Abstracción redefinida, Galleria Max Estrella, Madrid (January 28 – March 20)

Embrace!, Denver Art Museum, Denver, CO, (November 4, 2009 – April 4, 2010)
Transitions: Painting at the (Other) End of Art, Collezione Maramotti, Reggio Emilia, Italy, (May 24 – October 31)
Painting And Its Environs, Palacio de Sastágo, Zaragoza, Spain, (May 29 – July 19)
Living With…, Galleria Raffaella Cortese, Milan, Italy, (April 16 – May 20)
Mind The Step, 1301PE, Los Angeles, (January 17 – February 28)
Klaus Von Nichtssagend, Brooklyn
Winter Light, 1301 PE, Los Angeles, CA; (December 4 – December 22)

Color in 3D: Found, Applied, and Readymade, Westport Arts Center, Westport, CT, (April 18 – June 8)
Rita McBride Cornelia Parker Eva Rothschild Jessica Stockholder, Carreras Mugica, Bilbao, Spain; (November 21 – January 7)

Lust for Life: The Ricke Collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein, (September 12 – January 13,2008)
Pilar Parra & Romero, Madrid
Concrete Works, Mitchell-Innes & Nash, New York, NY (June 2 – July 27)
In Defense of Ardor, Bellwether, New York, NY (May 24 – June 30)
Lisa Boyle Gallery, Chicago, IL (July 14 – September 8)
Connecticut Contemporary, Wadsworth Atheneum Museum of Art, Hartford, CT, (April 19 – August 12)

Transitional Objects: Contemporary Still Life, Neuberger Museum of Art, Purchase College,
Paint, Vancouver Art Gallery, Canada,(Sept 30 – Feb 25)
SUNY, Purchase, NY, (September 17 – January 21)
Women’s Work, Greenberg van Doren Gallery, New York, NY, (March 22 – April 14)

Art 21, Inc, New York Dieu Donne Papermill Residency; accompanying exhibition
Pucker, the Gallery at Dieu Donne Papermill, New York
Material Matters, Cornell University, Johnson Museum of Art, Ithaca, NY;
Mark Muller, Germany
Polly Apfelbaum, Katharina Grosse, Karin Sander, and Jessica Stockholder Galerie Nacht St. Stefan

179th Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York; (May 6 – June 20)
Kunst Stoff, Galerie Nächt St. Stephan, Vienna, Austria; (5 Mar – 8 Apr)
Whitney Museum of American Art, New York, NY; “Whitney Biennial 2004” (11 March – 30 May)
Mark Muller, Germany
The Dunny Show, Kid Robot; Visionaire Gallery, New York
Kunst Stoff, Galerie Nachst St. Stephan, Vienna
Transformer, Kunstverein Ludwigsburg
The National Academy Museum Invitational, New York
Peintures Migrantes, Ecole Superieure des Beaux-Arts du Mans, Le Mans, France; (10 Nov – 23 Dec)

Flower Power; FRAC Lille, France; installation in group show (December)
Painting on Sculpture, Tanya Bonakdar Gallery, New York, NY; (20 Nov. – 10 Jan.)
Under Pressure: Prints from Two Palms Press, The Cooper Union School of Art, New York; (21 Jan – 21 Feb.)

Art Downtown: New Photography, Wall St Rising, New York, NY;(13 June – 15 Sept.)
Print Publisher’s Spotlight Two Palm Press, Barbara Krakow Gallery, Boston, MA; (27 Apr.-5 June)
SiteLines: Art on Main, Addison Gallery of American Art, Phillips Academy, Andover, MA;
New Editions & Monoprints, Pace/Prints, New York, NY; (19 June – 12 July)
Beyond the Pale: Material Possibilities, Neuberger Museum of Art, Purchase, NY; (3 Feb.-26 May)
Living Units; Triple Candie, NY; (June 15 – July 27)
Under Pressure: Prints from Two Palms Press, University Gallery, University of Massachusetts,
Amherst, MA; (2 February – 15 March)

Beau Monde: Toward a Redeemed Cosmopolitanism, Site Santa Fe, Santa Fe, NM; curated by Dave Hickey; installation: Bird Watching (14 July – 6 January)
Camera Works, Marianne Boesky Gallery, New York, NY; (28 June – 10 Aug.)
American Art from Sammlung Goetz, Rudolfinum, Prague, Czech Republic; (May)
Prints & Multiples, Senior & Shopmaker Gallery, New York, NY; (March)
Objective Color, Yale University Art Gallery, New Haven, CT; curated by Jennifer Gross (6 Feb- 25 Mar)
On Collecting: Pictures, Patents, Monkeys and More…, Western Gallery, Western Washington
University, Bellingham, WA and traveling under the auspices of Independent Curators
Incorporated; curated by Ingrid Schaffner (19 Jan. – Spring 2003, cat.)

In the Beginning was MERZ, Sprengel Museum, Hannover, Germany, installation: Gelatinous Too Dry (Schwitters homage exhibition traveling to Haus der Kunst, München, Germany)
Apparent Things: Painting with Things, installation: Pictures at an Exhibition, Haus der Kunst, München, Germany; (2 Sept. – 26 Nov., cat.)
Before They Became Who They Are, Kravets/Wehby Gallery, New York, NY; (13 Jan.-10 Feb), curated by Norman Dubrow
Galerie Nachst St. Stephan, Vienna, Austria (6 Dec.- 3 Feb. 2001)
Gebaude: Donald Judd, Gerhard Merz, Jessica Stockholder (with OpenOffice), Heimer & Döring
Kunstberatung, Berlin, Germany; (27 Sept. – 18 Nov.)
Skulptur 2000, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany; curated by Ute Riese (cat.,1 Oct-12 Nov)
Beyond the Press: Innovations in Print, Hand Workshop Art Center, Richmond, VA; (21 Jan- 12 Mar)
Spilled Edge/Soft Corner. Blackwood Gallery, University of Toronto at Mississauga, Erindale
College, Mississauga, Ont., Canada; (14 Jan. – 13 Feb.) (traveling)

Geez Louise!: Art After Louise Nevelson, Educational Alliance Gallery, New York, NY; (2 Dec. – 14 Jan. 2000)
Think Twice: International Sculpture Show, Galeria OMR, Mexico City, Mexico; (9 Nov.-9 Jan. 2000)
Drawing in the Present, Aronson & Main Galleries, Parson School of Design, New York, NY;(13 Oct-3 Dec.)
Galerie Nächst St. Stephan / Rosemarie Schwarzwälder, Wien, Austria; …und wandelt mit bedächtiger Schnelle vom Himmel durch die Welt zur Hölle, curated by Gunther Umberg (22 Sept. – 31 Oct.)
Recent Prints, Betsy Senior Gallery, New York, NY;(17 Apr. – 5 June)
Re: Rauschenberg, Marcel Sitkoske Gallery, San Francisco, CA; curated by Stuart Horodner (6 May – 3 July)
Special Offer: Eine Ausstellung des Kölner Galeristen Rolf Ricke, Kasseler Kunstverein, Kassel, Germany; (14 March – 11 Apr.)

Centre Georges Pompidou, Paris France: Dijon / le Consortium.coll; installations: House
Beautiful, 1994 and Recording Forever Pickled, 1990
Young Americans 2; studio works and installation: Bowtied In the Middle, 1995, Saatchi Gallery,London, England; (30 Apr.-12 July, cat.)
Coming Off the Wall, Susquehanna Art Museum, Harrisburg, PA; curated by Jonathan VanDyke (11 Nov.-5 Mar., cat.)
I Love New York: Crossover der aktuellen Kunst, curated by Dr. Christina Lissmann, Museum
Ludwig Köln, Köln, Germany; (6 Nov.-31 Jan., cat.)
Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen, Kunsthalle Zürich, Zürich,Switzerland; organized by Andreas Schweizer (30 Oct.-27 Dec.)
Interpreting, with curatorial perspectives by: Lynn Cooke, Lia Gangitano, Robert Storr and Lydia Yee, The Rotunda Gallery, Brooklyn, NY; curated by Dena Shottenkirk (10 Sept.-17 Oct.)
University of Texas at San Antonio Art Gallery, San Antonio, TX (3 Sept.-16 Oct., cat.);
University Art Gallery, New Mexico State University, Las Cruces, NM (13 June – 12 August);
Santa Barbara Contemporary Arts Forum, Santa Barbara, CA (20 Nov. – 2 Jan. 2000);
Chromaform: Color in, curated by Frances Colpitt
Painting Language, L A Louver Gallery, Los Angeles, CA; (5 Aug. – 5 Sept.)
Galerie Georg Kargl, Vienna, Austria; Review (13 June-, cat.)
Humble County, D’Amelio Terras Gallery, New York, NY; (11 June -31 July)
Exploiting the Abstract, Feigen Contemporary, New York, NY; (2 May-13 June)
Now and Later, alumni exhibition curated by Joachim Pissarro & Prof. Thomas Crow, Yale University Art Gallery, New Haven, CT; (27 Mar.-1 Aug.)
Pop / Abstraction, Museum of American Art of the Pennsylvania Academy of the Fine Arts, Philadelphia, PA; curated by Sid Sachs (21 Feb.-19 Apr.)
Alternative Measures, Castle Gallery, College of New Rochelle, New Rochelle, NY; curated by Susan Canning (1 Feb.-5 Apr., cat.)
Gallery Artists, Jay Gorney Modern Art, New York, NY; (17 Jan.-7 Feb.)

The Prophecy of Pop, Contemporary Arts Center, New Orleans, LA; curated by John Good (Nov.-Feb.98)
Heart, Mind, Body, Soul: American Art in the 1990s, Selections from the Permanent Collection, The
Whitney Museum of American Art, New York, NY; (3 Dec.-)
New York – Divergent Models, Nassauischen Kunstverein, Wiesbaden, Germany; curated by
Saul Ostrow (7 Sept.-19 Oct.)
Onomatopoeia, Studio La Città, Verona, Italy; (5 July-30 Aug.)
Colorflex, Apex Art, New York, NY; curated by Raphael Rubinstein (29 May-28 June, Across Lines: J.Beuys, M.Chin, M.DiSuvero, J.Duff, M.Kendrick, J.Monti, J.Silverthorne, R.Smithson,J. Stockholder, D.Weiner, F.West, Rosenberg Gallery, Hofstra University, Hempstead, NY; curated by Dan Devine (3-23 Apr.)
Wandstücke IV: S. Fleury, T. Grünfeld, I. Knoebel, L. Mantello, O.Metzel, J. Stockholder, R. Tiravanija Bob van Orsouw Galerie, Zürich, Switzerland; (17 Jan.-22 Feb.)
4e Biennale de Lyon, Halle Tony Garnier, Lyon, France; curated by Harald Szeemann; installation: Bowtied In the Middle, 1995 (cat.) Corderie Building, Venice, Italy;
La Biennale di Venezia: XLVII International Art Exhibition, curated by Germano Celant; installation: Recording Forever Pickled, 1991 (cat.)

L’Ossessione Del Segno, Studio La Città, Verona, Italy; (7 Dec.-)
Millennium Eve Dress, The Fabric Workshop and Museum, Philadelphia, PA; curated by Janet Kardon (6 Dec.-22 Feb.1997)
Unconditionally Abstraction, Schmidt Contemporary Art, St. Louis, MO; (23 Nov.-20 Dec.)
Patterns of Excess, Beaver College Art Gallery, Beaver College, Glenside, PA; curated by Paula Marincola (7 Nov.-20 Dec.)
Luminous Bodies, Rotunda Gallery, Brooklyn, NY; curated by Dara Meyers-Kingsley (19 Sept.- 2 Nov. cat.)
What I Did On My Summer Vacation, White Columns, New York, NY; (benefit photography project) (13 Sept.-20 Oct.)
Form als Ziel mündet immer in Formalismus (Mies van der Rohe) Galerie Rolf Ricke, Köln, Germany; (7 June -10 Aug.)
Painting In An Expanding Field, Usdan Gallery, Bennington College, Bennington, VT, organized by Saul Ostrow
Square Bubbles, Nott Memorial Art Museum, Union College, Schenectady, NY; curated by Arthur Gibbons
Painting Outside Painting: 44th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, DC; curated by Terrie Sultan (Dec.), cat.
Una Nuova Tradizione Americana, Galerie Oddi Baglioni, Rome, Italy; (Oct.)
Contemporary Art Museum, University of South Florida, Tampa, FL (30 Oct.- 22 Dec.);
Wolfson Galleries, Miami-Dade Community College, Miami, FL; Robert Hull
Re:Fab: Painting Abstracted, Fabricated, Fleming Museum, University of Vermont, Burlington, VT; curated by Rochelle Feinstein, Shirley Kaneda and Margaret A. Miller (cat.)
Elena Sisto, Lisa Hoke, Jessica Stockholder Dru Arstark Gallery, New York, NY
Rooseum, Malmö, Sweden (5 Oct.-15 Dec.)
Painting The Extended Field; Magasin 3, Stockholm, Sweden;studio works and installation: Bowtied In the Middle (cat.)

1995 Collectie Presentatie Moderne Kunst, Centraal Museum Utrecht, Utrecht, The Netherlands; (Apr.)
Color in Space: Pictorialism In Contemporary Sculpture, David Winton Bell Gallery, List Art Center, Brown University, Providence, RI; curated by George Hofmann (Apr., cat.)
New York – Positionen Aktueller Malerei, Studiogalerie der Kunstverein Museum Schloá Morsbroich, Leverkusen, Germany; (Mar., cat.)
On Target, Horodner Romley Gallery, New York, NY; (project: artists alterations on “Target”, 1970 print by Jasper Johns)(Jan.)
Targets, Horodner Romley Gallery, Soho NY (Jan-Feb 25)
Neue Galerie am Landesmuseum Joanneum, Graz, Austria; Pittura – Immedia: Malerei in den 90er Jahren, curated by Peter Weibel; installation: Recording Forever Pickled (Mar., cat.)

Unbound: Possibilities in Painting, installation: Fat Form and Hairy: Sardine Can Peeling, Hayward Gallery, The South Bank Centre, London, England; curated by Adrian Searle & Greg Hilty; (Feb., cat.)
Country Sculpture: House Beautiful, Le Consortium, Dijon, France; (May)
Joe’s Garage, TZ’Art & Co., New York, NY;curated by Stephanie Theodore (Dec.)
Ethereal Materialism, Apex Art, New York, NY; curated by Susan Harris (Nov.)
Symphonie en Sous-Sol, Galerie Renos Xippas, Paris, France; organized by Nathalie Obadia (Sept.)
The Little House on the Prarie, Marc Jancou Gallery, London, England; (Sept.)
Balkenhol, Dunham, Gilliam, Hirst, McCaslin, Stockholder, Weinstein, Baumgartner Galleries, Washington, DC; (July)
Herr Schleiermachers Sista Dröm: Föreställningar om Måleriet, Galerie Nordenhake, Stockholm, Sweden;(May)
John Dunn, Adelheid Mers, Carla Preiss, Jessica Stockholder, curated by Arturo Herrera, N.A.M.E. Gallery, Chicago;(Apr.)
Information Service, Goethe House, New York, NY;(Mar.)
Untitled…, Postmasters Gallery, New York, NY; (Feb.)
The Beauty Show, Four Walls, Brooklyn, NY; organized by James Siena (Jan.- with panel discussion)
Possible Things: A Drawing Show, curated by Vik Muniz, Bardamu Gallery / Publishing House, New York, NY; (Jan.)
Don’t Look Now, organized by Joshua Decter, Thread Waxing Space, New York, NY; (Jan., cat.)
Reveillon ‘94, Stux Gallery, New York, NY; (Jan.)

Testwall: Small 3 Dimensional Multiples, TZ’Art & Co., New York, NY; (Nov.)
Galerie Nathalie Obadia, Paris, France (Nov.)
Jours Tranquilles à Clichy, Tennisport Arts, New York, NY; curated by Alain Kirili (Sept.)
Jours Tranquilles à Clichy, curated by Alain Kirili, 40, Rue de Rochechouart, Paris, France; (June)
Lothringer Straße 13, München, Germany; Ordnung und Zerstörung, curated by Noemi Smolik (May)
The Good, the Bad, and the Ugly…a modest proposal, curated by Peter Hopkins, Galerie Jousse Seguin, Paris, France;(May)
John Good Gallery, New York, NY (May)
Anniversary Exhibition, Daniel Weinberg Gallery, Santa Monica, CA;(Apr.)
Mettlesome & Meddlesome: Selections from the Collection of Robert J. Schiffler, The Contemporary
Arts Center, Cincinnati, OH; (Feb., book)
American Fine Arts, New York, NY (Jan.)
Simply made in America, The Aldrich Museum of Contemporary Art, Ridgefield, CN; curated by Barry A. Rosenberg(Jan., cat.)

As Long as It Lasts; installation: Catcher’s Hollow, Witte de With, Rotterdam, Netherlands; (July)
Transgressions in the White Cube: Territorial Mappings, Suzanne Lemberg Usdan Gallery,
Bennington College, Bennington, VT; organized by Joshua Decter (Nov., cat.)
Mary Heilmann, Jack Pierson, Jessica Stockholder, Pat Hearn Gallery, New York, NY; (Sept.)
Cultural Fabrication, John Good Gallery, New York, NY;(June)
Women artists not included in Documenta 9, Kunstlerhaus Stuttgart, Stuttgart, Germany; (June)

Le Consortium collectionne; installation: Recording Forever Pickled, Chateau d’Oiron, Oiron, France; July)
Jürgen Meyer, Jessica Stockholder, Franz West, Christine Burgin Gallery, New York, NY; (Dec.)
American Artists of the Eighties, Palazzo delle Albere, Museo Provinciale d’Arte, Trento, Italy; (Dec., cat.)
Plastic Fantastic Lover (object a), Blum Helman Warehouse, New York, NY; curated by Catherine Liu (Oct, cat.)
Southeastern Center for Contemporary Art, Winston-Salem, NC;
Hirshhorn Museum and Sculpture Garden, Washington, DC;
Albuquerque Museum, Albuquerque, NM;
Awards in the Visual Arts 10, Toledo Museum of Art, Toledo, OH; (June, cat.)
Sculptors’ Drawings, Paula Cooper Gallery, New York, NY; (May)
The Museum of Natural History, Barbara Farber Gallery, Amsterdam, The Netherlands; curated by Robert Nickas (Apr., cat.)
Physicality: An Exhibition on Color Dimensionality in Painting, The Gallery, New York, NY; curated by George Hoffman (Mar., cat.)
Peter Nadin and Jessica Stockholder, Warren Adelson Gallery, New York, NY; organized by Thea Westreich (10 Apr.-4 May, cat.)
Outside America: Going into the 90’s, Fay Gold Gallery, Atlanta, GA; curated by Tricia Collins and Richard Milazzo (Apr., cat.)
Stuttering, Stux Gallery, New York, NY; (Dec.)
Biennial; installation: Recording Forever Pickled Too, Whitney Museum of American Art, New York, NY; (April, cat.)

The Technological Muse, Katonah Museum of Art, Katonah, NY, curated by Susan Fillin-Yeh (Nov., cat.)
Le Choix Des Femmes; Consortium, Espace Frac and L’Usine, Dijon, France; installation (at Le Consortium): Recording Forever Pickled (Nov., cat.)
Contingent Realms, The Whitney Museum of American Art at Equitable Center, New York, NY; curated by Adam Weinberg (Sept., cat.)
Detritus, Jack Tilton Gallery, New York, NY; curated by Janine Cirincione (July)
Stendhal Syndrome: The Cure, Andrea Rosen Gallery, New York, NY; curated by Rhonda Lieberman, Catherine Liu & Lawrence Rickels (June, cat.)
Daniel Weinberg Gallery, Santa Monica, CA (June)
Jack Tilton Gallery, New York, NY (Feb.)
Information, Terrain, San Francisco, CA; fax-art exhibition curated by Robert Nickas, Armando Rascon, and Peter Wright (Jan.)
Pop 90,Postmasters Gallery, New York, NY; (Jan.)

Making a Clean Edge, P. S. 1, Long Island City, NY
Berkshire Art Association 1989 Exhibition of Painting and Sculpture, Berkshire Museum, Pittsfield, MA; juried by Lisa Phillips (Sept., cat.)
American Fine Arts, Co., New York, NY (Aug.)
A Climate of Site, Barbara Farber Gallery, Amsterdam, Netherlands; curated by Robert Nickas (Jan. cat.)
Galerie Xavier Hufkens, Brussels, Belgium (Jan.)

Artists and Curators, John Gibson Gallery, New York, NY; (Sept.)

Wall Sandwich, Melinda Wyatt Gallery, New York, NY
Selections from the Artists File; installation: The Lion the Witch and the Wardrobe, Artists Space, New York, NY; (Sept., cat.)

Graduation Exhibit, McPherson Library Gallery, University of Victoria, Victoria, Canada; (May)
Vilio Celli, Laurie Metters, Jessica Stockholder, Open Space Gallery, Victoria, BC, Canada







Kavi Gupta is pleased to announce Jessica Stockholder’s inclusion in New York Studio Conversations II. 

“For New York Studio Conversations II, art historian Stephanie Buhmann conducted interviews with twenty female artists. While their genres, aesthetics and media differ greatly, they still have one thing in common: they all live and work in New York. In search of the contents, which are outside the medial fixation on the art market, Buhmann visited the artists in their studios and gained insights in the intimate space of their artistic practices. New York Studio Conversations II presents their unique work processes and approaches, while telling of various philosophies, sources of inspiration and personal histories.

Artists presented in this book: Rebecca Smith, Kim Uchiyama, Virva Hinnemo, Mary Abbott, Keiko Narahashi, Julie Heffernan, Judy Glantzman, Jessica Stockholder, Lorrie Goulet, Pat Steir, Sharon Horvath, Julie Mehretu, Leslie Roberts, Ghada Amer, Louise Fishman, Shirin Neshat, Alicia Henry, Petah Coyne, Carolee Schneemann, Shahzia Sikander.” -The Green Box

Jessica Stockholder — Jessica Stockholder SMART Museum Talk

Jessica Stockholder talks about her work and the process of creating Rose’s Inclination, a site-specific installation at the University of Chicago’s Smart Museum of Art.

Jessica Stockholder — Jessica Stockholder - “Door Hinges” Walkthrough

A conversation with artist Jessica Stockholder, walking through “Door Hinges” (2015), her solo exhibition at Kavi Gupta | Elizabeth St. which opened September 12, 2015. Video by Steven Rosofsky Moving Pictures

Jessica Stockholder — Jessica Stockholder. Peer Out to See (Atisbar para ver)

Jessica Stockholder discusses her installation at the Museo Reina Sofía

Courtesy of Museo Reina Sofía